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The U.S. vs. John Lennon (2006)
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Reviews Counted:93
Fresh:71
Rotten:22
Average Rating:6.6/10
Consensus: Though it glosses over anything negative about Lennon, this documentary offers a lot of fascinating archival footage, plus its political issues still have relevance for today.
Runtime: 1 hr 36 mins
Genre: Musical & Performing Arts
US Box Office: $1,002,528
Synopsis: David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses... David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses on a part of the music icon's life that is often overlooked: his politicization both during and after the Vietnam War. Towards the end of the Beatles' career, Lennon began taking the band in a new direction, using their popularity to circulate a message of peace in songs such as "Revolution." He became even more involved after the band broke up, and the film traces his growing awareness and dissent through both archival footage--much of which had lain forgotten in vaults for decades--and interviews with those close to him. This leads to the titular case, in which the U.S. government, which had already been monitoring his actions for some time, attempted to deport the star for fear of the threat he posed to the nation. The film also portrays Lennon's close relationship with Yoko Ono and the effect she had on his art, including an interview with the Japanese performance artist and muse that sheds much light on the couple's intimate history. Other interviews feature such luminaries as Mario Cuomo, Gore Vidal, Walter Cronkite, Angela Davis, and even G. Gordon Liddy, the former chief operative under Richard Nixon. The film avoids falling into the trap of one-dimensional idolatry, showing Lennon's politicization as reflective of his own spiritual path, a very personal, at times fallible, journey towards using his fame to make the world a better place. The constraints and depletion of civil liberties Lennon experienced at the hands of the U.S. government, then in the throws of a neo-McCarthyism, invite comparisons to contemporary politics. The creative ways he fought for expression and peace, meanwhile, expand upon the known brilliance of a remarkable figure. [More]
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern, Richard Nixon, G. Gordon Liddy, Geraldo Rivera, Ron Kovic
Director: David Leaf, John Scheinfeld
Director: David Leaf, John Scheinfeld
Studio: Lions Gate Films
Reviews for The U.S. vs. John Lennon
It's as gripping as any thriller and as moving as any drama with the added fascination of the unfathomable relationship between John and Yoko.
Makes the case that, in just about every way that counted, Lennon was a better person than Richard M. Nixon.
The film's first half has zero to do with its title, and its second half digs up familiar turf.
You wonder if the film might actually have been worthwhile without the random stuff it includes. I mean, for instance, imagine there's no Geraldo Rivera. It isn't hard to do.
It feels as if [Ono's] cooperation resulted in a softened perspective on the musician-turned- activist-turned-icon.
What promises to be a provocative account of the late Beatle’s involvement with the American underground delivers precious little in this Yoko-approved documentary.
The film paints with swaggeringly broad strokes, the basic thesis being Lennon = good, government = bad.
Explicitly, the film is pure fluff, a competently detailed catalog of Lennon's political ambitions told in the visual shorthand of the VH1 rock-doc.
His life has been raked over by so many books, movies, magazine articles, and TV shows that The U.S. vs. John Lennon barely justifies its own existence.
Those hoping for something hard-hitting won't find it here. This is strictly on the level of what one might uncover during a VH1 special.
As a big John Lennon fan, I was looking forward to seeing this documentary, but was disappointed by its relative simplicity in scope and presentation.
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