A Sergio Leone epic about the foundation of a specific aspect of the American character.
There Will Be Blood (2007)
Tomatometer
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Reviews Counted:198
Fresh:180
Rotten:18
Average Rating:8.4/10
Consensus: Widely touted as a masterpiece, this sparse and sprawling epic about the underhanded "heroes" of capitalism boasts incredible performances by leads Daniel Day-Lewis and Paul Dano, and is director Paul Thomas Anderson's best work to date.
Australian Rating: M [See Full Rating] Moderate violence and themes
Runtime: 2 hrs 38 mins
Genre: Dramas
Australian Theatrical Release:
Feb 9, 2008 Wide
US Box Office: $40,133,435
Synopsis: Director Paul Thomas Anderson’s THERE WILL BE BLOOD is a masterly, unflinching examination of a consummately evil man. Daniel Plainview (via a transcendent performance by the great Daniel... Director Paul Thomas Anderson’s THERE WILL BE BLOOD is a masterly, unflinching examination of a consummately evil man. Daniel Plainview (via a transcendent performance by the great Daniel Day-Lewis) is, as he likes to remind those around him, an oil man: he finds it, he drills for it, and he makes money from it. Following a tip from a visitor named Paul Sunday, whose family sits atop a veritable ocean of oil, Plainview travels to the town of New Boston, California, with his young son. Sunday’s preacher brother Eli (both roles are played by the excellent Paul Dano) grudgingly accepts Plainview’s ambitions under the condition that he help fund the town church. As Plainview’s plans come to fruition, a series of events begin to fracture the insular world he has constructed for himself, pitting Plainview against Sunday and forcing him to become even more vindictive and ruthless. Anderson proved with BOOGIE NIGHTS and MAGNOLIA that he was adept at handling expansive storylines and layered plots; however, he stakes out a claim here as a new master of the cinematic epic. The film is visually stunning, and alternates between lush widescreen shots of the desert and meticulously composed, darkly lit close-up of his actors, presenting complex images of the American landscape and the souls that dot it. As a narrative, THERE WILL BE BLOOD is told with a sense of economy, yet never at the expense of the film’s inherently grand scope. It’s difficult to determine precisely what Anderson wants his viewers to take from the experience: the film is, in the end, appropriately complex and ambiguous. THERE WILL BE BLOOD forces us to confront Plainville, who seems to be a larger-than-life personification of evil; that we don’t entirely understand him at the film’s conclusion is not a shortcoming, but rather a tribute to the depths of this most vile creature and this most brilliant film. [More]
Starring: Daniel Day-Lewis, Paul Dano, Kevin J. O'Connor, Ciaran Hinds
Starring: Daniel Day-Lewis, Paul Dano, Kevin J. O'Connor, Ciaran Hinds, Dillon Freasier
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Paul Thomas Anderson, Joanne Sellar, Daniel Lupi
Composer: Jonny Greenwood
Studio: Paramount Vantage
Reviews for There Will Be Blood
qualities normally regarded as the bedrock of the American Dream - rugged individualism, rampant entrepreneurship and rags-to-riches mobility - are flipped over to expose a dark undercurrent of monomaniacal male solipsism.
Daniel Day-Lewis bestrides the narrow world like a colossus as Daniel Plainview, a turn-of-the-last-century prospector for gold and silver who stumbles upon oil in rural California and goes after it with the ferocity, focus, and ethical sensitivity of a f
Anderson's period piece evokes memories of East of Eden with its family conflicts, Elmer Gantry in its evangelical moments, and Days of Heaven in its epic visuals.
No one is the perfect, untouchable moralist... This is, in fact, the strongest truth behind the movie
It's the kind of quality film that could have been made at any point in film history or film future and still maintain its social, philosophical and emotional relevance.
The moments that linger long after you've left the theater and forgotten how damned tedious the whole thing was are with Paul Dano's smug, moon-faced preacher
Daniel Day-Lewis's magnificent, sanguine performance as oilman Daniel Plainview is just one of many reasons to catch P.T. Anderson's latest feature.
Is this an indictment of American progress, our pursuit of oil, of riches, or is it an indictment of the pursuit of spirituality led by spiritless men? Or D, all of the above?
A masterful tale of the parallels and disconnections between primal bloodlust and a life of luxury. Both the movie and the man that sit at the center of that idea are a marvel to watch. Sumptuous and snarling all at once, it's a classic.
It's as if you can feel the oil flowing under the ground, bubbling, seeking a weak patch of earth from which to spew. But, the climactic emotional equivalent never occurs.
I'd rather see something this daring--even when it doesn't quite work--over a generic Hollywood blockbuster any day.
I hate the way the film forces us into its epic structure and purposefully fractured narrative as if the audience is a puppy having its little nose shoved in a puddle of its own making.
Beautifully crafted and acted though There Will Be Blood is, Daniel Plainview remains an enigma. This and weak, reaching developments in the third act make the film a lesser epic.
... a strong movie, with extraordinary visual power and the unsettling ambiguity of genuine art.
We have grown used to tales about what is won in conquest. What still shakes the American character at its core are tales such as this one, about what is lost.
Latest News for There Will Be Blood
October 03, 2008:
Further Reading: Marion Cotillard and Forest Whittaker in Abel Ferrara's Mary
As the NFT in London prepares a Juliette Binoche season, Kim looks at Abel Ferrara's Mary which also stars Marion Cotillard and Forest Whittaker. More...
April 07, 2008:
RT on DVD: There Will Be Blood Drinks Lions for Lambs, Dewey Cox's Milkshakes
P. T. Anderson's Oscar-winning oil opus There Will Be Blood hits shelves this week, so if you missed Daniel Day-Lewis' astounding turn as the prospector with a heart as black as... More...
March 19, 2008:
UK Box Office Breakdown: 10,000 B.C. claims no. 1 spot
Roland Emmerich's 10,000 B.C. claims the UK box office number 1 spot, despite being panned by critics. More...
March 05, 2008:
UK Box Office Breakdown: Slow Week Sees Bank Job Claim No.1
A slow week at the box office allowed Jason Statham's The Bank Job to sneak into first place in the UK charts. Meanwhile Rambo, Cloverfield and Alvin and the Chipmunks all... More...
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