World Trade Center eventually stops feeling like a remarkable story of survival and more like a Hallmark Network presentation.
World Trade Center (2006)
Tomatometer
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Reviews Counted:220
Fresh:153
Rotten:67
Average Rating:6.7/10
Consensus: As a visually stunning tribute to lives lost in tragedy, World Trade Center succeeds unequivocally, and it is more politically muted than many of Stone's other works.
Runtime: 2 hrs 8 mins 58 secs
Genre: Dramas
US Box Office: $70,236,496
Synopsis: The events of September 11 left an indelible mark on most Americans, and certainly on those in the New York City area. Yet as fresh as the images seem, it's easy to forget the actual grit,... The events of September 11 left an indelible mark on most Americans, and certainly on those in the New York City area. Yet as fresh as the images seem, it's easy to forget the actual grit, sacrifice, and uncertainty of that day. Director Oliver Stone captures the essence of 9/11 by focusing on the true story of two Port Authority Police Department officers who were trapped beneath the wreckage of the fallen World Trade Center. Veteran officer Sergeant John McLoughlin (Nicholas Cage) and his team, including rookie Will Jimeno (Michael Pena) are gathering equipment to enter the burning Twin Towers when the concourse comes crashing down around them. Twenty feet below the surface, pinned by debris and unable to reach anyone by radio, the officers must rely on their own will--and on each other--to survive. Above ground, their families watch the towers fall, uncertain whether or not McLoughlin and Jimeno are there, since they are normally assigned to the Port Authority Bus Terminal. Like so many that day, Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) wait for news at home surrounded by their families, fearing the worst and praying for the best. Stone's film depicts the horror and heartbreak of the victims, survivors, and their families with an understated, subtle touch. From the ash and dust covering everyone and everything to the dazed expressions of the workers leaving the towers to the steaming twisted metal remains of the World Trade Center, attention to detail is exceedingly realistic. Rather than being political or sensationalistic, this is a film about everyday heroes--men and women doing their best in the face of an unspeakable event. It may be just one story of many from September 11, but it represents the efforts, emotions, and reactions of so many on that fateful day. [More]
Starring: Nicolas Cage, Michael Pena, Maggie Gyllenhaal, Maria Bello
Starring: Nicolas Cage, Michael Pena, Maggie Gyllenhaal, Maria Bello, Stephen Dorff, Jay Hernandez, Michael Shannon, Jude Ciccolella, Patti D'Arbanville, Frank Whaley, Donna Murphy
Director: Oliver Stone
Director: Oliver Stone
Screenwriter: Andrea Berloff
Producer: Michael Shamberg, Debra Hill, Stacey Sher, Moritz Borman
Composer: Craig Armstrong
Studio: Paramount Pictures
Reviews for World Trade Center
Stone's message--shrewder than other liberal campaigns of the last five years--is undeniably political.
The film's sincerity makes it impossible to toss around accusations of hokeyness, either "on paper" or in one's own mind; context is everything, and in this context blunt assertions of heroism and near-sainthood are easy to swallow.
Sometimes this kind of writing can evoke unaffected sincerity; other times, it seems merely trite, perhaps reflecting the inexperience of first-time feature screenwriter Andrea Berloff.
The movie means well, and we can appreciate the sentiment; it works on the level of heartbreaking spectacle, but it doesn't add more to our wisdom.
Who wants to feel good about 9/11? I sure want to feel good about 9/11!
Are we ready for the feel-good 9/11 movie of the year? Mawkish, corny and brutally effective -- I liked it more than I feel comfortable admitting.
For all its crude effectiveness as a true-life melodrama of survival, World Trade Center doesn't do much with 9/11, except to sentimentalize it for popular consumption.
It's not too soon for a 9/11 movie, but it IS too soon for one that brings it up for no reason.
In a sense, it is blatant, clichéd hero worship, but Stone earns this impassioned interpretation through his care and respect behind the camera for the characters and the gravity of the situation.
A failure at the most basic levels of cinema and its inability to make me feel ANYthing, when any single still image of that day can induce the fear of God, is inexcusable.
Top praise should go to Stone. After the overblown failure 'Alexander,' he made a wise decision to shoot an up close and personal script. Less proves definitely more.
Stone has delivered a beautiful, heartfelt and touching movie that celebrates the heroes of September 11th and will leave everyone in the audience with a lump in their throats and a few tears in their eyes.
There's no questioning the importance of this story, but it is a shame that Stone has chosen to be so manipulative with our emotions.
Stone slyly sneaks virtuoso moments into his story, bringing a modest elegance to a script that frequently feels creakily old-fashioned.
The old Stone was not exactly a bargain, but he was never this pious or this conventional.
The filmmaker and his colleagues have brought the sensibility of an old-fashioned Hollywood disaster movie, and a mediocre one at that.
Stone takes one of the most tragic events of this century and focuses on the hope, humanity and determination that also held sway amid the darkness.
With this unflinching account of that day, Stone has made the most important film of his long career.
Even when Stone is clumsy, he at least seems to recognize that he can't possibly re-create the experience of these policemen: The best he can do is put it onstage, reminding us that this happened to someone else and not to us.
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