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Movies / Upcoming / Two or Three Things I Know About Her
Two or Three Things I Know About Her

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Two or Three Things I Know About Her (1967)

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Reviews Counted:29

Fresh:27

Rotten:2

Average Rating:8/10

Runtime: 84 mins

Genre: Foreign Films

US Box Office: $0

Synopsis: This dense, layered, and highly political film is an example of French auteur Jean-Luc Godard's work at its most challenging and exhilarating, adding another powerful social commentary to his... This dense, layered, and highly political film is an example of French auteur Jean-Luc Godard's work at its most challenging and exhilarating, adding another powerful social commentary to his startlingly original 1960s catalogue. The "her" of the title refers to two objects: Juliette, a woman who resides in one of Paris's drab, ugly suburbs, and the capital city itself. Using a fragmented narrative style that mirrors Juliette's clipped, confused existence, Godard looks at a day in the life of Juliette and the cast of Parisian women that revolves around her. A constant juxtaposition of images compares Juliette's alienating existence as a housewife and a prostitute with the equally alienating and constantly changing face of Paris--seen in documentary-style footage, shot in glorious CinemaScope by Raoul Coutard. Godard also sets his sights on the concept of language itself, questioning the reality of words, their history, and their ability to convey the truth of actual day-to-day occurrences. Godard himself provides a whispered, but very trenchant, narration throughout the film, which further implicates the modern world for moving too quickly and soullessly, condemning the escalating violence in Vietnam, the growing infatuation with television, and the world's animalistic dependence on sex and sexuality. Simply put, this is cinema at its most thought provoking. [More]

Starring: Marina Vlady, Anny Duperey, Roger Montsoret, Jean Narboni

Starring: Marina Vlady, Anny Duperey, Roger Montsoret, Jean Narboni, Raoul Levy

Director: Jean-Luc Godard

Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard

[See More Credits]

Reviews for Two or Three Things I Know About Her

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1 - 20 (sorted by date; Australian critics are listed first)
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a wide-ranging cinematic essay that may seem scattershot and abstract on first viewing, but rewards more and more with each repeated experience

Full Review Source: Q Network Film Desk | comment Comment
09/07/09
James Kendrick
James Kendrick
Q Network Film Desk

From now on, Godard's films will become film essays and then cine-tracts. 2 or 3 Things I Know About Her is the dividing line.

Full Review Source: Filmcritic.com | comment Comment
07/27/09
Paul Brenner
Paul Brenner
Filmcritic.com

A marvel that equals anything in Godard's 1960s output.

Full Review Source: DVDTown.com | comment Comment
07/25/09
Christopher Long
Christopher Long
DVDTown.com

The dualities that abound in Jean-Luc Godard's 2 or 3 Things I Know About Her are ubiquitous at whatever starting point one chooses.

Full Review Source: Slant Magazine | comment Comment
07/20/09
Bill Weber
Bill Weber
Slant Magazine

It's a vexing film that teases with sex and serves up radical politics. But it has extraordinary alchemical powers, turning the most ordinary environment -- a young couple's suburban flat -- into a minefield of ideas.

Full Review Source: Oregonian | comment Comment
02/08/08
Shawn Levy
Shawn Levy
Oregonian

Une réussite esthétique aussi improbable qu'absolue révélant une fois de plus les immenses talents de manipulateur de foule de Godard

Full Review Source: Panorama | comment Comment
12/01/07
Jean-François Vandeuren
Jean-François Vandeuren
Panorama

... revolutionary, impudent and personal, and still Godard stops to admire the sublime in the ordinary...

Full Review Source: Seattle Post-Intelligencer | comment Comment
03/29/07
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

Two or Three Things I Know About Her is one of the most beautiful films of the young Jean-Luc Godard, a great French cineaste, poet and frustrated lover.

Full Review Source: Chicago Tribune | comment Comment
02/22/07
Michael Wilmington
Michael Wilmington
Chicago Tribune

Based on a series of magazine articles, the movie was made around the time Godard abandoned conventional narrative almost entirely for what he dubbed the cinematic essay.

Full Review Source: Detroit Free Press | comment Comment
02/16/07
John Monaghan
John Monaghan
Detroit Free Press

This is unashamedly intellectual, discursive, noodling film-making, a cinema of ideas, conceived in a language that is demanding, but not totally opaque.

Full Review Source: Guardian [UK] | comment Comment
02/16/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

Godard's got a lot on his mind, mainly outrage at the French government's ongoing construction of a new Paris.

Full Review Source: Los Angeles Daily News | comment Comment
12/26/06
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

he her in the title of Jean-Luc Godard's 1967 film is meant to be Paris. There is, however, another 'her.'

Full Review Source: New York Times | comment Comment
11/16/06
Manohla Dargis
Manohla Dargis
New York Times
Top Critic Icon Top Critic

Despite an aura of wistfulness, and a certain power that accrues from the disjunction between the story of a vulnerable, life-hardened woman, the chaotic collision of sound and image, and the ham-handed political lessons, this film never moves me.

Full Review Source: Salon.com | comment Comment
11/16/06
Andrew O'Hehir
Andrew O'Hehir
Salon.com

Raoul Coutard's Techniscope cinematography contemplates an espresso, filling the screen in monumental close-up with a rotating vortex of bubbles and foam.

Full Review Source: Village Voice | comment Comment
11/14/06
Nathan Lee
Nathan Lee
Village Voice

Too good to miss.

Full Review Source: Time Out | comment Comment
02/11/06
Time Out

No review available.

comment Comment
06/29/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

There is certainly enough of wit and beauty, though, to keep the film afloat.

Full Review Source: New York Times | comment Comment
05/09/05
Renata Adler
Renata Adler
New York Times
Top Critic Icon Top Critic

Godard strips the images of all meaning and with his camera presents them truthfully within his own political rhetoric.

Full Review Source: Cinematic Reflections | comment Comment
11/08/04
Derek Smith
Derek Smith
Cinematic Reflections

Godard is as relaxed in the film as in the title.

Full Review Source: Chicago Sun-Times | comment Comment
10/23/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

No review available.

comment Comment
07/28/04
Daniel M. Kimmel
Daniel M. Kimmel
Worcester Telegram & Gazette
 
 
1 - 20 (sorted by date; Australian critics are listed first)
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