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Thirteen Days (2000)
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Reviews Counted:114
Fresh:94
Rotten:20
Average Rating:7.1/10
Consensus: Thirteen Days offers a compelling look at the Cuban Missile Crisis and deftly portrays the personalities of people involved.
Runtime: 2 hrs 27 mins
Genre: Dramas
US Box Office: $33,094,473
Synopsis:
For thirteen extraordinary days in October of 1962, the world stood on the brink of an unthinkable catastrophe. Across the globe, people anxiously awaited the outcome of a harrowing political,...
For thirteen extraordinary days in October of 1962, the world stood on the brink of an unthinkable catastrophe. Across the globe, people anxiously awaited the outcome of a harrowing political, diplomatic and military confrontation that threatened to end in an apocalyptic nuclear exchange between the United States and the Soviet Union.
In Thirteen Days, the power and peril of the American presidency is dramatically explored by director Roger Donaldson, who captures the urgency, suspense and paralyzing chaos of the Cuban Missile Crisis.
The alarming escalation of events during those fateful days brought to the fore such public figures as Robert McNamara, Adlai Stevenson, Theodore Sorenson, Andrei Gromyko, Anatoly Dobrynin, McGeorge Bundy, Dean Acheson, Dean Rusk, and General Curtis LeMay. In addition many others -- politicians, diplomats and soldiers -- were on the front line of the showdown. In Thirteen Days, we see all of these people, -- and, above all -- President John F. Kennedy and his brother Bobby, through the eyes of a trusted presidential aide and confidante, Kenneth P. O'Donnell (Kevin Costner).
O'Donnell, who served as Special Assistant to the President, was a key White House insider with a birdseye view of the crisis. His office was next door to the President's Oval Office, and he was a major behind the scenes figure in the Kennedy White House. In the film, O'Donnell serves as a conduit to this gripping dramatization of one of the most dangerous moments in modern history.
The film moves from the bitter debates that lingered within 1600 Pennsylvania Avenue to the skies above Cuba, where U.S. spy planes reveal the progressive missile build-up, and to the high seas, where a standoff between U.S. and Soviet ships threatens to trigger war.
While mounting evidence suggests that the risk of a nuclear exchange was far greater than previously imagined, no one will ever know everything that happened behind closed doors at the White House. But, drawing on numerous historical sources, including White House tapes, memoirs, oral histories, CIA documents and personal interviews, screenwriter David Self has dramatized and woven together a story inspired by the events of October 1962 into a memorable thriller. Thirteen Days is, at its heart, a story of men who, through a stunning and bold combination of force and diplomacy, attained their shining moment in what appeared to be the nation's darkest hour.
Starring: Kevin Costner, Bruce Greenwood, Steven Culp
Starring: Kevin Costner, Bruce Greenwood, Steven Culp
Director: Roger Donaldson
Director: Roger Donaldson
Screenwriter: David Self
Producer: Armyan Bernstein, Peter O. Almond
Studio: New Line Cinema
Reviews for Thirteen Days
Director Roger Donaldson does great work at tightening the suspense and peppering the Oval Office drama with enthralling action sequences.
Ernest performances from its actors, with an ability to unfold an historical turning point in a very entertaining, dramatic way.
Perfectly gripping for those old enough to remember the terror under which Washington, Moscow, and the rest of the world lived that month in 1962.
Fiction could not be more frightening, nor make for better cliffhanging entertainment.
Offers a rare glimpse at why, with good reason for a change, Jack and Bobby deserved to be appreciated.
If you like intelligent thrillers, political drama, or skilful dramatizations of history, then you’re going to love Thirteen Days.
Anytime a studio can make a genuinely thrilling 2 and a half hour movie based on events already known to the audience, it's scored no small measure of success
A thrilling investigation into the decisions and internal power struggles that shaped what was perhaps John F. Kennedy’s most crucial political situation.
Donaldson shrewdly resists the faux-documentary clichés of hand-held camerawork and characters who directly address the audience; instead, he allows the impression of reality to flow organically from the performers and situations.
Praise goes to screenwriter David Self and director Roger Donaldson for lighting, and then snuffing out, the Doomsday fuse, and keeping you on the edge of your seat for the whole two and a half hours.
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