Tomato 3/5 |
Capitalism: A Love Story (2009) |
"Moore Sacrifices Narrative Thrust for Contemporary Relevance But Still Ends on a Strong Note." |
Jimmy O |
Tomato 4/5 |
Capote (2005) |
"The Wildest Thing to Hit Kansas since Intelligent Design!" |
Jimmy O |
Tomato 4/5 |
Capturing the Friedmans (2003) |
"No film should be allowed to be this intimate, but Capturing the Friedmans is a miracle of emotional timing and technical documentation." |
Jimmy O |
Tomato 3.5/5 |
The Cat's Meow (2002) |
"Bogdanovich's bittersweet elegy to all the girls he's loved before." |
Stephen Himes |
Tomato 3.5/5 |
Catch Me If You Can (2002) |
"Catch Me if You Can would have been the best example of entertainment as an art form in the past decade if not for Spielberg's daddy issues hijacking the plot." |
Jimmy O |
Tomato 3/5 |
Catch Me If You Can (2002) |
"Spielberg's movie is fine entertainment, but John Williams has lost the sense of adventure in his scores." |
Stephen Himes |
- |
The Champ (1979) |
Click here to see the review. |
Jimmy O |
- |
Changing Lanes (2002) |
Click here to see the review. |
Jimmy O |
Tomato 4/5 |
Charlie and the Chocolate Factory (2005) |
"Perhaps the best defense of Pee-Wee Hermann and Michael Jackson ever offered." |
Jimmy O |
Tomato |
Charlie's Angels: Full Throttle (2003) |
"It's just great to watch McG craft this world of popular fantasia." |
Jimmy O |
Tomato 4/5 |
Charlie's Angels: Full Throttle (2003) |
"The world is not yet ready for the vision of McG." |
Stephen Himes |
Splat 2/5 |
Chicago (2002) |
"Musicals attempting to emulate the razzle and dazzle of cinema now come full circle to to multiplexes in Chicago" |
Jimmy O |
Splat 0/5 |
Christmas with the Kranks (2004) |
"Christmas with the Kranks celebrates the fascism of American Conservatism." |
Jimmy O |
Tomato 4/5 |
Cinderella Man (2005) |
"Cinderella Man captures the essence of the Braddock experience. Crowe confirms himself as the new Brando. Ready to respect Opie yet?" |
Jimmy O |
Splat 2/5 |
City by the Sea (2002) |
"Despite DeNiro showing up from time to time, this flick plays like an Afterschool Special written by Richard Price" |
Jimmy O |
Splat 2.5/5 |
City by the Sea (2002) |
"The final ten minutes is enough to extinguish my fire for the rest." |
Stephen Himes |
Splat 1/5 |
Closer (2004) |
"Nasty, crass, ill-conceived, illogically vulgar, and obvious. And that's just Julia Roberts!" |
Jimmy O |
Tomato 3/5 |
Cold Mountain (2003) |
"A romance set against the Civil War should be as passionate and horrific as its backdrop. All we get with Cold Mountain is a really funny Renee Zellwegger" |
Jimmy O |
Tomato 3.5/5 |
Collateral (2004) |
"Cruise gets out-Foxxed and Collateral develops more tension for the distinction." |
Jimmy O |
Splat 2/5 |
Collateral Damage (2002) |
"Loud, noisy, piece of garbage." |
Jimmy O |
Tomato 3/5 |
Confessions of a Dangerous Mind (2002) |
"As director, Clooney uses his visuals to create a great story. However, the script is more of a teether for Charlie Kaufman and is overwhelmed by taking the material way too literally." |
Jimmy O |
Tomato 3/5 |
Confessions of a Dangerous Mind (2002) |
"Clooney's ambition renders Denzel's "Good Will Fisher" / "Finding Fisher" debut pedestrian in comparison." |
Stephen Himes |
Splat 2/5 |
Constantine (2005) |
"Brimming with good ideas but fails to exorcise the demons of audience pandering." |
Jimmy O |
Tomato 4/5 |
Control Room (2004) |
"Lieutenant Josh Rushing emerges as a voice of reason, a moral arbiter between al-Jazeera and Fox News." |
Stephen Himes |
Splat 1.5/5 |
The Cooler (2003) |
"A romance with no interest in establishing heat, The Cooler feels content with expressing itself through William H. Macy's mid-carpet." |
Jimmy O |
Splat |
Corky Romano (2001) |
"Very, very bad." |
Stephen Himes |
Splat 1/5 |
Crash (2005) |
"Manipulative and self-defeating, Crash resembles race-baiting PT Anderson fare or if Altman got stuck in the mid-80's." |
Jimmy O |
Tomato 3/5 |
The Crocodile Hunter: Collision Course (2002) |
"Okay, the CIA subplot is weird but is it any stranger than the sexual undertones of Steve and Teri? Collision Course makes for some odd and fun entertainment." |
Jimmy O |
Tomato 4/5 |
The Crocodile Hunter: Collision Course (2002) |
"Steve Irwin's method is Ernest Hemmingway at accelerated speed and volume." |
Stephen Himes |
Splat 1/5 |
Crossroads (2002) |
"Musically, Britney is as talented as Samantha Foxx, and her acting is less textured than Lance Bass'." |
Stephen Himes |
Splat 2.5/5 |
Cursed (2005) |
"The Weinsteins screw Craven out of a possibly great horror film." |
Jimmy O |
IGN RSS Feeds
