Tomato |
O Brother, Where Art Thou? (2000) |
"With "O Brother,' the Coens have reached near perfection again, and that's something to sing about." |
Betty Jo Tucker |
Tomato |
Observe and Report (2009) |
"'O & R' focuses on characters instead of plot, which may bother some viewers. However, the movie worked for me because of its excellent performances." |
Betty Jo Tucker |
Splat |
Obsessed (2009) |
"'Obsessed' comes across as a superficial and slick update of 'Fatal Attraction,' its far superior predecessor." |
Joanne Ross |
Splat |
Ocean's Eleven (2001) |
"A ho-hum heist film." |
Betty Jo Tucker |
Splat |
Ocean's Thirteen (2007) |
"Clooney and Pitt provide plenty of eye candy in 'Ocean's Thirteen,' but this third Ocean's adventure often seems incoherent and listless." |
Betty Jo Tucker |
Tomato |
Ocean's Thirteen (2007) |
"This plush third installment in director Steven Soderbergh's heist franchise recoups a good bit of the original's escapist fun." |
John P. McCarthy |
Splat |
Ocean's Twelve (2004) |
"Plot confusion and lazy pacing subvert this film's entertainment potential." |
Betty Jo Tucker |
Splat |
Ocean's Twelve (2004) |
"Flashy, but not well thought out." |
John P. McCarthy |
Tomato |
Off the Map (2005) |
"Alive with a sense of place, 'Off the Map' evoked for me the same wondrous feelings I had while watching 'To Kill a Mockingbird' and 'Shane.'" |
Betty Jo Tucker |
- |
Oklahoma! (1955) |
Click here to see the review. |
Joshua Vasquez |
- |
Oklahoma! (1955) |
""A compelling musical"" |
Joshua Vasquez |
Splat |
Old Dogs (2009) |
"Travolta and Williams have been around long enough to know that when doing comedy, sometimes 'less is more.'" |
Betty Jo Tucker |
Splat |
Old Dogs (2009) |
"Racist, juvenile and nonsensical." |
John P. McCarthy |
Splat |
Old School (2003) |
"Will Ferrell is as funny as ever here, but this 'don't-act-your-age' comedy would be almost a total disaster without him." |
Betty Jo Tucker |
Tomato 8/10 |
Oldboy (2005) |
"The film likes itself. It likes its mysterious plot, it likes the black humor it operates in, and it likes being goofy, lurid and sick." |
Jeffrey Chen |
Tomato |
Oliver Twist (2005) |
"Director Roman Polanski wrenches the last teardrop out of you before he lets you go." |
Geoff Roberts |
Tomato |
Oliver! (1968) |
"'Oliver!' is as entertaining and captivating on this new (2005) DVD transfer as it was when the movie was first released." |
Geoff Roberts |
Tomato |
The Omen (2006) |
"A creepy, chilling thriller." |
Geoff Roberts |
Tomato 6/10 |
The Omen (2006) |
"It's like watching an old play performed by a new troupe." |
Jeffrey Chen |
Tomato |
On A Clear Day (2006) |
"Thanks to Peter Mullan taking on his leading role with the same sincerity he's brought to other projects, 'On a Clear Day' is a sweet success." |
A. J. Hakari |
Tomato |
On the Outs (2005) |
"A powerful blending of three independent yet crossing stories from the wasted dead ends of life." |
Donald J. Levit |
Tomato |
On the Run (2002) |
"A self-styled nocturnal noir, 'On the Run' is violent but not bloody, more in the school of classic gangster flicks than current gorefests." |
Donald J. Levit |
Tomato 9/10 |
Once (2007) |
"A top viewing choice for the musically-inclined cynical idealist." |
Jeffrey Chen |
Tomato |
Once Upon a Time in America (1984) |
"If you've never seen a Sergio Leone film, you have to see this one -- and, if you are a fan of Leone's work, you MUST own this DVD." |
Diana Saenger |
Tomato |
Once Upon a Time in America (1984) |
"A cinematic masterpiece." |
Diana Saenger |
Tomato |
Once Upon a Time in Mexico (2003) |
"Antonio Banderas took my breath away again. Sleek and swift as a panther, he projects the charisma and magnetism of an old-time movie star." |
Betty Jo Tucker |
Tomato |
Once Upon a Time in Mexico (2003) |
"You don't have to be a fan of Robert Rodriguez's 'El Mariachi' or 'Desperado' to enjoy the many entertaining features of 'Once Upon a Time in Mexico' on DVD." |
Diana Saenger |
Splat |
One Day You'll Understand (2008) |
"Accurate in imaging the mystery of man's not fully knowable past, 'One Day You'll Understand' leaves too much distant, unsolved and confused." |
Donald J. Levit |
Splat |
One Missed Call (2003) |
"Relies on scare tactics not very well done." |
Donald J. Levit |
Splat |
One Missed Call (2008) |
"Why, after realizing how deadly these calls can be, does every victim still insist on listening to them? Perhaps only the screenwriters know for sure." |
Betty Jo Tucker |
- |
One Night at McCool's (2001) |
Click here to see the review. |
Betty Jo Tucker |
Splat |
One Night With The King (2006) |
"There have been Bible stories on film told better than 'One Night with the King,' and there probably will be more in the future." |
A. J. Hakari |
Splat |
One Take Only (2001) |
"A simplistic "life of crime" tale without an emotional core or an interesting story or colorful characters we care about.
" |
A. J. Hakari |
Tomato |
The One-Armed Swordsman (1967) |
"A couple of notches above many other imported and domestic actioners." |
Donald J. Levit |
Tomato |
Ong-Bak: The Thai Warrior (2005) |
"Viewers who like refreshingly uncluttered actioners will find reward in 'Ong-Bak.'" |
Donald J. Levit |
Tomato |
The Onion Movie (2008) |
"'The Onion Movie' is something to be appreciated in all its immature, irreverent, and flat-out hilarious glory." |
A. J. Hakari |
Tomato |
Only Human (2006) |
"The joy in watching 'Only Human' comes from outrageous situational humor and perfectly delivered dialogue by actors having fun doing what they do." |
Frank Wilkins |
Tomato |
Only the Strong Survive (2003) |
"A human and warm film, in the vein of the mellow, though quite different, 'Jazz on a Summer's Day' and 'Round Midnight.'" |
Donald J. Levit |
Splat |
On_Line (2002) |
"What lingers here is great sadness for a lost Atari generation." |
Donald J. Levit |
Tomato |
Open Range (2003) |
"'Open Range' is simply a grand cinematic experience." |
Frank Wilkins |
Splat |
Open Season (2006) |
"'Open Season' is an all-too-familiar half-cutesy/half-hyperactive cartoon with talking animals, but at least these critters don't sing a note." |
A. J. Hakari |
Tomato |
Open Water (2004) |
"A genuinely scary film." |
David Haviland |
Tomato |
Open Water (2004) |
"A sharply recorded and realized picture of what lurks beneath 'our' surface." |
Donald J. Levit |
Tomato |
Orange County (2002) |
"Wonder of wonders -- a teen movie with a humanistic message." |
Betty Jo Tucker |
Tomato |
The Order (2003) |
"Religious thrillers usually leave me cold, but 'The Order's' moral dilemmas -- highlighted by Ledger's intense performance -- really got to me." |
Betty Jo Tucker |
Tomato |
The Order of Myths (2008) |
"The camera effectively pictures the two separate but equal Mardi Gras and contrasts the faux-baroque finery with some urban scruffiness." |
Donald J. Levit |
- |
Original Sin (2001) |
Click here to see the review. |
Betty Jo Tucker |
Splat |
Orphan (2009) |
"'Orphan' fails to get the heart pumping or the adrenaline flowing, despite having all the expected cinematic elements of the genre." |
Joanne Ross |
Splat |
The Orphanage (2007) |
"Twisting too many specious screws too often, 'The Orphanage' is not innovative, though its atmospheric setting and the performance of Belen Rueda are impressive." |
Donald J. Levit |
Tomato |
Osama (2003) |
"Unrelentingly shocking in its portrayal of religion and ancient culture gone to the bad." |
Donald J. Levit |