Unfortunately, as a character, Don -- Roth-like in stature, Salinger-esque in seclusion -- and the angst of a blossoming performer among literary giants is too familiar to feel fresh.
Winter Passing (2006)
Tomatometer
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Reviews Counted:51
Fresh:21
Rotten:30
Average Rating:5.4/10
Consensus: This dour coming-of-age story has nothing to distinguish it from similarly themed indie fare.
Synopsis: Adam Rapp makes his impressive feature film directorial debut with WINTER PASSING, an intimate, often bleak, but ultimately hopeful film about the importance of family, however dysfunctional. Zooey... Adam Rapp makes his impressive feature film directorial debut with WINTER PASSING, an intimate, often bleak, but ultimately hopeful film about the importance of family, however dysfunctional. Zooey Deschanel carries the movie as Reese Holdin, a sullen, depressed, self-mutilating actress struggling to stay afloat in New York. When an aggressive editor (Amy Madigan) offers her a fat check in exchange for the love letters written by her famous writer parents, she returns to her father's Michigan farm in search of a payday, but instead finds herself trying to connect with her estranged father (Ed Harris), as well as the odd surrogate family he's assembled for himself. Rapp's script is sharp and his direction is solid, but his greatest achievement may be the performances he coaxes from his talented cast. Ed Harris is powerful and moving as Don Holdin (whose last name makes the Salinger reference explicit), an erstwhile American icon who's become alcoholic, reclusive, and borderline insane since the recent suicide of his wife. Will Ferrell shows off unexpected range with an effective, understated comic turn as Corbit, an odd former Christian rocker turned bodyguard and handyman, and Amelia Warner is engaging as Shelly, a pretty young former student who watches over Don and might or might not be his lover. But it's Deschanel who propels the movie, making her character at times profoundly unlikable--as in a jarring early scene in which she drowns her terminally ill kitten in the East River--but nevertheless riveting and redeemable. While there's never much doubt that Reese will manage to rediscover herself with the help of her father and his companions, the characters are unique and well-drawn, and watching her do so is a pleasure. [More]
Starring: Zooey Deschanel, Will Ferrell, Amy Madigan, Rachel Dratch
Starring: Zooey Deschanel, Will Ferrell, Amy Madigan, Rachel Dratch, Amelia Warner, Ed Harris, Michael Chernus, Anthony Rapp
Director: Adam Rapp
Director: Adam Rapp
Producer: Laura Bickford
Studio: Yari Film Group
Reviews for Winter Passing
Makes too many of the same rookie filmmaker mistakes which keep similar films with smaller budgets and lesser known casts from even getting a minor theatrical release
A little movie that straddles the fence of mediocrity from start to finish, Winter Passing is worth seeing mainly for one reason: Zooey Deschanel.
Sometimes a single scene sets such a strong tone that the rest of the film has a hard time breaking it.
Adam Rapp's story of an embittered child's homecoming and confrontation with a parent throws off dramatic sparks, but they never flare into a blaze.
[Rapp] brings out in Deschanel a sense of yearning, an avidity, that hits home. It's her most emotionally layered performance.
The writer-director's affection for those characters is apparent, but with the exception of a few unpredictable moments from Zooey Deschanel and Will Ferrell, Winter Passing finds only cliche as it reaches for profundity.
It distinguishes itself thanks to assured performances that burn with quiet conviction.
Winter Passing is a classic example of a pedestrian motion picture being lifted out of mediocrity by an arresting lead performance. Zooey Deschanel doesn't just elevate Winter Passing; she carries it.
Adam Rapp, who wrote and directed this ordeal, overloads a synthetic storyline with more complex and hard-won epiphanies than such a fragile little movie can support.
Exaggerated drama about emotional disability after a family-fracturing loss provides a performance piece for Deschanel's depth and Will Ferrell's other side.
The film is so grindingly predictable that I was writing out a full plot synopsis in my notebook before it was half over, though the thick grains of Terry Stacey's photography and Deschanel's understated performance add a little kick.
The film delivers nothing more than a familiar Sundance-style brand of stagy, small-scale drama.
Family drama appears content to present the situation without going for anything remotely close to the emotional jugular.
Latest News for Winter Passing
February 06, 2006:
Cut it out Will and get back to wacky comedies. ![]()
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