A pretty, likeable romantic drama with initial political interest, this ends so abruptly it feels like the first part of a mini-series.
The Young Victoria (2009)
Tomatometer
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Reviews Counted:45
Fresh:32
Rotten:13
Average Rating:6.1/10
Consensus: Emily Blunt shines as Victoria in this romantic but plodding royal portrait.
Synopsis:
1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her...
1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), but she is smothering and over-protective.
Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. King Leopold is delighted and pushes Albert to woo her. Albert refuses because he knows she’s not ready and he won’t return to London until she invites him. Leopold reluctantly waits.
Meanwhile King William dies and Victoria is crowned Queen of England. Victoria’s first decree is to banish her mother and Conroy to a remote palace apartment. She embraces LORD MELBOURNE (Paul Bettany), the charming Prime Minister, as her sole advisor. They become inseparable and although his motives are slightly self serving, he truly cares for her and wants her to succeed. Prince Albert returns to London to witness the coronation and the friendship between Victoria and Albert deepens. They spend happy hours together but it is obvious Victoria is under Melbourne’s spell and he eventually returns to Germany.
The public loves their new Queen. She's cheered as she rides through the streets but this honeymoon with the public comes to a sudden end. Melbourne’s party is defeated in the elections and his rival, PEEL (Michael Maloney), demands that Victoria replace her ladies in waiting, who are all supporters of Lord Melbourne, with the wives of his own allies. Victoria refuses. Peel resigns and the backlash is furious. The newspapers declare that Victoria is opposing the public's will. They are outraged.
It is only now that Victoria understands how much she needs Albert’s support. Against Melbourne’s wishes, she summons the young Prince back to England. This time Albert is determined not to be kept waiting in the wings any longer. Seeing his new resolution and struck by how handsome and sincere he is, Victoria invites him to marry her.
The spectacle of the royal wedding wins over the public. The handsome young Prince and Queen are cheered and all seems well in the Royal household.
However tensions between Albert and Victoria start to emerge. She wants an obedient friend and lover, not a controlling husband. But he, reasonably enough, wants to be her partner and equal, to be involved in her political decisions. Victoria is furious. She is the Queen and she will manage her own business! Albert is hurt and has little to do in his new role as Consort. Eventually, with the Dowager QUEEN ADELAIDE’S (Harriet Walter) encouragement, she allows him to re-organize the palace staff. He does a great job - the household is more efficient than it's been in centuries.
Victoria becomes pregnant. Life should be perfect. But they argue when she sees Albert talking with politicians at a party. She’s incensed that he is taking the lead without her permission. They are later riding through the streets when a crazed man tries to shoot Victoria. Albert throws her to the carriage floor and is wounded trying to protect her.
Shocked by the danger and amazed by the strength of his love, Victoria realizes what a selfish woman she's become. She begs Albert's forgiveness as he insists that all he's ever wanted was what was best for her. Trusting him completely, she's now ready to accept his help. Together they banish Lehzen who could not accept Albert’s place in the family, and her mother's treacherous advisor, Conroy, who was still wielding influence. In a symbolic move, Victoria moves Albert’s desk next to hers and for the rest of his life they rule together. --© Apparition
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Starring: Emily Blunt, Jim Broadbent, Mark Strong, Paul Bettany
Starring: Emily Blunt, Jim Broadbent, Mark Strong, Paul Bettany, Miranda Richardson, Rupert Friend
Studio: Apparition
Reviews for The Young Victoria
Caught between real quality and heritage for export, the film falls between two disparate stools.
Young Victoria creates a world of rich detail inhabited by a woman clashing against social constraints and expectations. It's pure escapism and unashamedly romantic.
It swirls with passion and intrigue, with Blunt’s sovereign feisty in state matters and charmingly flirtatious with Prince Albert.
Like Cate Blanchett's Elizabeth, it's a solid, workmanlike effort that shifts the emphasis away from the haughty stereotype and casts Victoria in a new light.
The Young Victoria feels like a breath of fresh air. It is a charming costume drama that peeks behind the pomp and pageantry to capture the human side of Britain’s longest-reigning sovereign.
Rose-tinted it may be, but this portrait of Britain’s longest-serving monarch never drags. Blunt and Friend secure your sympathy as the mutually adoring V&A, while Vallée sleekly braids the personal with the parliamentary.
An elegant, entertaining, informative picture with a gallery of vivid supporting turns, this provisionally crowns the winning Blunt as a Brit-pic star - but it skimps a bit on the bodice-ripping, blood and thunder.
Dignified and charismatic, Blunt gives great lip-wobble, and Friend pulls off the role of sidekick, but historical twiddling can’t render Victoria’s love life interesting.
I spent an hour and three-quarters waiting for this movie to start.
Friend, as Albert, is this film’s secret weapon – ardent, subtly proud, a little shy, and a man with an intellectual philosophy he intends to preserve. The film glows as it gets to know him, and your resistance, like Victoria’s, melts away.
A pleasant but plodding biopic of our longest-serving sovereign, mainly to be recommended for those with a limitless appetite for stately homes, lavish costumes and Mills & Boon romance.
This charming costume drama might lack the bodice-ripping rowdiness of other recent historical romances, but it is classy and clever.
Yet another queasy entry into the ever-growing Queensploitation genre.
Emily Blunt’s Vic is as feisty as Alistair Darling and the story doesn’t give her enough to get excited about.
The history is by Mills & Boon, the visuals are wall-to-wall frou-frou. Add the banality-packed dialogue (“Even a palace can be a prison”) and some substandard mise-en-scène, and we feel like crying, “Call back Merchant Ivory!”
All the period trappings –decor, duds, dances – are immaculate, though presented in the manner of a set-text reconstruction rather than a living, breathing drama.
The Young Victoria is thus about as sexy as a cold fish and as imaginative as a kipper.
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December 06, 2009:
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