Tomato 3/4 |
Cabin Fever (2003) |
"Watching the first half-hour of Cabin Fever, you'd never guess things would get very icky by the final credits." |
A. J. Hakari |
Splat |
Caché (2005) |
"The film's frequent long takes are painful both on the eye and on the plot." |
Donald J. Levit |
Tomato |
Cadillac Records (2008) |
"Jeffrey Wright convinces as Muddy Waters and Mos Def dazzles as rock-'n'-roller Chuck Berry, but it's Beyonce who upstages everyone as singer Etta James." |
John P. McCarthy |
Tomato |
Calendar Girls (2003) |
"'Calendar Girls' offers laughs, maybe a tear or two and lots of heart." |
Diana Saenger |
Tomato |
Calendar Girls (2003) |
"It took me about 10 or 15 minutes to wangle-in the British accents, but the film's own brand of unique humor and English allure eventually won me over." |
Frank Wilkins |
Splat |
Calle Santa Fe (2007) |
"'Calle Santa Fe' loses a center, goes in too many directions at too great length." |
Donald J. Levit |
Tomato |
Camp (2003) |
"While the resolution is predictable and easy, this does not detract from the pleasurable feelings generated by 'Camp.'" |
Donald J. Levit |
Splat |
Camp Rock (2008) |
"There's an aura of phoniness surrounding this film, one that overwhelms whatever talents the young stars actually possess." |
A. J. Hakari |
Tomato |
Campfire (2004) |
"A 'little film' about loneliess and the difficult ability to love and to trust --but at the same time more universal than the shifting tide of nations' concerns." |
Donald J. Levit |
Splat |
El Cantante (2007) |
"'El Cantante' turns out to be more of a shameless vanity project than the labor of love Hector Lavoe seems to deserve." |
A. J. Hakari |
Splat |
Cape Of Good Hope (2005) |
"Schmaltz -- which is not to say it doesn't have disarming charm, for those who like this sort of thing." |
Donald J. Levit |
Splat |
Capitalism: A Love Story (2009) |
"Michael Moore paints with too-wide a conceptual brush, which in turn explains why 'Capitalism: A Love Story' goes off point so often." |
John P. McCarthy |
Splat |
Capote (2005) |
"At the center of this treatment as well as its human subject, there is a coldness around the heart." |
Donald J. Levit |
Tomato |
Captain Abu Raed (2008) |
"'Captain Abu Raed' could be the beginning of a beautiful friendship between new filmmaker Amin Matalqa and discerning moviegoers everywhere." |
Betty Jo Tucker |
Tomato |
Captain Corelli's Mandolin (2001) |
"The stunning look of this film took my breath away and overcame its shortcomings for me." |
Betty Jo Tucker |
Splat |
Captivity (2007) |
"'Captivity' whips out plenty of disturbing delights from its bloody bag of tricks, yet the result makes one want to hurl rather than cower in fear" |
A. J. Hakari |
Tomato |
Cargo 200 (2008) |
"Soviet lives are uncomfortable to watch here but as compelling as Richard Widmark's début in 'Kiss of Death' or Tarantino's more graphic one with 'Reservoir Dogs.'" |
Donald J. Levit |
Tomato 3/4 |
Carlos Saura Dance Trilogy Part 1 - Carmen (1983) |
"Under the direction of Carlos Saura, this 1983 version of Carmen stands out, thanks to its unique storytelling and an unforgettable set of dance moves." |
A. J. Hakari |
- |
Carolina (2003) |
Click here to see the review. |
Betty Jo Tucker |
Tomato |
Carolina (2003) |
"As played flamboyantly by Shirley MacLaine, Carolina's grandmother exudes raw energy, bold determination and an unwavering love for her dysfunctional family." |
Betty Jo Tucker |
Tomato |
Cars (2006) |
"Most of its horsepower can be attributed to the sparkling visuals." |
John P. McCarthy |
- |
Casablanca (1942) |
"Casablanca Film Tribute" |
Betty Jo Tucker |
Tomato |
Casanova (2005) |
"Delightfully sophisticated and just plain fun." |
Diana Saenger |
- |
Casino (1995) |
Click here to see the review. |
Robert Ford |
Tomato |
Casino Royale (2006) |
"You get your money's worth with Casino Royale. It has all the necessary ingredients plus a spanking-new Bond -- whom even M has a bit of a crush on." |
John P. McCarthy |
Splat |
Cassandra's Dream (2008) |
"This movie feels like Woody Allen is rehashing themes he already visited -- but without the effort that left audiences breathless the first time." |
A. J. Hakari |
Tomato |
Cast Away (2000) |
"In addition to Hanks’ superb acting, amazing cinematography by Don Burgess helps lift this movie above the ordinary." |
Betty Jo Tucker |
Tomato |
The Castle (1997) |
"A unique Australian comedy that puts big budget films to shame." |
Betty Jo Tucker |
Splat |
The Cat's Meow (2002) |
"Notable mostly for Kirsten Dunst's superb portrayal of Marion Davies." |
Betty Jo Tucker |
Splat |
Catacombs (2006) |
"'Catacombs' is the dullest time horror's had in an overseas setting since 'Blood & Chocolate' brought whiny werewolves to Bucharest." |
A. J. Hakari |
Tomato |
Catch a Fire (2006) |
"'Catch a Fire' gets off to a slow start, but once the suspense kicks in, it's a riveting movie with superb performances by Robbins and Luke." |
Betty Jo Tucker |
Tomato |
Catch a Fire (2006) |
"'Catch a Fire' is a stirring political thriller with charismatic performances and sure-handed direction by Phillip Noyce." |
John P. McCarthy |
Splat |
Catch and Release (2007) |
"Although extremely slow moving and hard to sit through, 'Catch and Release' focuses on characters who genuinely care about each other." |
Betty Jo Tucker |
Splat |
Catch and Release (2007) |
"The sense of New Age romantic serendipity and Zen whimsy writer/director Grant strives to invoke in 'Catch and Release' just doesn't register." |
John P. McCarthy |
Tomato |
Catch Me If You Can (2002) |
"Truth is stranger than fiction, so the old saying goes. In 'Catch Me If You Can,' it's also more entertaining." |
Betty Jo Tucker |
Splat 1.5/4 |
Catch That Kid (2004) |
"With an array of characters who are far too stupid to exist even in filmdom, Catch That Kid almost mocks the older patrons in the audience..." |
A. J. Hakari |
Tomato |
Cats & Dogs (2001) |
"Those incredible animals steal the show here -- just like in 'Babe.'" |
Betty Jo Tucker |
Splat |
Catwoman (2004) |
"Oops! A costume catastrophe." |
Betty Jo Tucker |
Splat |
Catwoman (2004) |
"The movie is deadening because it's visually and aurally overdone in a lazy, scattershot manner." |
John P. McCarthy |
Tomato |
The Cave (2005) |
"Contained enough unusual scenery and frightening sequences to keep my mind off its farfetched plot most of the time." |
Betty Jo Tucker |
Tomato |
Cave of the Yellow Dog (2006) |
"'The Cave of the Yellow Dog' brings enough charm and important values to the table to enrich viewers of any age." |
A. J. Hakari |
Tomato |
Cave of the Yellow Dog (2006) |
"Moving along with an unhurried pace, this attractive film presents a picture of sweetest life near the bone." |
Donald J. Levit |
Tomato |
The Cell (2000) |
"The Cell is not just another serial killer flick. Despite its horrific theme and graphic violence, it’s a stunning work of art." |
Betty Jo Tucker |
Tomato |
Cello (2005) |
"'Cello' is a terrific-looking horror film, blessed with a smooth and professional production design that stacks up against bigger-budgeted efforts." |
A. J. Hakari |
Tomato |
Cellular (2004) |
"The pacing of this suspenseful thriller seemed almost perfect to me." |
Betty Jo Tucker |
Tomato |
Cellular (2004) |
"'Cellular' moves so quickly and efficiently, you'll wish accessing your voicemail were as easy." |
John P. McCarthy |
Tomato |
Center Stage (2000) |
"Ethan Steifel's unforgettable dancing seems to defy the laws of gravity -- and without computerized special effects." |
Betty Jo Tucker |
Splat |
Changeling (2008) |
"'Changeling' sticks to what was, and is, ugly and real but does not do justice to the nightmare." |
Donald J. Levit |
Splat |
Changing Lanes (2002) |
"The story is nothing new -- and the ending is just too trite." |
Diana Saenger |
Splat |
Changing Times (2006) |
"Hardly at their charismatic best, the two unquestionably international stars, however, are the raison d'etre for the film." |
Donald J. Levit |
RSS Feeds