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The Young Victoria

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The Young Victoria (2009)

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Reviews Counted:46

Fresh:33

Rotten:13

Average Rating:6.2/10

Consensus: Emily Blunt shines as Victoria in this romantic but plodding royal portrait.

Genre: Dramas

US Box Office: $0

Synopsis: 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her... 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), but she is smothering and over-protective.

Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. King Leopold is delighted and pushes Albert to woo her. Albert refuses because he knows she’s not ready and he won’t return to London until she invites him. Leopold reluctantly waits.

Meanwhile King William dies and Victoria is crowned Queen of England. Victoria’s first decree is to banish her mother and Conroy to a remote palace apartment. She embraces LORD MELBOURNE (Paul Bettany), the charming Prime Minister, as her sole advisor. They become inseparable and although his motives are slightly self serving, he truly cares for her and wants her to succeed. Prince Albert returns to London to witness the coronation and the friendship between Victoria and Albert deepens. They spend happy hours together but it is obvious Victoria is under Melbourne’s spell and he eventually returns to Germany.

The public loves their new Queen. She's cheered as she rides through the streets but this honeymoon with the public comes to a sudden end. Melbourne’s party is defeated in the elections and his rival, PEEL (Michael Maloney), demands that Victoria replace her ladies in waiting, who are all supporters of Lord Melbourne, with the wives of his own allies. Victoria refuses. Peel resigns and the backlash is furious. The newspapers declare that Victoria is opposing the public's will. They are outraged.

It is only now that Victoria understands how much she needs Albert’s support. Against Melbourne’s wishes, she summons the young Prince back to England. This time Albert is determined not to be kept waiting in the wings any longer. Seeing his new resolution and struck by how handsome and sincere he is, Victoria invites him to marry her.

The spectacle of the royal wedding wins over the public. The handsome young Prince and Queen are cheered and all seems well in the Royal household.

However tensions between Albert and Victoria start to emerge. She wants an obedient friend and lover, not a controlling husband. But he, reasonably enough, wants to be her partner and equal, to be involved in her political decisions. Victoria is furious. She is the Queen and she will manage her own business! Albert is hurt and has little to do in his new role as Consort. Eventually, with the Dowager QUEEN ADELAIDE’S (Harriet Walter) encouragement, she allows him to re-organize the palace staff. He does a great job - the household is more efficient than it's been in centuries.

Victoria becomes pregnant. Life should be perfect. But they argue when she sees Albert talking with politicians at a party. She’s incensed that he is taking the lead without her permission. They are later riding through the streets when a crazed man tries to shoot Victoria. Albert throws her to the carriage floor and is wounded trying to protect her. Shocked by the danger and amazed by the strength of his love, Victoria realizes what a selfish woman she's become. She begs Albert's forgiveness as he insists that all he's ever wanted was what was best for her. Trusting him completely, she's now ready to accept his help. Together they banish Lehzen who could not accept Albert’s place in the family, and her mother's treacherous advisor, Conroy, who was still wielding influence. In a symbolic move, Victoria moves Albert’s desk next to hers and for the rest of his life they rule together. --© Apparition
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Starring: Emily Blunt, Jim Broadbent, Mark Strong, Paul Bettany

Starring: Emily Blunt, Jim Broadbent, Mark Strong, Paul Bettany, Miranda Richardson, Rupert Friend


Studio: Apparition

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Reviews for The Young Victoria

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1 - 20 (sorted by rotten rating; Australian critics are listed first)
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Pomp and circumstance are plentiful though not overdone as we worm our way into Victoria's court (and world) at the start of her reign. There is perhaps less clarity in the writing than desirable, but the production is spectacular

Full Review Source: Urban Cinefile | comment Comment
08/20/09
Andrew L. Urban
Andrew L. Urban
Urban Cinefile
Top Critic Icon Top Critic

Strong performances, production qualities and courtly intrigue ensure that audiences will wish this romantic drama went for just that little bit longer.

Full Review Source: FILMINK (Australia) | comment Comment
08/24/09
Colin Fraser
Colin Fraser
FILMINK (Australia)
Top Critic Icon Top Critic

The film looks great and Blunt gives a wonderfully confident performance, but the end result lacks real insights into what made Victoria the great and enduring queen she became.

Full Review Source: The Australian | comment Comment
08/30/09
David Stratton
David Stratton
The Australian
Top Critic Icon Top Critic

Blunt is magnificent here, surrounded by a sumptuous ensemble who give life, passion and warmth to this fast paced and engaging tale, suitably worth of its royal lineage and glorious in every way.

Full Review Source: Sydney Morning Herald | comment Comment
08/23/09
Giles Hardie
Giles Hardie
Sydney Morning Herald
Top Critic Icon Top Critic

The film sags in its third act as it succumbs to all-out adoration for Victoria, but the ever-impressive Blunt carries it admirably with an affecting portrayal.

Full Review Source: The Age (Australia) | comment Comment
08/27/09
Jim Schembri
Jim Schembri
The Age (Australia)
Top Critic Icon Top Critic

Blunt’s sprightly read of the title character is just so irresistibly endearing that it feels churlish to pick apart the thin material she is working with.

Full Review Source: Herald Sun (Australia) | comment Comment
08/26/09
Leigh Paatsch
Leigh Paatsch
Herald Sun (Australia)
Top Critic Icon Top Critic

History is used as a backdrop to the main event, being the relationships of Emily Blunt's Victoria. Blunt is lovely, delivering just the right mix of feisty, vulnerable and stubborn to engage us in her conflicted, manipulated world

Full Review Source: Urban Cinefile | comment Comment
08/20/09
Louise Keller
Louise Keller
Urban Cinefile
Top Critic Icon Top Critic

It’s actually a quite lovely film; gorgeous locations, fabulous costumes, and truly excellent performances. Emily Blunt is totally believable as the young Queen, she’s establishing herself as a fine young screen actress.

Full Review Source: At the Movies (Australia) | comment Comment
08/26/09
Margaret Pomeranz
Margaret Pomeranz
At the Movies (Australia)
Top Critic Icon Top Critic

Emily Blunt’s Vic is as feisty as Alistair Darling and the story doesn’t give her enough to get excited about.

Full Review Source: Sun Online | comment Comment
03/06/09
Sun Online

The biggest problem, though, is that while there's no denying it looks good, the whole thing is just so exasperatingly bland. Period films don't have to be this way.

Full Review Source: Scotsman | comment Comment
03/06/09
Alistair Harkness
Alistair Harkness
Scotsman

All the period trappings –decor, duds, dances – are immaculate, though presented in the manner of a set-text reconstruction rather than a living, breathing drama.

Full Review Source: Independent | comment Comment
03/06/09
Anthony Quinn
Anthony Quinn
Independent

A pleasant but plodding biopic of our longest-serving sovereign, mainly to be recommended for those with a limitless appetite for stately homes, lavish costumes and Mills & Boon romance.

Full Review Source: Daily Mail [UK] | comment Comment
03/06/09
Christopher Tookey
Christopher Tookey
Daily Mail [UK]

Yet another queasy entry into the ever-growing Queensploitation genre.

Full Review Source: Daily Mirror [UK] | comment Comment
03/06/09
David Edwards
David Edwards
Daily Mirror [UK]

The Young Victoria is thus about as sexy as a cold fish and as imaginative as a kipper.

Full Review Source: This is London | comment Comment
03/06/09
Derek Malcolm
Derek Malcolm
This is London

The failure of the film is not so much a lack of historical accuracy or detail as a dearth of historical liveliness.

Full Review Source: Slant Magazine | comment Comment
12/15/09
Ed Gonzalez
Ed Gonzalez
Slant Magazine

Man, British heritage cinema can be dull when assembly-lined for the export market.

Full Review Source: Village Voice | comment Comment
12/15/09
Ella Taylor
Ella Taylor
Village Voice

The history is by Mills & Boon, the visuals are wall-to-wall frou-frou. Add the banality-packed dialogue (“Even a palace can be a prison”) and some substandard mise-en-scène, and we feel like crying, “Call back Merchant Ivory!”

Full Review Source: Financial Times | comment Comment
03/06/09
Nigel Andrews
Nigel Andrews
Financial Times

I spent an hour and three-quarters waiting for this movie to start.

Full Review Source: Guardian [UK] | comment 2 Comments
03/06/09
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

As old Queen V. herself supposedly said: We are not amused.

Full Review Source: Film Threat | comment 1 Comment
11/30/09
Phil Hall
Phil Hall
Film Threat

What the film lacks is a sense of its awful era - if only Dickens could have had a hand in the script.

Full Review Source: Teletext | comment Comment
03/05/09
Victor Olliver
Victor Olliver
Teletext
 
 
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