Tomato |
The Da Vinci Code (2006) |
"Engrossing from start to finish." |
Geoff Roberts |
Tomato |
The Da Vinci Code (2006) |
"A faithful, slightly mechanical rendering of Brown's theological thriller -- yet due to its incendiary content, the film is engaging enough." |
John P. McCarthy |
Tomato |
Daddy and Them (2001) |
"These dysfunctional characters seem so real, thanks to excellent acting by everyone involved and to Billy Bob Thornton's intuitive writing and directing." |
Betty Jo Tucker |
Splat |
Daddy Day Camp (2007) |
"'Daddy Day Camp' presumes youngsters aren't able to process anything beyond the most basic character growth or guys getting hit in the groin." |
A. J. Hakari |
Tomato |
Daddy Day Care (2003) |
"Kudos to Eddie Murphy for adopting a more low-key approach in 'Daddy Day Care' and for letting his fine supporting cast get most of the laughs." |
Betty Jo Tucker |
Splat |
Daddy's Little Girls (2007) |
"Losing focus of its inspirational story, 'Daddy's Little Girls' gets caught up in throwing every melodramatic plot device imagined onto the screen." |
A. J. Hakari |
Splat |
Dan in Real Life (2007) |
"It's ironic that 'Dan in Real Life' is titled as such, because a story this soapy could only exist in Hollywood." |
A. J. Hakari |
Tomato |
Dan in Real Life (2007) |
"'Dan in Real Life' showcases Steve Carell's talent for dry sarcasm, clownish physicality, vulnerability and officiousness." |
John P. McCarthy |
Tomato |
Dance Flick (2009) |
"'Dance Flick' may be offensive to dancers and other living things, but it's also very funny." |
Betty Jo Tucker |
Splat |
The Dancer Upstairs (2003) |
"The story meanders weakly around the main plot and is only reined in by Bardem's strong and cunning performance." |
Diana Saenger |
Tomato |
Dances with Wolves (1990) |
"The high-water mark of Kevin Costner's career." |
Donald J. Levit |
Splat |
The Dangerous Lives of Altar Boys (2002) |
"Too dark for teens; too far into the comic vision for adults." |
Diana Saenger |
Tomato |
Danny Deckchair (2004) |
"A pleasantly charming little tale." |
Frank Wilkins |
Splat |
The Darjeeling Limited (2007) |
"If the outcome is foreseeable and the film overstays itself a little even at 91 minutes, the pilgrimage is commendable though not enlightening." |
Donald J. Levit |
Tomato |
Dark Blue (2003) |
"Kurt Russell will be tough to beat during the next Oscar race. He's at the top of his game in 'Dark Blue.'" |
Betty Jo Tucker |
Tomato 4/4 |
The Dark Knight (2008) |
"Heath Ledger brings the Joker to chilling life in much the same way Javier Bardem made Anton Chigurgh so magnetic in No Country for Old Men." |
A. J. Hakari |
Tomato |
The Dark Knight (2008) |
"The prize for brilliance in 'The Dark Knight' must go to Heath Ledger, who climbs into the skin of a maniacal force of nature. It's a complete transformation, inside and out." |
Joanne Ross |
Tomato |
The Dark Knight (2008) |
"'The Dark Knight' boasts a visual splendor that matches its trenchant themes and inspired performances." |
John P. McCarthy |
Tomato |
Dark Streets (2008) |
"Viewers willing to give themselves to the serious playfulness and visuals will find their share of rewards in 'Dark Streets.'" |
Donald J. Levit |
Tomato |
Dark Water (2005) |
"Jennifer Connelly's haunting performance as a woman engulfed in an aura of desperation makes it impossible not to empathize with the character she portrays." |
Betty Jo Tucker |
Splat |
Darkness (2003) |
"Muddled and confusing -- yet somewhat intriguing." |
A. J. Hakari |
Splat |
Darkness Falls (2003) |
"There's a lot of noise and blurry action in 'Darkness Falls' -- like the start of my worst migraines." |
Betty Jo Tucker |
Splat |
The Darwin Awards (2006) |
"Diehard fans of Wendy Northcutt's various Darwin Award books will probably feel let down by this disappointing film presentation." |
Geoff Roberts |
Splat |
Date Movie (2006) |
"I knew something was wrong with 'Date Movie' when a cat puppet with nasty flatulence received the film's biggest laugh." |
A. J. Hakari |
Tomato 9/10 |
Dave Chappelle's Block Party (2006) |
"The film has the pleasantly unexpected result of showcasing [Chappelle] at his most humane and relatable." |
Jeffrey Chen |
Tomato 3/4 |
Dawn of the Dead (2004) |
"...Dawn of the Dead succeeds as gripping, exhilarating, and all-around freaky horror entertainment." |
A. J. Hakari |
Tomato |
The Day After Tomorrow (2004) |
"Besides being an exciting and suspenseful movie, 'The Day After Tomorrow' should be a wake-up call for us all." |
Betty Jo Tucker |
Splat |
Day of the Dead (2007) |
"'Day of the Dead' is one of those movies just bad enough to provide you with a good time making fun of it." |
A. J. Hakari |
Splat |
Day Watch (2007) |
"Filmmaker Bekmambetov's habit of jumping around from sub-genre to sub-genre in 'Day Watch' becomes more than a little irritating." |
A. J. Hakari |
Tomato |
Days of Glory (2006) |
"'Days of Glory' is highly effective in imaging the horror and fear of combat." |
Donald J. Levit |
Tomato |
De-Lovely (2004) |
"A captivating musical." |
Diana Saenger |
- |
De-Lovely (2004) |
"Irwin Winkler's Divine Perception" |
Diana Saenger |
Tomato |
De-Lovely (2004) |
"An intelligent behind-the-scenes look at enduring love and enduring music." |
Donald J. Levit |
Tomato |
Dead And Breakfast (2004) |
"This little independent gorefest serves up creativity and campiness almost from beginning to end." |
Betty Jo Tucker |
Tomato |
The Dead Girl (2006) |
"I don't remember when I've seen a movie with as many exceptional female performances as those in 'The Dead Girl.'" |
Betty Jo Tucker |
- |
Dead Man (1996) |
Click here to see the review. |
Betty Jo Tucker |
Tomato |
Dead Man Walking (1995) |
"It's the friction between the two leads (Susan Sarandon and Sean Penn) that makes this film so compelling." |
Robert Ford |
Splat |
Dead or Alive: Final (2002) |
"Menace lowers at all points, but nothing develops; little is followed through on, and one finally does not care at all." |
Donald J. Levit |
Tomato |
Dead Silence (2007) |
"While not a spectacular genre entry, 'Dead Silence' at least includes a number of bright spots and a drive to do something very different." |
A. J. Hakari |
Splat |
Dead Silence (2007) |
"Not even the most timid moviegoer will feel in jeopardy while watching 'Dead Silence," a mild slasher flick short on gore and scares." |
John P. McCarthy |
Splat 2/4 |
Dead Snow (2009) |
"For Dead Snow to render Nazi zombies boring is to fail in a way only future historians may be able to understand." |
A. J. Hakari |
Tomato |
Dead Snow (2009) |
"Far from Scandinavian Lutheran deep seriousness, this is all homage to a generally shallow genre and fun for those who cotton to that sort of thing." |
Donald J. Levit |
Splat |
Deadgirl (2008) |
"With a slight hint of developing into more than a teen-pleaser gorefest, 'Deadgirl' instead goes for the jugular and splatters blood." |
Donald J. Levit |
Tomato |
Deadline (2004) |
"The age-old emotion and complexity that surround capital punishment are ably captured, unfancied-up, by Chevigny and Johnson.." |
Donald J. Levit |
Tomato |
Dear Frankie (2005) |
"There's a timeless quality about 'Dear Frankie.' This touching film tugs at your hearstrings and won't let go, even after the end credits roll." |
Betty Jo Tucker |
Splat |
Dear God (1996) |
"'Dear God' commits the worst sin of all for a comedy -- it evokes very few laughs." |
Betty Jo Tucker |
Tomato |
Dear Zachary: A Letter to a Son About His Father (2008) |
"An emotional roller-coaster of a movie, one that touches your heart and brings you to tears in some scenes, then enrages you in others." |
Betty Jo Tucker |
Tomato |
Death at a Funeral (2007) |
"Thanks to its finely honed timing, hilarious one-liners, quirky characters and non-stop laughs, 'Death at a Funeral' is enormously funny." |
Diana Saenger |
Splat |
Death Defying Acts (2008) |
"Viewers expecting 'Death Defying Acts' to be jaw-dropping entertainment may see their hopes vanish into thin air." |
A. J. Hakari |
Splat 2.5/4 |
Death Note (2006) |
"The idea behind Death Note is a real corker, but a clever premise can only a carry a film for so long if left to its own devices." |
A. J. Hakari |
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