A wondrously baffling jigsaw puzzle where dreams and reality struggle to find a fit, The Science of Sleep is the dream you wish you could have, if you could only remember it
The Science of Sleep (2006)
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Reviews Counted:152
Fresh:105
Rotten:47
Average Rating:6.6/10
Consensus: Lovely and diffuse, Sleep isn't as immediately absorbing as Gondry's previous work, but its messy beauty is its own reward.
Runtime: 1 hr 46 mins
Genre: Dramas
US Box Office: $4,572,038
Synopsis: For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP.... For his first non-documentary film after 2004's ETERNAL SUNSHINE OF THE SPOTLESS MIND, French writer/director Michel Gondry applies his highly inventive cinematic vision to THE SCIENCE OF SLEEP. Largely set in the very active subconscious mind of Stephane (Gael Garcia Bernal), the movie bounces back and forth between his vivid dreams and mundane real life, which involves living in a Parisian apartment owned by his mother (Miou-Miou) and working at an office with a strange crew of characters, including the crass Guy (Alain Chabat). When Stephane meets Stephanie, a shy neighbor from next door (played by Charlotte Gainsbourg, the daughter of Gallic crooner Serge Gainsbourg and British singer/actress Jane Birkin), the two form an unusual friendship, one that may or may not lead to romance. Even more than ETERNAL SUNSHINE, THE SCIENCE OF SLEEP is marked by Gondry's whimsical-yet-melancholy aesthetic (honed working on videos by Bjork, the White Stripes, and others), which makes heavy use of stop-motion animation and other playful visual tricks. While the former film was rooted in its American setting (Long Island, NY), SLEEP is a thoroughly European affair steeped in its French setting, with the eccentric Stephane (a transplant from Mexico) alternating between speaking (and even dreaming) in English, French, and Spanish. Although its occasionally over-the-top quirkiness may baffle some viewers, SLEEP's unpredictable and engagingly odd sense of storytelling is sure to intrigue fans of other indie classics such as AMELIE and PUNCH-DRUNK LOVE. [More]
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat
Starring: Gael Garcia Bernal, Charlotte Gainsbourg, Miou-Miou, Alain Chabat, Pierre Vaneck, Sacha Bourdo
Director: Michel Gondry
Director: Michel Gondry
Screenwriter: Michel Gondry
Composer: Jean Michel Bernard
Studio: Warner Independent
Reviews for The Science of Sleep
Gainsbourg has anti-film presence. Why is she in movies hiding from the camera and not wearing makeup or combing her hair?
There's no question about it-the mind of Michel Gondry is a weird, wonderful place.
Michel Gondry's follow-up to Eternal Sunshine of the Spotless Mind isn't as cohesive as that much-loved hipster head trip, but it's a wildly imaginative picture in its own right.
The film has no shape, but while we watch, Gondy makes sure we're lovingly distracted with his individual, inventive moments.
The flying sequences, though extremely lo-tech, succeed in stirring that feeling of flight, stirring a few stomach butterflies.
... between the chaotic zigs and creative jags, it proclaims its own kind of messy authenticity and a bittersweet beauty.
the film's wild images and sense of fun are fleeting at best, and start to leak away the second the credits begin to roll
Visually, the movie is childlike -- ornamented with the oddments that a little girl might keep in a box under her bed and decorated with the fancies that a boy might draw in the margins of a school book.
Like the best dreams, it'll leave you a little dazed, and wishing you could close your eyes and put yourself back in its world.
What Eternal Sunshine did with magic and whimsy, The Science of Sleep accomplishes with confusion and pretentiousness.
In the end, after your time with it, you'll recall it with a smile, remembering its childish wonderment and mischievous sense of humor.
The most definitive, most expressive, most imaginative, most thorough, most beautiful cinematic cogitation of romance, ever. And a big middle finger to everyone who disagrees.
Michel Gondry is to visual art as Van Gogh is to post-impressionism; vivid bold and fearless, the seam of reality is present but you're never quite sure where they will lead your emotions, while taking an established artform to a different level.
This determinedly nonlinear filmmaking tells the story more accurately than cinéma vérité ever could.
A thwarted love story that does not trade in the degraded cliches either of romance or conventional sexiness.
The Science Of Sleep is a collection of lovely little moments and inspired effects with not much holding them together.
I doubt any other movie of 2006 will inspire as many walkouts as The Science of Sleep, a declaration which in itself should function as a no-holds-barred recommendation for those seeking something unusual in their moviegoing diet.
The shadow side of imagination is revealed through the adventures of a batty young man who lives in his own little dream world.
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