[Williams] doesn't have to say much to convey the deep wells of hurt that Wendy's carrying around, and they're all the more poignant for remaining unspoken.
Wendy and Lucy (2008)
Tomatometer
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Reviews Counted:141
Fresh:119
Rotten:22
Average Rating:7.3/10
Consensus: Michelle Williams gives a heartbreaking performance in Wendy and Lucy, a timely portrait of loneliness and struggle.
Australian Theatrical Release:
Dec 15, 2008 Wide
US Box Office: $700,720
Synopsis: On the heels of her critically lauded OLD JOY, Kelly Reichardt delivers another deeply resonant portrait of a dying America with WENDY AND LUCY. In OLD JOY, two men provided the heart and soul of... On the heels of her critically lauded OLD JOY, Kelly Reichardt delivers another deeply resonant portrait of a dying America with WENDY AND LUCY. In OLD JOY, two men provided the heart and soul of the story. This time, the film is centered on a young woman, played with utter conviction and selflessness by Michelle Williams (BROKEBACK MOUNTAIN). Williams is Wendy, a down-on-her-luck woman who has driven across-country with her dog, Lucy, in search of a better life in Alaska. Wendy can barely support this journey, and when her car breaks down in Oregon and she becomes separated from Lucy, her predicament becomes even more dire. In a world that doesn't seem to know she even exists, Wendy befriends a local security guard (Wally Dalton), who gives her a tiny fraction of hope. Considering this film together with OLD JOY, it's obvious that Reichardt has shot up in the ranks of American auteurs. She is becoming a master of minor features that feel like the best short stories, a sort of cinematic Raymond Carver. Credit is obviously bestowed upon the marvelous Williams, who is in almost every shot of the film, and who delivers an astonishingly honest performance. But everything about this film reeks of truth, most noticeably Sam Levy's restrained but beautiful cinematography, and Reichardt's patient editing. WENDY AND LUCY is a tribute to marginalized characters that the movies, and the real world, would usually rather ignore. [More]
Starring: Michelle Williams, Walter Dalton, Will Oldham, Larry Fessenden
Starring: Michelle Williams, Walter Dalton, Will Oldham, Larry Fessenden, John Robinson, Will Patton
Director: Kelly Reichardt
Director: Kelly Reichardt
Screenwriter: Kelly Reichardt, Jonathan Raymond
Producer: Neil Kopp, Anish Savjani, Larry Fessenden
Studio: Oscilloscope Pictures
Reviews for Wendy and Lucy
If you've ever lost a pet dog, or found yourself at the wrong end of an irreparably diminished bank account, Wendy And Lucy is the kind of film that will break your heart.
Kelly Reichardt's devastating little film has attracted a lot of admiration since its debut at Cannes last year, partly because of its timeliness.
The narrative has been pared to the bone, and that was a problem for me. We know nothing about Wendy, who she really is, why she left Indiana, what she hopes to do in Alaska -- apart from find a job.
Kelly Reichardt spends the 75 minutes of Wendy and Lucy weaving an intimate, narrowly focused story of unanchored life on the road and just how tenuous such an existence is.
If Wendy and Lucy isn't the most dynamic movie around, at least its tone and approach are sure-footed and appropriate.
Wendy and Lucy gets under your nails, which is to say, it's the stuff of life.
Director co-writer Kelly Reichardt ... has fashioned a cautionary tale for the ages.
...an American Bicycle Thief, a simple, powerful film about the oppressive indignity of being poor in a wealthy country.
This is not a saccharine, Marley & Me-type tale, but a wrenchingly ordinary story, emotionally manipulative in its own way -- I know my heart was in my throat -- about poverty in the land of plenty.
A year from now it won't be a blip on my conscious mind. If someone mentions it to me, it'll register as 'oh, yeah, that depressing movie about the woman and her dog.'
For thoughtful filmgoers, this is a very timely and affecting study of what happens as one by one social props are stripped away and ties are broken.
The affecting, minimalist film Wendy and Lucy proves that small-town dramas aren’t dead, but small towns, at least in the Mellencamp-idealist sense, are.
The performance ranks right behind Melissa Leo's amazing thespian turn in "Frozen River."
Williams and Patton and the folks of this corner of Oregon serve up a slice of "indie" that, if it doesn't reach the level of "inspires," at least feels timely and true.
Its effortless evocation of poverty’s emotional brutality could hardly be more topical.
It's easy to mistake the film's luxurious pacing and other minimalist filmmaking techniques for self-indulgence and navel-gazing introspection.
Latest News for Wendy and Lucy
December 17, 2008:
Toronto Critics Love Wendy and Lucy ![]()
The Toronto Film Critics Association broke with the pack this week, awarding "Wendy and Lucy" Best Picture honors for '08. More...
December 15, 2008:
AFI Names 2008's Finest Films ![]()
The results are in, and the AFI has spoken: "The Dark Knight," "Iron Man," "The Curious Case of Benjamin Button," "Frost/Nixon," "Frozen River," "Gran Torino," "Milk," "WALL-E,"... More...
December 09, 2008:
Trailer & Poster review ![]()
More...
December 03, 2008:
Independent Spirit Award Nominations Announced ![]()
The Independent Spirits have announced their nominations for this year's awards. Frozen River, Rachel Getting Married, Ballast, Wendy And Lucy and The Wrestler are all up for... More...
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