Pomp and circumstance are plentiful though not overdone as we worm our way into Victoria's court (and world) at the start of her reign. There is perhaps less clarity in the writing than desirable, but the production is spectacular
The Young Victoria (2009)
Tomatometer
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Reviews Counted:63
Fresh:46
Rotten:17
Average Rating:6.3/10
Consensus: Emily Blunt shines as Victoria in this romantic but plodding royal portrait.
Synopsis:
1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her...
1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), but she is smothering and over-protective.
Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. King Leopold is delighted and pushes Albert to woo her. Albert refuses because he knows she’s not ready and he won’t return to London until she invites him. Leopold reluctantly waits.
Meanwhile King William dies and Victoria is crowned Queen of England. Victoria’s first decree is to banish her mother and Conroy to a remote palace apartment. She embraces LORD MELBOURNE (Paul Bettany), the charming Prime Minister, as her sole advisor. They become inseparable and although his motives are slightly self serving, he truly cares for her and wants her to succeed. Prince Albert returns to London to witness the coronation and the friendship between Victoria and Albert deepens. They spend happy hours together but it is obvious Victoria is under Melbourne’s spell and he eventually returns to Germany.
The public loves their new Queen. She's cheered as she rides through the streets but this honeymoon with the public comes to a sudden end. Melbourne’s party is defeated in the elections and his rival, PEEL (Michael Maloney), demands that Victoria replace her ladies in waiting, who are all supporters of Lord Melbourne, with the wives of his own allies. Victoria refuses. Peel resigns and the backlash is furious. The newspapers declare that Victoria is opposing the public's will. They are outraged.
It is only now that Victoria understands how much she needs Albert’s support. Against Melbourne’s wishes, she summons the young Prince back to England. This time Albert is determined not to be kept waiting in the wings any longer. Seeing his new resolution and struck by how handsome and sincere he is, Victoria invites him to marry her.
The spectacle of the royal wedding wins over the public. The handsome young Prince and Queen are cheered and all seems well in the Royal household.
However tensions between Albert and Victoria start to emerge. She wants an obedient friend and lover, not a controlling husband. But he, reasonably enough, wants to be her partner and equal, to be involved in her political decisions. Victoria is furious. She is the Queen and she will manage her own business! Albert is hurt and has little to do in his new role as Consort. Eventually, with the Dowager QUEEN ADELAIDE’S (Harriet Walter) encouragement, she allows him to re-organize the palace staff. He does a great job - the household is more efficient than it's been in centuries.
Victoria becomes pregnant. Life should be perfect. But they argue when she sees Albert talking with politicians at a party. She’s incensed that he is taking the lead without her permission. They are later riding through the streets when a crazed man tries to shoot Victoria. Albert throws her to the carriage floor and is wounded trying to protect her.
Shocked by the danger and amazed by the strength of his love, Victoria realizes what a selfish woman she's become. She begs Albert's forgiveness as he insists that all he's ever wanted was what was best for her. Trusting him completely, she's now ready to accept his help. Together they banish Lehzen who could not accept Albert’s place in the family, and her mother's treacherous advisor, Conroy, who was still wielding influence. In a symbolic move, Victoria moves Albert’s desk next to hers and for the rest of his life they rule together. --© Apparition
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Starring: Emily Blunt, Jim Broadbent, Mark Strong, Paul Bettany
Starring: Emily Blunt, Jim Broadbent, Mark Strong, Paul Bettany, Miranda Richardson, Rupert Friend
Director: Jean-Marc Vallee
Director: Jean-Marc Vallee
Studio: Apparition
Reviews for The Young Victoria
Strong performances, production qualities and courtly intrigue ensure that audiences will wish this romantic drama went for just that little bit longer.
The film looks great and Blunt gives a wonderfully confident performance, but the end result lacks real insights into what made Victoria the great and enduring queen she became.
Blunt is magnificent here, surrounded by a sumptuous ensemble who give life, passion and warmth to this fast paced and engaging tale, suitably worth of its royal lineage and glorious in every way.
The film sags in its third act as it succumbs to all-out adoration for Victoria, but the ever-impressive Blunt carries it admirably with an affecting portrayal.
Blunt’s sprightly read of the title character is just so irresistibly endearing that it feels churlish to pick apart the thin material she is working with.
History is used as a backdrop to the main event, being the relationships of Emily Blunt's Victoria. Blunt is lovely, delivering just the right mix of feisty, vulnerable and stubborn to engage us in her conflicted, manipulated world
It’s actually a quite lovely film; gorgeous locations, fabulous costumes, and truly excellent performances. Emily Blunt is totally believable as the young Queen, she’s establishing herself as a fine young screen actress.
I spent an hour and three-quarters waiting for this movie to start.
A pretty, likeable romantic drama with initial political interest, this ends so abruptly it feels like the first part of a mini-series.
This charming costume drama might lack the bodice-ripping rowdiness of other recent historical romances, but it is classy and clever.
Emily Blunt’s Vic is as feisty as Alistair Darling and the story doesn’t give her enough to get excited about.
The biggest problem, though, is that while there's no denying it looks good, the whole thing is just so exasperatingly bland. Period films don't have to be this way.
The Young Victoria feels like a breath of fresh air. It is a charming costume drama that peeks behind the pomp and pageantry to capture the human side of Britain’s longest-reigning sovereign.
Blunt strikes me as the real deal: languid but biting, like Jeanne Moreau, yet able to command a scene while somehow appearing to shift to one side (as Moreau would never do) and observe with a skeptic’s smile.
All the period trappings –decor, duds, dances – are immaculate, though presented in the manner of a set-text reconstruction rather than a living, breathing drama.
What filmmaker Jean-Marc Vallée has done in this delicious historical romance is capture that hot blush of pure emotion that comes before kisses, sex, heartbreak and the rest can dilute it.
A solid piece of drama, giving fans of the genre a ripe core of hesitation to sink their teeth into, while also bringing actress Emily Blunt to the forefront with an impressive depiction of uncertainty and immaturity.
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