Tomato |
A.I. Artificial Intelligence (2001) |
"A.I. stands as a work that allows us to see ourselves in the things that we have created. For good or for bad, it is eye opening experience." |
Jimmy O |
Tomato 4/5 |
About Schmidt (2002) |
"More touching and thoughtful than Kathy Bates' fat hoo-hoo, full frontal shot would suggest. But don't worry, ladies: You get to see Jack's naked backside, too." |
Jimmy O |
Tomato 4/5 |
Adaptation (2002) |
"Donald Kaufman is right! Writing is easy!" |
Jimmy O |
Splat 1/8/5 |
The Adventures of Pluto Nash (2002) |
"Leonard Part 7" |
Jimmy O |
Tomato |
Alexander (2004) |
"The film's sense of drama and tension makes the experience alive and palpable." |
Jimmy O |
- |
Ali (2001) |
Click here to see the review. |
Jimmy O |
Tomato 3.5/5 |
American Splendor (2003) |
"In a summer where the best flicks have been comic book adaptations or documentaries, it only makes sense to end on a high note like the very non-Crumb American Splendor" |
Jimmy O |
- |
Amores Perros (2001) |
"Please for the love of everything holy, go check this film out." |
Jimmy O |
Splat 2.5/5 |
Analyze That (2002) |
"Ah, man! I thought this was going to be a screening of Meet the Fockers. " |
Jimmy O |
Tomato 4/5 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Perfectly captures the hilarious desperation of the local news personality." |
Jimmy O |
Splat .5/5 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"Andrew Lloyd Webber and Joel Schumacher turn out to be a perfect match. Two other people couldn't pull off spectacle this bad." |
Jimmy O |
Splat 2/5 |
Anger Management (2003) |
"Imagine Punch Drunk Love as a Happy Madison production and that gives you some idea." |
Jimmy O |
Tomato 3/5 |
Antwone Fisher (2002) |
"While reeking of a Good Will Ordinary People , Denzel still creates a compelling story." |
Jimmy O |
Splat 1/5 |
Anything Else (2003) |
"Out of ideas and revved up on hatred towards himself and women, Woody Allen creates a bile and sinister view on love in the Big Apple, post 9-11." |
Jimmy O |
Tomato 4/5 |
The Aristocrats (2005) |
"A Scathing and Funny Indictment of Comedy and the People Who Laugh at it." |
Jimmy O |
- |
Audition (2001) |
Click here to see the review. |
Jimmy O |
Tomato 3/5 |
Austin Powers in Goldmember (2002) |
"What Mike Myers has succeeded in doing with Goldmember is becoming an actor of Peter Sellers stature." |
Jimmy O |
Tomato 3.5/5 |
Auto Focus (2002) |
"A brilliant look at the seduction of celebrity and the compulsion of sexual mores. Schraeder has found the perfect foil in Bob Crane." |
Jimmy O |
Tomato 4/5 |
The Aviator (2004) |
"I never thought we'd get to the point where Martin Scorsese was taken for granted." |
Jimmy O |
Tomato |
Away We Go (2009) |
"A Great, Beautiful Flick about the Confusion of Relationships." |
Jimmy O |
Tomato 4.5/5 |
About a Boy (2002) |
"Will is alarmingly shallow, as if the American Psycho possessed Hugh Grant." |
Stephen Himes |
Tomato 4/5 |
About Schmidt (2002) |
"Warren Schmidt's existential Winnebago could easily have been navigated by George Babbitt." |
Stephen Himes |
Splat .5/5 |
Adam Sandler's Eight Crazy Nights (2002) |
"Unlike Trey Parker, Sandler doesn't understand that the idea of exploiting molestation for laughs is funny, not actually exploiting it yourself." |
Stephen Himes |
Tomato 3.5/5 |
Adaptation (2002) |
"I hate my review of Adaptation ." |
Stephen Himes |
Splat 1.5/5 |
Alex and Emma (2003) |
"Luke Wilson in another variation of "Pete."" |
Stephen Himes |
- |
All About the Benjamins (2002) |
Click here to see the review. |
Stephen Himes |
- |
Amelie (2001) |
Click here to see the review. |
Stephen Himes |
Tomato 8/10 |
American Gangster (2007) |
"To Ridley Scott, Frank Lucas is less Superfly and more David Glass." |
Stephen Himes |
- |
Angel Eyes (2001) |
Click here to see the review. |
Stephen Himes |
Tomato 8/10 |
Appaloosa (2008) |
"A western bromance." |
Stephen Himes |
Tomato 3/5 |
Austin Powers in Goldmember (2002) |
"With Austin Powers at an end, we must now wait for a Stanley Kubrick to hand Myers his Dr. Strangelove." |
Stephen Himes |
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