Eco-friendly, pro-exercise and featuring a glorious use of a fire extinguisher, Wall-E sparks with genuine creativity.
WALL-E (2008)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:38
Fresh:37
Rotten:1
Average Rating:8.5/10
Consensus: Charming, audacious, and timely, Wall-E's lighthearted magic and stellar visuals testify once again to Pixar's ingenuity.
Australian Theatrical Release:
Sep 18, 2008 Wide
US Box Office: $223,749,872
Synopsis: Even for Pixar, this might be a first: an animated film that contains not only a fully realized world as photorealistic as it is teeming with wonder, but also the Gargantuan themes and visuals of... Even for Pixar, this might be a first: an animated film that contains not only a fully realized world as photorealistic as it is teeming with wonder, but also the Gargantuan themes and visuals of 2001: A SPACE ODYSSEY, the kind of stripped-down sad-clown pathos reserved for classic Buster Keaton comedies, and one of the most moving love stories in a long time. Director Andrew Stanton kicked up the visual acuity of an already-stellar Pixar Studios in 2003 with his reflective, refractive, color-shimmery realization of FINDING NEMO's oceanic world, which genuinely felt as though it spanned the entire earth. Now, with WALL-E, Stanton replaces an estranged journeyer of an apprehensively fishy disposition with a curious and love-struck robotic one, allowing the quest for eternal love to extend from a desolate, dust-covered, palpably polluted future Earth and into an even more mysterious abyss: the far reaches of outer space. With virtually no dialogue, WALL-E's neatly contained, eerily vaudevillian first act introduces the tragic robot of the title. Whirring amid dilapidated skyscrapers and equally tall compacted trash heaps, he's the last living thing on Earth (aside from a little cockroach friend). WALL-E has developed a tender and inquisitive personality doing what he was built to do--allocate and dispose of human waste--day in and day out for the past 700 years simply because no one turned him off when the human race left the now-hostile planet. Soon though, the directive-oriented automaton Eve comes crashing into WALL-E's life from above, immediately becoming the object of his infatuation. At the drop of a hat, the little guy follows her back into the dangerous unknown, where the sight of two robots gliding through the cosmic ether, dancing via fire-extinguisher propulsion, joins the many memorable moments of a deceptively simple, expansively romantic story. [More]
Starring: Fred Willard, Jeff Garlin, Ben Burtt, Sigourney Weaver
Starring: Fred Willard, Jeff Garlin, Ben Burtt, Sigourney Weaver, John Ratzenberger, Kathy Najimy
Director: Andrew Stanton
Director: Andrew Stanton
Screenwriter: Andrew Stanton, Jim Reardon
Story: Andrew Stanton, Pete Docter
Producer: Jim Morris
Composer: Thomas Newman
Studio: Disney/Pixar
Reviews for WALL-E
A visual tonic of a film, wise enough to give its audience plenty of space.
If anyone doubted that Pixar is the most creative outfit in modern motion pictures, this movie should convince them. It is a genuine masterpiece, a word I don't use often.
It's a credit to the animators that they were able to create believable emotions in these beeping hunks of computer-generated metal.
What transpires is a delightful and almost heartbreakingly tender love story between these two expressive and adorable characters.
In what must be a tongue in cheek nod to his Antipodean origins, writer/director Andrew Stanton has named the CEO of By N Large, Shelby Forthright (the only genuine human seen in the film)
Wonderfully inventive, this whimsical sci-fi animation from the wizards at Pixar is topical in its environmental message and full of heart when it comes to its robot/ droid romance. Brilliant execution
Ultimately, the elevation of technology to center stage, and the relegation of humankind to supporting act, left me cold.
Does Andrew Stanton's film amount to much more than a brilliant aesthetic exercise? I'm not convinced it does.
For once, the artful nods to Huxley, Kubrick and Philip K. Dick are not the preserve of trainspotters.
WALL-E is a classic, but it will never appeal to people who are happy with art only when it has as little bite as possible.
I must drop my inhibitions about dropping the M word -- especially since I've already used magnificent -- and call WALL-E the masterpiece that it is.
It is, undoubtedly, an earnest (though far from simplistic) ecological parable, but it is also a disarmingly sweet and simple love story, Chaplinesque in its emotional purity.
Daring and traditional, groundbreaking and familiar, apocalyptic and sentimental, Wall-E gains strength from embracing contradictions that would destroy other films.
Pixar’s WALL•E succeeds at being three things at once: an enthralling animated film, a visual wonderment and a decent science-fiction story.
Who would guess that a movie with minimal dialogue and a love story between robots could emerge as one of the best films of the summer? And who would think a tale could be both post-apocalyptic and charming?
Pixar's ninth consecutive wonder of the animated world is a simple yet deeply imagined piece of speculative fiction...it has plenty to say, but does so in a light, insouciant manner that allows you to take the message or leave it on the table.
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