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Movies / Upcoming / Tony Manero
Tony Manero

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Tony Manero (2009)

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Reviews Counted:28

Fresh:24

Rotten:4

Average Rating:6.8/10

Consensus: Deliberately provocative, Tony Manero is as challenging and compelling as it is difficult to describe.

Runtime: 1 hr 38 mins

Genre: Foreign Films

US Box Office: $0

Synopsis: Chilean director Pablo Lorrain's TONY MANERO is a film that has very few cinematic precedents, if any. Establishing a tone of its daringly original own, it somehow manages to be three things at... Chilean director Pablo Lorrain's TONY MANERO is a film that has very few cinematic precedents, if any. Establishing a tone of its daringly original own, it somehow manages to be three things at once: a powerful portrait of life lived under a dictatorship, a bitter critique of an individual who will do anything to reach his goal, and a blackly comic satire of celebrity obsession. Raul Peralta (Alfredo Castro) is a 50-something man who lives in Santiago during the fearful, suffocating days of Augusto Pinochet's rule. Raul is obsessed with John Travolta's character from SATURDAY NIGHT FEVER--hence, the film's title--to the point where he's even bought a white suit similar to Manero's. Each weekend, he performs with a small group of dancers at a small bar, recreating the moves from his favorite movie. But when the stage's wood begins to weaken, Raul is determined to rebuild it with glass blocks that light up. He finds an even more important purpose when a television station announces that they're holding a Tony Manero dance-and-look-a-like contest. In such a stifling social climate, Raul takes matters into his own hands, doing whatever it takes to make his dream come true. The tone of TONY MANERO is virtually impossible to describe, for the film's most brutal moments are actually its funniest. It doesn't seem appropriate to laugh at Raul's violent, unethical behavior, but it's hard not to. The fact that Lorrain chose to shoot the film in a fly-on-the-wall manner on grainy 16mm contrasts with the outlandish situations unfolding within the frame, resulting in an experience that will confuse many viewers and electrify others. TONY MANERO is a startlingly original achievement, marking Lorrain as a director to watch in the future. [More]

Starring: Alfredo Castro, Amparo Noguera, Paola Lattus, Hector Morales

Starring: Alfredo Castro, Amparo Noguera, Paola Lattus, Hector Morales, Elsa Poblete

Director: Pablo Larrain

Director: Pablo Larrain
Screenwriter: Pablo Larrain, Alfredo Castro, Mateo Iribarren
Producer: Juan de Dios Larrain
Studio: Koch Lorber Films

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Reviews for Tony Manero

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1 - 20 (sorted by date; Australian critics are listed first)
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Alfredo Castro is magnetically repellant in the lead, a soulful creep with desperation and a very specific form of madness seeping out of his pores.

Full Review Source: Oregonian | comment Comment
10/09/09
Shawn Levy
Shawn Levy
Oregonian

Larrain's (literally) dark, edgy movie is a precise artistic commentary on Augusto Pinochet's miserable regime, which was 
under way while Travolta gyrated.

Full Review Source: Entertainment Weekly | comment Comment
07/22/09
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly

Larrain evokes the bleakness and oppressiveness of life in a police state with much subtlety even as he poses a much larger question about cultural imperialism.

Full Review Source: Los Angeles Times | comment Comment
07/20/09
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Larrain’s consciously raw execution in telling the story of a compelling but ultimately unsavory character is an id-bending exercise in provocation that’s both competent and challenging.

Full Review Source: Boxoffice Magazine | comment Comment
07/10/09
Wade Major
Wade Major
Boxoffice Magazine

Could this be ... art?

Full Review Source: MTV | comment Comment
07/06/09
Kurt Loder
Kurt Loder
MTV

Shot with a hand-held camera and presented in a fragmented scenario, Tony Manero is the director's compelling attempt to find parallels between the Pinochet reign of terror and Raúl's scruple-less antics.

Full Review Source: New York Post | comment Comment
07/03/09
V.A. Musetto
V.A. Musetto
New York Post

A memorably claustrophobic evocation of its time and place, as well as a reminder that the so-called escape offered by pop culture can sometimes be an escape into soul-sucking madness.

Full Review Source: Salon.com | comment Comment
07/03/09
Andrew O'Hehir
Andrew O'Hehir
Salon.com

More than an indelible portrait of a sociopath with the soul of a zombie, Tony Manero is an extremely dark meditation on borrowed cultural identity.

Full Review Source: New York Times | comment Comment
07/03/09
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

Perhaps best appreciated as a deadpan dark comedy about how ignorance, delusion, and selfishness can conspire to keep a people under the bootheels of a dictatorship.

Full Review Source: Bryant Frazer's Deep Focus | comment Comment
07/02/09
Bryant Frazer
Bryant Frazer
Bryant Frazer's Deep Focus

Films are, in a way, just collective fantasies... and, in some cases, nightmares

Full Review Source: Filmcritic.com | comment Comment
07/02/09
Chris Cabin
Chris Cabin
Filmcritic.com

A distortion of the historical record that is irresponsible and reprehensible. And a display of deplorable disregard by the director as irreverent whim for irreverence's sake, for the many who suffered and perished from Pinochet's crimes against humanity.

Full Review Source: NewsBlaze | comment Comment
07/02/09
Prairie Miller
Prairie Miller
NewsBlaze

Cinephilia -- the smart-about-movies concept about the love of film -- has been so distorted in contemporary movie culture that it has led to the repugnant Chilean film Tony Manero.

Full Review Source: New York Press | comment 3 Comments
07/01/09
Armond White
Armond White
New York Press

[Director] Larrain deftly employs a Dardennes-style in-the-moment handheld lensing, managing a high-wire act in which audience disgust is outpaced by breathless anticipation.

Full Review Source: Time Out New York | comment Comment
07/01/09
Kevin Lee
Kevin Lee
Time Out New York

Remarkable Chilean actor Alfredo Castro portrays a sleaze-bag standing in for people desperate psychologically to escape from dictator General Pinochet's brutality.

Full Review Source: Compuserve | comment Comment
06/16/09
Harvey S. Karten
Harvey S. Karten
Compuserve

Larrain's film is primarily a character study of Raul, an unpleasant but unforgettable man who is part "King of Comedy" Robert DeNiro, part "Cape Fear" DeNiro.

Full Review Source: Capital Times (Madison, WI) | comment Comment
05/15/09
Rob Thomas
Rob Thomas
Capital Times (Madison, WI)

Tony Manero has a purposefully murky look and a frantic feel.

Full Review Source: Village Voice | comment Comment
05/12/09
J. Hoberman
J. Hoberman
Village Voice

Deeply unedifying, but it has some moves.

Full Review Source: Independent | comment Comment
04/17/09
Anthony Quinn
Anthony Quinn
Independent

Director Pablo Larrain, aided by a quietly compelling performance from co-screenwriter Alfredo Castro as Raul, is clearly commenting not only on a kind of celebrity fetishism.

Full Review Source: This is London | comment Comment
04/17/09
This is London

This allegory of national failure is down and dirty in every sense.

Full Review Source: Little White Lies | comment Comment
04/10/09
Anton Bitel
Anton Bitel
Little White Lies

It’s intriguing and challenging, although Castro’s Raúl never quite comes to full-blooded life, remaining a brittle vessel for the points Larrain seeks to score.

Full Review Source: Empire Magazine | comment Comment
04/09/09
Dan Jolin
Dan Jolin
Empire Magazine
Top Critic Icon Top Critic
 
 
1 - 20 (sorted by date; Australian critics are listed first)
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