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The World's Fastest Indian (2005)
Tomatometer
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Reviews Counted:134
Fresh:109
Rotten:25
Average Rating:6.9/10
Consensus: Overcomes its formulaic storyline thanks to Anthony Hopkins' warm and endearing portrayal of an age-defying thrill seeker.
Runtime: 2 hrs 7 mins
Genre: Dramas
US Box Office: $5,022,468
Synopsis: The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for... The life and triumph of Burt Munro, the elderly Kiwi man who, at the far from spritely age of 68, broke motorcycle racing records in Utah, has fueled director Roger Donaldson's creative energy for years. In the early 1970s, just a few years after Munro's incredible triumph, Donaldson directed OFFERINGS TO THE GOD OF SPEED, a documentary on the sensational senior. Here, with the help of the fine actors Anthony Hopkins and Diane Ladd, the director brings the story to vivid, dramatic life yet again, constructing a gripping and inspirational narrative. Hopkins's Munro is a rich and magnetic character, a man who wears his notable physical ailments (which include an embarrassing prostate condition and deficient eardrums) like quirky idiosyncrasies rather than debilitating defects. An active playboy, Munro is a lovable character in his small New Zealand town, an attractively unique old man with a zest for life and a love of his vintage motorcycle--a bright red 1920 Indian model. After racing his own times obsessively every day, he becomes determined to live out his dream of participating in the annual Speed Week motorcycle event at Utah's Bonneville Salt Flats. Through local support and innovative fundraising, Munro is finally able to afford the long nautical journey across the world to Mormon-land and, beating all the incredible odds, not only enter the race but break its records with a jaw-dropping speed of 201 miles an hour. Besides telling a classic tale of individual triumph, THE WORLD'S FASTEST INDIAN offers a sociological look at the American West of the late 1960s, an iconic landscape peppered with colorful characters that include a wizened Native American and a generous drag queen, both of whom help the eccentric elder on his quixotic quest. [More]
Starring: Anthony Hopkins, Diane Ladd, Paul Rodriguez, Christopher Lawford
Starring: Anthony Hopkins, Diane Ladd, Paul Rodriguez, Christopher Lawford, Aaron Murphy, Bruce Greenwood
Director: Roger Donaldson
Director: Roger Donaldson
Studio: Magnolia Pictures
Reviews for The World's Fastest Indian
The film is itself an offering to the god of speed, but much more besides.
A spellbinding road movie about a man with a dream, The World's Fastest Indian tells not only a true story but introduces us to a priceless original.
Movie does not try to turn elderly speedster Burt Munro into melodrama but simply allows his astounding achievements to speak for themselves.
An old-fashioned, consummate feelgood flick and a valedictory to eccentric, stubborn old coots everywhere.
This compelling fact-based story is [Donaldson's] best effort in years.
It's hard not to like Hopkins' Burt Munro, which means it's hard not to like The World's Fastest Indian.
It creaks and splutters all the way, but Hopkins' charm keeps it chugging along steadily.
This codger has a libido, which distinguishes him from most of the seniors in the movies.
It takes a while to adjust to this amiable film’s languorous tempo but you might find it’s worth the wait.
Hopkins presides as such an engaging old coot, it seems criminal to point out flaws in the film -- which rarely tries to be more than a Kiwi version of 'The Straight Story.'
A wonderfully uplifting and charming biopic that’s sure to win over all but the most mean-spirited. And the motorbike races really rocket, too.
Hopkins makes a thoroughly convincing argument that the need for speed doesn't necessarily fade away in the so-called twilight years.
The World's Fastest Indian isn't so much a story about breaking records and gauging speed as it is about the kindness of strangers and the ultimate road trip.
Essentially this oddly engaging -- sometimes just downright odd -- little movie is a feel-good sports movie for the art-house crowd.
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