It seems that Roberto Benigni's dreadfully misconceived movie version of Pinocchio (with the balding Benigni as the shorts-wearing Pinocchio) was not a one off: he can misfire more than once
The Tiger and the Snow (2006)
Tomatometer
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Reviews Counted:23
Fresh:4
Rotten:19
Average Rating:3.6/10
Synopsis: In 1997's LIFE IS BEAUTIFUL, Roberto Benigni found international success by accomplishing the seemingly impossible task of making a moving comedy set during the Holocaust. Nearly a decade later, he... In 1997's LIFE IS BEAUTIFUL, Roberto Benigni found international success by accomplishing the seemingly impossible task of making a moving comedy set during the Holocaust. Nearly a decade later, he similarly uses Dante's INFERNO as a template to mold a romantic comedy around the early days of the Iraq war. The result is truly unique, managing to find humor amid the horrors of war while mixing in elements of a sweet love story--with Benigni's trademark manic persona at the center of it all. Benigni is Attilio, a poet and professor at a university in Rome who has recurring dreams in which he is to be married to a beautiful and mysterious woman. After attending a lecture by his friend, the visiting Iraqi poet Fuad (Jean Reno, THE PROFESSIONAL), Attilio finally sees the woman of his dreams in the form of Vittoria (Benigni's real-life wife, Nicoletta Braschi), a writer doing research for a book on Fuad. Vittoria resists Attilio's fawning attempts to seduce her before returning to Iraq with Fuad, where she suffers a head injury that leaves her unconscious in a bomb-damaged hospital. Fuad informs Attilio of her condition, prompting the lovesick poet to join the Red Cross to gain entrance to war-torn Baghdad. Learning that the hospital is severely lacking in supplies, Attilio makes his way through the equivalent of several circles of Hell to find medicine for his dream woman--encountering mine fields, directionally challenged camels, and suspicious American soldiers. Bizarre and bold, THE TIGER AND THE SNOW manages to once again showcase Benigni as one of the world's most innovative comic talents. Dreamlike, yet still effectively using moments of horror to convey a heartfelt antiwar message, the film also finds plenty of space for his affably hyperactive presence. [More]
Starring: Roberto Benigni, Jean Reno, Nicoletta Braschi, Giuseppe Battiston
Starring: Roberto Benigni, Jean Reno, Nicoletta Braschi, Giuseppe Battiston, Emilia Fox, Andrea Renzi, Mariella Valentini, Tom Waits
Director: Roberto Benigni
Director: Roberto Benigni
Screenwriter: Vincenzo Cerami
Producer: Nicoletta Braschi
Composer: Nicola Piovani
Reviews for The Tiger and the Snow
Roberto Benigni here plays out a madcap tale of romantic obsession against the backdrop of the Iraq invasion. The results are neither profound nor funny.
Unlike the pre-TV world of concentration camps seen in Life is Beautiful, the Iraq war is something we are all directly familiar with.
As a writer and director, Benigni's off-the-wall originality is striking--but sometimes he goes too far.
Benigni can't even be bothered to get the chronology or the details of the American occupation right, and his keen visual sense isn't enough to save him: Benigni's artfully composed images are as empty as his political convictions.
This film, one of the worst of 2006, almost has to be seen to be believed -- a comedy about a man who goes to Iraq, and, amid a string of comic misadventures, tries to save the life of his love, who has been gravely wounded in a bombing.
Like Life Is Beautiful, The Tiger and the Snow incongruously offers sharp laughs and touches of tenderness amid moments of drama and danger.
He certainly never shuts up, and he never stops joking; he's a neurotic narcissist to whom a war and a country's misery mean little except how they affect him personally.
The only award Benigni's misconceived and unfunny The Tiger and the Snow could possibly win is for Worst Movie of 2006.
It's mostly Benigni jumping around and waving his hands like he always does.When the occasional sobering tragedy strikes, it has little impact because the groundwork for it has not been properly prepared.
Perhaps a greater passage of time was needed to provide a more effective historical perspective, but Tiger has a bigger problem with a dramatic structure that sags conspicuously in the middle, never to completely correct itself.
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