Waltz with Bashir is a brilliant piece of work and I never want to see it again.
Waltz With Bashir
Tomatometer
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Reviews Counted:123
Fresh:118
Rotten:5
Average Rating:8.3/10
Consensus: A wholly innovative, original, and vital history lesson, with pioneering animation, Waltz With Bashir delivers its message about the Middle East in a mesmerizing fashion.
Genre: Education/General Interest
US Box Office: $2,126,007
Synopsis: In reflecting upon his time spent in the Israeli army, filmmaker Ari Folman has produced WALTZ WITH BASHIR, a profoundly moving antiwar meditation that is equal parts personal memoir, history... In reflecting upon his time spent in the Israeli army, filmmaker Ari Folman has produced WALTZ WITH BASHIR, a profoundly moving antiwar meditation that is equal parts personal memoir, history lesson, and animated fever dream. In 1982, Folman was a soldier during Israel's first invasion of Lebanon. This was a painful moment in history, when the newly elected president of Lebanon, Bashir Gemayel, was killed in an explosion. Furious, his party, the Christian Phalangists, retaliated by storming into the Sabra and Shatila refugee camps and massacring thousands of innocent victims. Over 20 years later, Folman is disturbed to realize that he has no memory of this incident even though he was there at the time. In order to remember, he tracks down several of his friends and soldiers who were there with him to find out what really happened. WALTZ WITH BASHIR is as difficult to categorize as it is to forget. It is a truly startling achievement, a film that can be classified as animation and documentary and history and fiction. It is all of those things at once, and it is also much more than that. Folman uses a combination of Flash animation, 3D, and classic animation to bring his film to visual life, but it is the beautifully haunting score by acclaimed German composer Max Richter that provides the film with its heart and soul. As WALTZ WITH BASHIR unfolds in dreamlike waves, Folman understands that guilt is a dangerous thing, and war is even worse. [More]
Director: Ari Folman
Director: Ari Folman
Screenwriter: Ari Folman
Producer: , Serge Lalou, Gerhard Meixner, Roman Paul
Composer: Max Richter
Studio: Sony Pictures Classics
Reviews for Waltz With Bashir
You're constantly aware of the fluidity of memory, without being seriously distracted by it.
It is an autobiographical quest, an immersion in memory and history that leaves a remarkable, lingering impression.
Pensive and melancholy, this haunting and remarkable film from Ari Folman hones in on memory and how stimulating triggers unlock a traumatic war-experience previously blocked by the subconscious. Mesmerising cinema
There’s something about this type of animation that adds another dimension entirely to the exploration of images and memory, it’s very haunting.
The most interesting aspects of this auto-biographical work in filmmaking terms is the storytelling style that Ari Folman has chosen, which enables him to show things like his dog nightmares as well as atrocities and violence in a way live action can not
Pensive and melancholy, this haunting and remarkable film from Ari Folman hones in on memory and how stimulating triggers unlock a traumatic war-experience previously blocked by the subconscious%u2026 Mesmerising cinema
The state-of-the-art animation is spellbinding and worthy of big screen viewing. But it's a harrowing, heavy-going work that will leave you as shell-shocked as its soldiers.
Folman functions much like the therapist who carefully leads a patient through a minefield of difficult memories and emotions, bringing together pieces bit by bit until we're ready to confront and accept the truth.
Folman uses striking, fluid, tactile imagery to illustrate the elastic nature of memory, ranging from snow and water to the feel of a tank navigating a city's narrow streets to more surreal, dreamlike images.
Waltz With Bashir, a movie about memory, is as devious and subversive as it is brilliant and nightmarish.
An investigative war documentary done as an animated feature is a pioneering concept, powerfully realised.
... you could call it an animated documentary by way of oral history, but it's best not to get caught up with labels concerning this film.
Although the film focuses on a particular conflict, it paints war in general as an absurd and primitive exercise that seems as inexplicable to its perpetrators as to its victims.
The film looks ripped straight from Folman’s psyche and placed in a theater near you.
In this animated 'leisure trip' back through an atrocity, the nightmarish hell of war assumes a new kind of reality. Devastatingly good.
As much as the film is about war, it’s also about the mutability and self-distortion of memory, and that makes animation the ideal medium to paint battle as the surreal experience it is.
An extraordinary film - a military sortie into the past in which both we and Folman are embedded like traumatised reporters.
Latest News for Waltz With Bashir
June 22, 2009:
RT on DVD: Waltz with a Shopaholic Pink Panther in Wonderland
There's something for everyone this week on DVD, starting with an Oscar-nominated animated documentary (Waltz with Bashir), a Jerry Bruckheimer-produced chick flick (Confessions... More...
January 13, 2009:
Academy Names Nine Foreign Film Finalists
The Academy has narrowed its choices for this year's recipient of the Best Foreign Language Film Award, choosing its favorite nine releases from a field of 65. More...
January 08, 2009:
The Israeli Apocalypse Now blasts into movie theaters, in animation! And pulls it off to vividly surreal effect. Director Folman, a soldier and eyewitness to the 1982 Sabra and Shatila Palestinian massacres, painfully dredges up his own personal demons. ![]()
More...
January 08, 2009:
Broadcast Film Critics Name Critics' Choice Winners
The 14th Annual Critics' Choice Awards were given on January 8, 2009, to honor the finest achievements in 2008 filmmaking. A list of nominees follows below, with winners in bold: More...
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