The biggest problem for Thirteen Days isn't its rudimentary politics or rah-rah reminiscing, but its execution.
Thirteen Days (2000)
Tomatometer
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Reviews Counted:114
Fresh:94
Rotten:20
Average Rating:7.1/10
Consensus: Thirteen Days offers a compelling look at the Cuban Missile Crisis and deftly portrays the personalities of people involved.
Runtime: 2 hrs 27 mins
Genre: Dramas
US Box Office: $33,094,473
Synopsis:
For thirteen extraordinary days in October of 1962, the world stood on the brink of an unthinkable catastrophe. Across the globe, people anxiously awaited the outcome of a harrowing political,...
For thirteen extraordinary days in October of 1962, the world stood on the brink of an unthinkable catastrophe. Across the globe, people anxiously awaited the outcome of a harrowing political, diplomatic and military confrontation that threatened to end in an apocalyptic nuclear exchange between the United States and the Soviet Union.
In Thirteen Days, the power and peril of the American presidency is dramatically explored by director Roger Donaldson, who captures the urgency, suspense and paralyzing chaos of the Cuban Missile Crisis.
The alarming escalation of events during those fateful days brought to the fore such public figures as Robert McNamara, Adlai Stevenson, Theodore Sorenson, Andrei Gromyko, Anatoly Dobrynin, McGeorge Bundy, Dean Acheson, Dean Rusk, and General Curtis LeMay. In addition many others -- politicians, diplomats and soldiers -- were on the front line of the showdown. In Thirteen Days, we see all of these people, -- and, above all -- President John F. Kennedy and his brother Bobby, through the eyes of a trusted presidential aide and confidante, Kenneth P. O'Donnell (Kevin Costner).
O'Donnell, who served as Special Assistant to the President, was a key White House insider with a birdseye view of the crisis. His office was next door to the President's Oval Office, and he was a major behind the scenes figure in the Kennedy White House. In the film, O'Donnell serves as a conduit to this gripping dramatization of one of the most dangerous moments in modern history.
The film moves from the bitter debates that lingered within 1600 Pennsylvania Avenue to the skies above Cuba, where U.S. spy planes reveal the progressive missile build-up, and to the high seas, where a standoff between U.S. and Soviet ships threatens to trigger war.
While mounting evidence suggests that the risk of a nuclear exchange was far greater than previously imagined, no one will ever know everything that happened behind closed doors at the White House. But, drawing on numerous historical sources, including White House tapes, memoirs, oral histories, CIA documents and personal interviews, screenwriter David Self has dramatized and woven together a story inspired by the events of October 1962 into a memorable thriller. Thirteen Days is, at its heart, a story of men who, through a stunning and bold combination of force and diplomacy, attained their shining moment in what appeared to be the nation's darkest hour.
Starring: Kevin Costner, Bruce Greenwood, Steven Culp
Starring: Kevin Costner, Bruce Greenwood, Steven Culp
Director: Roger Donaldson
Director: Roger Donaldson
Screenwriter: David Self
Producer: Armyan Bernstein, Peter O. Almond
Studio: New Line Cinema
Reviews for Thirteen Days
The well-constructed but tensionless first half is followed by a more riveting second.
A stout, briskly paced, unabashedly pro-American account that brings us not just the events but the people behind them.
Thirteen Days is a good movie about a profound moment in world history.
A vision that will leave you stirred in these days of well-justified cynicism.
From conception through execution, Thirteen Days is movie making at its finest.
Who would've thought this nearly 40-year-old piece of history could be turned into such a riveting motion picture?
Thirteen Days is more suspenseful than the car crashes and breathless chases of most run-of-the-mill action movies.
Director Roger Donaldson stages the picture with energy and a classic look and feel.
A smart script which is refreshingly free of plot sensationalism and 'speechifying.'
Shrewd and tender in equal measure, Thirteen Days is an insider drama par excellence.
Though the outcome is a foregone conclusion, this movie still delivers a thrilling ride.
I call the movie a thriller, even though the outcome is known, because it plays like one.
People will be watching Thirteen Days long after journalism's junkyard dogs have gone snapping after other prey.
Thirteen Days is like TV writ large, but not large enough to freshly illuminate history.
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