One of Nicholas Ray's weaker films, this mythical Western displays his consistent thematic concern with protagonists that are outsiders but suffers from the performances of pretty boys Robert Wagner and Jeffrey Hunter as the nototious criminal brothers.
The True Story of Jesse James (1957)
Tomatometer
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Reviews Counted:7
Fresh:6
Rotten:1
Average Rating:6.6/10
Synopsis: After a detour into dramas such as REBEL WITHOUT A CAUSE, director Nicholas Ray returned to the Western genre with THE TRUE STORY OF JESSE JAMES. Robert Wagner (HART TO HART) starred as the title... After a detour into dramas such as REBEL WITHOUT A CAUSE, director Nicholas Ray returned to the Western genre with THE TRUE STORY OF JESSE JAMES. Robert Wagner (HART TO HART) starred as the title outlaw in this biopic that explored the man's origins as a criminal. Jeffrey Hunter strayed far from what would be his famous role as Jesus in KING OF KINGS to play fellow lawbreaker Frank James, with Hope Lange and Agnes Moorehead costarring as the most important women in James's life. [More]
Starring: Robert Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead
Starring: Robert Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead
Director: Nicholas Ray
Director: Nicholas Ray
Reviews for The True Story of Jesse James
Though hardly Nicholas Ray's sturdiest effort, this 1957 'Scope western began as one of his more ambitious conceptions, with an unorthodox narrative structure and deliberately theatrical sets.
Ray is one of the great natural filmmakers, a master of moral ambiguity and jittery mise-en-scene.
Obviously the pair have a hard act to follow, but they manage it perfectly well, with Hunter particularly good in the brotherly sidekick role.
A fine Western, the only regret being Robert Wagner. Imagining Dean in the central role makes it one of the great might-have-beens.
Ray's pacing builds some good excitement, and as a western alone the film works nicely. But there are deeper things going on, some not entirely and successfully worked out.
On celluloid Jesse James has had more lives than a cat, and The True Story of Jesse James suggests it's time screenwriters let him roll over and play dead for real and reel.
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