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Youth Without Youth (2007)
Runtime: 2 hrs 5 mins
Theatrical Release: Dec 14, 2007 Limited
Box Office: $146,307
Synopsis: Francis Ford Coppola returns to the director's chair for the first time in nearly a decade with his ambitious parable YOUTH WITHOUT YOUTH. Set in Romania on the eve of World War II, the tale begins when 70-year-old linguistics professor Dominic Matei (Tim Roth) is struck by lightning,... Francis Ford Coppola returns to the director's chair for the first time in nearly a decade with his ambitious parable YOUTH WITHOUT YOUTH. Set in Romania on the eve of World War II, the tale begins when 70-year-old linguistics professor Dominic Matei (Tim Roth) is struck by lightning, miraculously restoring him to the flower of youth. Swaddled in bandages, blind, and mute, Dominic astounds his doctor (Bruno Ganz) with his swift recovery--new teeth, smooth skin, and a shining mane of hair--and even the young nurses start to take an interest in the dashing, vigorous septuagenarian. But things turn perilous when the Third Reich learns of Dominic's rejuvenation and wants to harness his new, superhuman abilities. On the run in wartorn Europe, Dominic uses his powers to keep one step ahead of the Nazis and finish his life's work, an expansive study on language and human consciousness. The unpredictable plot thickens when Dominic falls for Veronica (Alexandra Maria Lara), a beautiful young woman who reminds him of a lost love and, what's more, has also had a fateful encounter with lightning--leaving her possessed by the spirits of her past lives! As she journeys from Switzerland to Malta to India, Veronica's unusual predicament may hold the key to completing Dominic's encyclopedic masterwork, but perhaps at the cost of their new life together. Closer to baroque and risk-taking pictures like ONE FROM THE HEART than THE GODFATHER, Coppola's sprawling exploration of love, memory, and lost time brims with rich symbolism and inventive visuals. Based on the novella by Mircea Eliade, the philosophic film evokes the poetic enigmas and freewheeling narrative of a literary novel. As audacious as it is thought-provoking, YOUNG WITHOUT YOUTH is a compelling return from a cinematic master. [More]
Genre: Dramas
Starring: Tim Roth, Alexandra Maria Lara, Bruno Ganz, Andre Hennicke, Marcel Iures
Screenwriter: Francis Ford Coppola
Producer: Francis Ford Coppola
Composer: Osvaldo Golijov
DVD Info
Release:
May 13, 2008
Blu-ray Features:
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 - English, French
- Subtitles - English, French - Optional (SDH)
Reviews
With all the nurses making moves on the suicidal old codger's renovated physique, Coppola's Youth Without Youth comes across as somewhere between The Godfather On Viagra and Apocalypse Then, Redux.
Though not an easy film to grasp or possibly enjoy, it's nevertheless a mindblowing acid-like excursion into the secret world of Orientalism.
This pretentious, impenetrable and deadly dull film never resonates as anything more than an aging filmmaker's feeble grasp at his own lost youth.
Coppola was more efficiently mystical when he wasn't trying so hard.
This is the perfect example of what can happen when a producer/director/writer doesn't have to answer to anyone. Coppola makes an artistic mess.
It often feels like a dream -- specifically, someone else's, a nonlinear, illogical synapse explosion that's always fascinating to the person in whose head it detonated but not so much to those experiencing it secondhand.
So much of Youth Without Youth is impenetrable, and not in a way that makes you want to solve the puzzle, but in a way that makes you want to knock the puzzle pieces off the table and flee the room.
It would be easier to sit back and rest on his legend rather than press on as an average filmmaker, which is what Coppola has become.
A classic example of the “what-was-he-thinking?” movie, Youth Without Youth unfolds in a sort of formal dream state devoid of day-to-day normalcy.
Youth Without Youth is so beautiful, in fact, that it almost transcends the epic bunkum of Coppola's script. But almost doesn't count, even when it is uttered in ancient tongues.
It's a clear case of an artist indulging his personal vision and getting so carried away by his muse, he's forgotten the most important rule of filmmaking: Other people have to sit through this s**t too.
This film's playful visual language pulls you in rather than shuts you out; it isn't difficult to decipher, and it enables Coppola and his editor, Walter Murch, to navigate the story's many realms with a directness and dexterity that are refreshing.
If making "Youth Without Youth" helped to clean out the pipes for Francis Ford Coppola and spurs him on to do better films, then that's great. The film has served a purpose.
With a made-up language, Dominic asserts, he can "describe paradoxical situations, impossible to express in any existing language." This might be one way to describe Youth Without Youth, a movie conceived as a kind of insular language%u2014convolut
...nothing less than a complete mess that often resembles an arty student film.
Coppola is still a master image maker, and there are moments of genuine beauty and cinematic power in Youth Without Youth that cannot be waved off with a shrug or a laugh.
Although it's easy to admire what [Coppola] was attempting to do with Youth Without Youth, the movie fails on such a thorough and complete level that to call it a noble attempt isn't really fair: It's really a colossal miscalculation.
A terrible mess of mystical mumbo jumbo, but you have to give Francis Ford Coppola's Youth Without Youth this: It is one magnificent and interesting failure of a film.
Unfortunately, Youth becomes so lost in its own conceptual, convoluted vortex, it becomes virtually incomprehensible.
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