None of the information presented here will surprise anyone who either lived through or has studied the era, but The U.S. vs. John Lennon does have the advantage of showing how art affects politics and vice versa.
The U.S. vs. John Lennon (2006)
Tomatometer
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Reviews Counted:93
Fresh:71
Rotten:22
Average Rating:6.6/10
Consensus: Though it glosses over anything negative about Lennon, this documentary offers a lot of fascinating archival footage, plus its political issues still have relevance for today.
Runtime: 1 hr 36 mins
Genre: Musical & Performing Arts
US Box Office: $1,002,528
Synopsis: David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses... David Leaf and John Scheinfeld struggled for over 15 years to produce this documentary, and it's emergence in the year 2006 is a testament to the film's timeliness. THE U.S. VS. JOHN LENNON focuses on a part of the music icon's life that is often overlooked: his politicization both during and after the Vietnam War. Towards the end of the Beatles' career, Lennon began taking the band in a new direction, using their popularity to circulate a message of peace in songs such as "Revolution." He became even more involved after the band broke up, and the film traces his growing awareness and dissent through both archival footage--much of which had lain forgotten in vaults for decades--and interviews with those close to him. This leads to the titular case, in which the U.S. government, which had already been monitoring his actions for some time, attempted to deport the star for fear of the threat he posed to the nation. The film also portrays Lennon's close relationship with Yoko Ono and the effect she had on his art, including an interview with the Japanese performance artist and muse that sheds much light on the couple's intimate history. Other interviews feature such luminaries as Mario Cuomo, Gore Vidal, Walter Cronkite, Angela Davis, and even G. Gordon Liddy, the former chief operative under Richard Nixon. The film avoids falling into the trap of one-dimensional idolatry, showing Lennon's politicization as reflective of his own spiritual path, a very personal, at times fallible, journey towards using his fame to make the world a better place. The constraints and depletion of civil liberties Lennon experienced at the hands of the U.S. government, then in the throws of a neo-McCarthyism, invite comparisons to contemporary politics. The creative ways he fought for expression and peace, meanwhile, expand upon the known brilliance of a remarkable figure. [More]
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern
Starring: Yoko Ono, Walter Cronkite, Mario Cuomo, George McGovern, Richard Nixon, G. Gordon Liddy, Geraldo Rivera, Ron Kovic
Director: David Leaf, John Scheinfeld
Director: David Leaf, John Scheinfeld
Studio: Lions Gate Films
Reviews for The U.S. vs. John Lennon
Documentarians David Leaf and John Scheinfeld go beyond the usual glibness, revealing a much fuller portrait of the man.
Though Lennon's commitment to a peaceful world is vivid and unquestionable, The U.S. vs. John Lennon ultimately emerges as a picture of a different kind of commitment: a love story.
Concentrates on Lennon's post-Beatles years, in which he did a lot of great work that's overlooked today, and it's good to have a lot shown on that period.
The clips of Lennon and Ono (who appears as one of the present-day talking heads, and a most thoughtful one, at that) are every one of them fascinating.
Officially endorsed by Lennon's widow, the film gains considerable credibility and flavor from her interviews, rare footage from the family archives (they documented everything), and especially the inclusion of more than three dozen Lennon songs.
Lennon's story is so remarkable and the footage assembled here so fresh and fascinating that the film engrosses despite its formal failings.
Whatever the motives behind it, this is a well-made and entertaining film, crammed with enough previously unseen footage to give any Beatles diehard a large charge.
However successful it is in making its point, The U.S. vs. John Lennon works best as doughy comfort food for Boomers, with input and music from practically everybody whose name was ever associated with the Vietnam era.
The film's first half has zero to do with its title, and its second half digs up familiar turf.
The aim may be laudable, but nothing gets hit except some awfully tired targets. And fatigue doesn't resonate.
Entertaining, and a history lesson in hysteria (both on the side of Nixon and the protest movement) for people who were not there.
Probably should be seen as an addendum to a much larger story of turmoil in the U.S., but it does have something that elevates a now-familiar story of protest and dissent: plenty of footage of Lennon and lots of Lennon's music.
Works by reminding us of Lennon's best qualities: His impish, imperturbable sense of humor, his quick intelligence, his successful bantering with a hostile crush of world press mercenaries.
It's great to see a lot of this footage of Lennon -- playful, engaged, warm and spontaneous.
His life has been raked over by so many books, movies, magazine articles, and TV shows that The U.S. vs. John Lennon barely justifies its own existence.
The documentary's a hagiography, no mistake about it, but a fascinating one all the same, and it makes the case that Lennon was as much a genius provocateur as he was a cracked saint.
Serves two useful purposes: to collect some of the Beatle's wittiest social barbs, and to inform a young audience...
[The] passive approach can be infuriating, but the film still covers some very interesting ground.
a great retro ride for those who miss those trippy days, but not much of an educational experience.
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