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The X-Files: I Want to Believe (2008)
Tomatometer
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Reviews Counted:160
Fresh:51
Rotten:109
Average Rating:4.9/10
Consensus: The chemistry between leads David Duchovny and Gillian Anderson do live up to The X-Files' televised legacy, but the roving plot and droning routines make it hard to identify just what we're meant to believe in.
Australian Rating: M [See Full Rating] Violence and themes
Runtime: 1 hr 48 mins
Genre: Science-Fiction/Fantasy
Australian Theatrical Release:
Jul 24, 2008 Wide
US Box Office: $20,847,266
Synopsis: THE X-FILES(TM): I WANT TO BELIEVE is a new motion picture based on the phenomenally popular, award-winning series The X-Files. Long-anticipated, the film reunites series stars David Duchovny and... THE X-FILES(TM): I WANT TO BELIEVE is a new motion picture based on the phenomenally popular, award-winning series The X-Files. Long-anticipated, the film reunites series stars David Duchovny and Gillian Anderson under the direction of series creator Chris Carter, who co-wrote the screenplay with Frank Spotnitz. In grand The X-Files tradition, the film's storyline is being kept under wraps, known only to top studio brass and the project's principal actors and filmmakers. This much can be revealed: The supernatural thriller is a stand-alone story in the tradition of some of the show's most acclaimed and beloved episodes, and takes the always-complicated relationship between Fox Mulder (Duchovny) and Dana Scully (Anderson) in unexpected directions. Mulder continues his unshakable quest for the truth, and Scully, the passionate, ferociously intelligent physician, remains inextricably tied to Mulder's pursuits. Months after shooting had wrapped, Carter remained as circumspect about the story as he was during its development and production. "Mulder and Scully are drawn back into the world of the X-Files by a case," is all he'll add about the plot. Perhaps more clues...to something....can be found in the film's title. "I Want to Believe" is a familiar phrase for fans of the series; it was the slogan on a poster that Mulder had hanging in his office at the FBI. "It's a natural title," says Chris Carter. "It's a story that involves the difficulties in mediating faith and science. It really does suggest Mulder's struggle with his faith." Carter is much more revealing about his goals for the film. "Simply put, we want to scare the pants off of everyone in the audience," he says. While the scale and scope inherent in the medium of film allowed the filmmakers to take the story and characters where the show couldn't go, Carter says THE X-FILES: I WANT TO BELIEVE also marks a return to the series' roots, when it was the lone beacon on television for fans of thrillers, supernatural tales, and of horror stories. "The film encompasses all the best things people loved about the show. It's scary, creepy, and has a good mystery. With The X-Files, we often scared people by what they didn't show, and we use that device for the movie." Adds writer-producer Frank Spotnitz: "I think the best part of The X-Files was that it could make you afraid of anything. They didn't tell typical horror stories or adhere to popular genre conventions. And this movie is in that tradition of showing things that you would not see in most scary movies." Unlike the first The X-Files motion picture, released in 1998, Carter and Spotnitz's story for THE X-FILES: I WANT TO BELIEVE does not require audiences to understand the series' complex mythology that stretched across its nine seasons on the air. "The first movie was kind of an epic episode of the show, but THE X-FILES: I WANT TO BELIEVE is a real, stand-alone movie," explains Carter. "If the show hadn't existed, this is a story that still would have found its way to the big screen." --© 20th Century Fox [More]
Starring: David Duchovny, Gillian Anderson, Amanda Peet, Billy Connolly
Starring: David Duchovny, Gillian Anderson, Amanda Peet, Billy Connolly, Callum Keith Rennie, Adam Godley, Nicki Aycox
Director: Chris Carter
Director: Chris Carter
Screenwriter: Chris Carter, Frank Spotnitz
Producer: Chris Carter, Frank Spotnitz
Composer: Mark Snow
Studio: 20th Century Fox
Reviews for The X-Files: I Want to Believe
The truth is, indeed, still out there. And when Carter finds it, may he heed its wisdom: Let go.
[S]cience fiction drama with the emphasis on the drama... [T]here are no monsters [here] except the all-too-human kind, and no demons except the all-too-familiar ones that plague us all.
The X-Files: I Want to Believe resembles those TV-series reunions that bring the cast of a hit together for a not-so-special occasion.
If anything, this production should have been televised. There's nothing here deserving the big screen--except for the radiant Gillian Anderson, the beating heart of the film.
Firmly places the nail in this franchise's coffin. I know what I don't want - a third X-Files film.
In The X-Files: I Want to Believe, ooky canted shots of trundling agents in "FBI"-emblazoned jackets seem like refreshing counterprogramming amid the rumble of the season's action movies.
In a summer that's seen its fair share of outsized spectacle, everything about X-Files: I Want to Believe is somber, subdued, and in the end rather minor.
The X-Files is a profoundly boring film. While the characters appear to move in real time, the film seems to be stuck in slow motion, as if all the action is taking place underwater or within wet cement.
This latest, and presumably last, X-Files installment is not an unpleasant way to pass a couple of hours, provided you, too, want to believe. But you have to want it pretty badly.
It's over. The series time in the light has come and gone. File the X-Files in a brand new folder and mark it Ex-Files.
The X-Files: I Want to Believe is a film that comes out of nowhere, serves absolutely no purpose to the series and maybe has fifteen minutes of interesting entertainment.
Series creator Chris Carter not only has penned an even more anemic script than his 1998 film but also manages to serve even less justice to a distinctly original TV series that has catered to people's fantasies and curiosities everywhere.
In the ten years since the first film and six years since the ending of the series, couldn't they have come up with something more interesting than a plot that suggests what "They Saved Hitler's Brain" might have been like in the hands of Andy Milligan?
The greatest X-File of all may be solving what paranormal phenomenon convinced Fox to greenlight this piece of crap.
It can coast on the affection of its devoted fans, but won't make believers out of anyone.
Seeing any movie after watching The Dark Knight is like dating another woman after you break up with Angelina Jolie, but Duchovny and Anderson find their rhythm quickly and still have a fun chemistry together.
Is this the year Tinsel Town attempts to destroy every legend in film?
The film is a slow burn, but the fire never catches on. It's all talk, no action and is guaranteed to leave the audience with the worst case of blue balls they've had in years.
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