It's tough to kick a mewing kitten, even one this stupid and ugly.
The Fountain (2006)
Tomatometer
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Reviews Counted:187
Fresh:96
Rotten:91
Average Rating:5.9/10
Consensus: The Fountain -- a movie about metaphysics, universal patterns, Biblical symbolism, and boundless love spread across one thousand years -- is visually rich but suffers from its own unfocused ambitions.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
US Box Office: $10,046,093
Synopsis: It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate... It's been a long, strange trip since Darren Aronofsky last invited viewers into his cinematic world--six years in fact--but THE FOUNTAIN is sure to enchant, beguile, and inspire intense debate among his patient fans. During the frustrating gap since 2000's REQUIEM FOR A DREAM, Aronofsky has struggled to bring THE FOUNTAIN to the screen, principally because leading man Brad Pitt dropped out of the project. The complex tale is split into three different time periods, beginning in the 16th century, when a conquistador named Tomas (Hugh Jackman) strives to find the Tree of Life. The second part of the story finds Jackman playing a Buddha-like character who zips through outer space and dreams of a woman named Izzi (Rachel Weisz). And the third part, which consumes most of the film's screen time, is set in the present day and sees Jackman playing a doctor named Tommy, who is married to the terminally-ill Izzi. In this third section Tommy strives to find a cure for Izzi's brain tumor, and makes some progress after experimenting on a monkey with a substance discovered in a tree in South America. Meanwhile, Izzi has been writing a book that she calls THE FOUNTAIN, but has left the final chapter for Tommy to write. As Aronofsky pushes and pulls his sepia-tinted film between the three time periods, he weaves a deeply thoughtful, special effects-laden story that touches on themes of mortality and self, and requires a great deal of work from the director's audience. Movies such as Kubrick's 2001 and Tarkovsky's SOLARIS come to mind as Aronofsky gets deep into philosophical waters, and the various story strands of THE FOUNTAIN are as inconclusive and open to interpretation as the films that have clearly influenced it. The film makes for uneasy and sometimes confusing viewing, but will find its audience among intrepid souls who are fully prepared to let go and immerse themselves in Aronofsky's peculiar, daring, and thoughtful cinematic universe. [More]
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn
Starring: Darren Aronofsky, Hugh Jackman, Rachel Weisz, Ellen Burstyn, Ethan Suplee, Cliff Curtis, Sean Gullette, Mark Margolis, Donna Murphy, Sean Patrick Thomas, Stephen McHattie
Director: Darren Aronofsky
Director: Darren Aronofsky
Story: Ari Handel
Producer: Arnon Milchan, Iain Smith, Eric Watson
Studio: Warner Bros.
Reviews for The Fountain
The Fountain may be a deeply flawed film, but at least it is unlike anything else in mainstream theatres right now.
I can’t stop thinking about it, a good indication that this beautiful, frustrating film is tapping into something I can’t put my finger on.
It's a sprawling experiment in philosophical time travel and metaphysical noodling. And it's an earnest, magnificent wreck.
An intoxicatingly beautiful but painfully simplistic fable about love and death.
It's refreshing to be in the hands of a filmmaker with a unique vision, and a pleasure to be challenged by a film's flights of imagination.
It's a spiritual journey about the timelessness of true love. And it's a journey better not taken.
The Fountain is [Aronofsky's] most accessible movie, romantic and almost straightforward until its finale.
Sitting through a foundering film can be miserable experience. It's particularly painful to see a talented director miss the mark.
[The Fountain] doesn’t make one lick of sense, and it doesn’t seem to be about much of anything at all.
It's often maddening, because of its structure, and some of its visuals are pretentious nonsense. But, as a story of undying love, it's certainly unique.
As an act of creation, The Fountain is mostly about its creator. It is a reminder that obsessions are generally about the person obsessed and not the person obsessed about.
Despite Aronofsky's obviously earnest and heartfelt efforts, this would-be trippy fantasy about love and death is kookier and sillier than anything else.
It’s mostly for naught, because while the central relationship in The Fountain covers a lot of ground, it doesn’t really go anywhere.
I know someone who told me the movie's central love story made her weep, but my tears had more to do with disappointment -- I've been a big Aronofsky fan.
Latest News for The Fountain
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January 16, 2009:
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With critical success for Slumdog Millionaire last week (94%), we have more award-friendly fare in the UK cinemas this Friday in Darren Aronofsky's spandex-tastic The Wrestler.... More...
December 05, 2008:
Aronofsky Hopes for "Reassembly" of The Fountain ![]()
Darren Aronofsky is basking in the glow of positive reviews for "The Wrestler," but he still hasn't quite let go of "The Fountain" -- and he'd like to put together a... More...
November 21, 2007:
Box Office Guru Preview: Enchanted Leads Packed Holiday Weekend
This weekend For the first time this decade, a new release seems set to take over the number one spot during the busy Thanksgiving holiday weekend at the North American box... More...
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