Evinces an appealing sentimentality without being maudlin or only puppy-dog cute.
Year of the Dog (2007)
Tomatometer
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Reviews Counted:139
Fresh:96
Rotten:43
Average Rating:6.4/10
Consensus: Year of the Dog is a warm and quirky comedy that never condescends to its eccentric characters.
Runtime: 1 hr 38 mins
Genre: Comedies
US Box Office: $1,470,625
Synopsis: Any dog-lover would be a fool to pass up this charming dark comedy from director/screenwriter/actor Mike White (THE GOOD GIRL, SCHOOL OF ROCK, CHUCK AND BUCK). Famous for her iconic portrayal of... Any dog-lover would be a fool to pass up this charming dark comedy from director/screenwriter/actor Mike White (THE GOOD GIRL, SCHOOL OF ROCK, CHUCK AND BUCK). Famous for her iconic portrayal of Mary Katherine Gallagher, SNL alum Molly Shannon shows new range here as Peggy, a timid secretary whose whole life revolves happily around her adorable beagle, Pencil. When unspeakable tragedy strikes, Peggy is naturally overcome with grief. But at the same time, the loss of Pencil forces Peggy out of her shell and into the world of people. As a heartbroken Peggy faces pressure to cheer up from her friends and family, she is taken by the genuine empathy of her next door neighbor (John C. Reilly), even if she is appalled by his love of hunting. And just when Peggy thinks she's found a kindred spirit in a sexually ambiguous pet trainer (Peter Sarsgaard), the mixed signals and complexity that make up human nature get in the way. The more she observes her brother, her controlling sister-in-law (Laura Dern), and the supposedly normal but actually twisted life that they live, the more attractive the simpler, purer world of animals appears. Peggy soon realizes that she must follow her true passion and pave her own path, even if it involves a lie here or there in pursuit of a good cause. While White's offbeat sense of humor can be felt in every moment of the film, the story is also surprisingly sad and touching. Pencil's passing is up there with many of cinema's most heart-wrenching scenes, and Shannon's vulnerability as Peggy is quite moving. YEAR OF THE DOG should appeal to non-pet owners as well, as it boasts wonderful performances by Regina King as Peggy's well-meaning but sometimes clueless friend and coworker, along with Sarsgaard, Reilly, Dern, and Josh Pais as Peggy's testy boss. The film never ridicules Peggy or her love for animals, but defends it as valid, and just as true as any relationship between people. [More]
Starring: Molly Shannon, Peter Sarsgaard, John C. Reilly, Regina King
Starring: Molly Shannon, Peter Sarsgaard, John C. Reilly, Regina King, Laura Dern, Josh Pais, Tom McCarthy
Director: Mike White
Director: Mike White
Screenwriter: Mike White
Producer: Dede Gardner, Jack Black, Ben LeClair
Composer: Christophe Beck
Studio: Paramount Vantage
Reviews for Year of the Dog
A highly impressive work in which White and Shannon have joined forces to give us a darkly funny and strangely emotional meditation on grief and the extremes that people sometimes go to in order to deal with a sudden tragedy.
A charming film that is neither saccharin nor sanctimonious as it treads the well-worn romantic comedy genre, not so much dismantling it as rearranging it just enough to make it interesting -- and perhaps just a little scary.
[Writer-director White] is perceptive and gentle enough a director to allow Peggy to become a dog person of tragic proportions without laughing at her. He's a humorist with a humane core.
Year of the Dog succeeds in drawing you in, making you look at the world from her perspective. By the end of the movie, you will recognize what kind of a person she is -- and you'll understand how she came to be that way.
In the end, [writer-director] White settles for some unearned and unpersuasive optimism, which, in Hollywood scriptwriting, serves as shorthand for poignancy.
Shannon's journey into darkness seems to have no real purpose other than turning into a depressing spectacle.
Year of the Dogis long-time screenwriter White's first turn as director, and he leans on the crutch of the written word to spell everything out. It leaves Dog with a conclusion that feels dictated rather than dramatized.
Year of the Dog is one of those quirky little movies that you marvel ever got made while being supremely grateful that it did. It's hard to even categorize.
[Writer-director Mike White] always had a knack for writing character-revealing moments; this time he demonstrates a talent for handling actors as well.
Neither extreme of the animal rights debate can take comfort from this take-no-prisoners comedy. Frequently disturbing but always compelling, Year of the Dog barks for attention from the right kind of audience.
undercooked script and flat direction ... but, if you feel you need a lecture on animal activism and the importance of a vegan lifestyle, it does do it in a quasi-comedic fashion.
...infuses one of society's standard wallflowers, the single dog-lady, with uncommon dignity. She's weird, but wonderfully so.
At his best, [Mike] White's writing straddles the line between the comedy and the cruelty of emotional pain...
A sweet flick for anyone who sees dogs as furry people with bad breath and big hearts.
Canines hear sounds inaudible to human ears. Maybe the same is true of the humor in Year of the Dog.
An extraordinary blend of the humorous and the sad...a sweetly empathetic study of society's emotional fringe-dwellers.
I think [White] does a nice job of navigating that very tricky material.
The movie’s meaning seems to be: we’re all crippled in some way, so just live with it -- celebrate it, even. That isn’t satire; it’s moss-brained sentiment that turns 'sensitivity' into a dimly dejected view of life.
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April 28, 2007:
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