An extraordinary achievement, Ari Folman's Waltz With Bashir is a detective story as well as an moral inquiry into the specific horrors of one war, and one man's buried memories of that war.
Waltz With Bashir
Tomatometer
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Reviews Counted:123
Fresh:118
Rotten:5
Average Rating:8.3/10
Consensus: A wholly innovative, original, and vital history lesson, with pioneering animation, Waltz With Bashir delivers its message about the Middle East in a mesmerizing fashion.
Genre: Education/General Interest
US Box Office: $2,126,007
Synopsis: In reflecting upon his time spent in the Israeli army, filmmaker Ari Folman has produced WALTZ WITH BASHIR, a profoundly moving antiwar meditation that is equal parts personal memoir, history... In reflecting upon his time spent in the Israeli army, filmmaker Ari Folman has produced WALTZ WITH BASHIR, a profoundly moving antiwar meditation that is equal parts personal memoir, history lesson, and animated fever dream. In 1982, Folman was a soldier during Israel's first invasion of Lebanon. This was a painful moment in history, when the newly elected president of Lebanon, Bashir Gemayel, was killed in an explosion. Furious, his party, the Christian Phalangists, retaliated by storming into the Sabra and Shatila refugee camps and massacring thousands of innocent victims. Over 20 years later, Folman is disturbed to realize that he has no memory of this incident even though he was there at the time. In order to remember, he tracks down several of his friends and soldiers who were there with him to find out what really happened. WALTZ WITH BASHIR is as difficult to categorize as it is to forget. It is a truly startling achievement, a film that can be classified as animation and documentary and history and fiction. It is all of those things at once, and it is also much more than that. Folman uses a combination of Flash animation, 3D, and classic animation to bring his film to visual life, but it is the beautifully haunting score by acclaimed German composer Max Richter that provides the film with its heart and soul. As WALTZ WITH BASHIR unfolds in dreamlike waves, Folman understands that guilt is a dangerous thing, and war is even worse. [More]
Director: Ari Folman
Director: Ari Folman
Screenwriter: Ari Folman
Producer: , Serge Lalou, Gerhard Meixner, Roman Paul
Composer: Max Richter
Studio: Sony Pictures Classics
Reviews for Waltz With Bashir
A transcendent shattering of what viewers should expect from traditional animation or the standard documentary film. Ari Folman's dream-like journey into his own memory is a must-see.
Bashir wasn't healing for me. On the contrary, it leaves much unresolved, but in the pacifist, passive horror recovered by its amnesiacs, I found it stunning -- in both meanings of the word -- and emotionally cathartic.
Folman is an Israeli documentarian who has not worked in animation. Now he uses it as the best way to reconstruct memories, fantasies, hallucinations, possibilities, past and present. This film would be nearly impossible to make any other way.
Complex, challenging and at times difficult to watch, Waltz With Bashir is nevertheless wholly unique, unquestionably powerful and, ultimately, a devastating indictment of war and its effects on its victims and its participants.
The aloof quality of the film gnaws away at you... it's a fluid, slippery thing that seems to be discovering itself as you watch it.
The film, devastating and distressing in equal measure, widens in meaning as it narrows in scope.
The most artful film of the year, Waltz with Bashir works equally well as a potent anti-war film and as a creative examination of the psyche and the nature of memory.
Waltz With Bashir is a supremely courageous act, not only as a piece of filmmaking, but much more so as a moral testament.
The best movie of 2008? The most revealing war film ever made? The greatest animated feature to come out of Israel? All these descriptions could apply to Waltz With Bashir.
Waltz With Bashir will stretch your ideas about the possibilities of films to confront history truthfully, and in particular, animation as a way to tell a serious story.
Folman functions much like the therapist who carefully leads a patient through a minefield of difficult memories and emotions, bringing together pieces bit by bit until we're ready to confront and accept the truth.
Folman uses striking, fluid, tactile imagery to illustrate the elastic nature of memory, ranging from snow and water to the feel of a tank navigating a city's narrow streets to more surreal, dreamlike images.
The vivid, living graphic novel imagery powerfully illustrates the story.
Deceptively simple and poetic, yet surreal and complex, it's a portrait of a man in conflict with himself.
The director and damaged vet doesn't flinch from the images of refugee youth with crucifixes carved into their chests by their captors, the screams and slaughter, and the gnawing self-accusation - am I now the Nazi? Dances With Uzis.
For all the horror, Bashir is a non-political film; it mourns the violence of men killing men -- any men killing any men
Waltz With Bashir might be the year's most singular visionary experience available at the movies, and catapults [director Ari] Folman from the obscurity of Israeli TV onto the world stage.
Waltz With Bashir plays out as one of the most profoundly explosive animated documentaries I have ever seen, and is clearly one of the best pictures of the year.
Latest News for Waltz With Bashir
June 22, 2009:
RT on DVD: Waltz with a Shopaholic Pink Panther in Wonderland
There's something for everyone this week on DVD, starting with an Oscar-nominated animated documentary (Waltz with Bashir), a Jerry Bruckheimer-produced chick flick (Confessions... More...
January 13, 2009:
Academy Names Nine Foreign Film Finalists
The Academy has narrowed its choices for this year's recipient of the Best Foreign Language Film Award, choosing its favorite nine releases from a field of 65. More...
January 08, 2009:
The Israeli Apocalypse Now blasts into movie theaters, in animation! And pulls it off to vividly surreal effect. Director Folman, a soldier and eyewitness to the 1982 Sabra and Shatila Palestinian massacres, painfully dredges up his own personal demons. ![]()
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January 08, 2009:
Broadcast Film Critics Name Critics' Choice Winners
The 14th Annual Critics' Choice Awards were given on January 8, 2009, to honor the finest achievements in 2008 filmmaking. A list of nominees follows below, with winners in bold: More...
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