Splat 3/5 |
Games People Play: New York (2004) |
"Entertaining in a naked real world, train-wreck kind of way... the pranks are often funny, never actually cruel, but at the same time, there's something sad about these games." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
Gangs of New York (2002) |
"The movie's an epic, but that's just a nice way of saying it's boring and lasts forever." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
Gangster No. 1 (2002) |
"Paul Bettany is good at being the ultra-violent gangster wannabe, but the movie is certainly not number 1." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1.5/5 |
Garage Days (2003) |
"I wouldn't want to hang out with these cats and I certainly wouldn't want them practicing in my garage, it's bad enough to sit through their movie." |
Cherryl Dawson and Leigh Ann Palone |
Splat 3/5 |
Garcon Stupide (2006) |
"It's more than just a sexploitation film, but not much more." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Garden State (2004) |
"The humor tends to lean a little toward the dark side... with an undercurrent of sadness that makes the movie feel more real." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1/5 |
Garfield the Movie (2004) |
"This is one cat they need to put back in the bag." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
Garfield: A Tail of Two Kitties (2006) |
"Overall, it's an improvement over the first movie, but is that really saying much? I wouldn't want to pay to see this, so I'd wait until it comes on TV." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
Garmento (2003) |
"At times, Garmento looks like the real deal, but underneath the label, it's just another designer rip-off." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
Gay Sex in the 70's (2005) |
"It's not exactly clear what the message is for the gay community of today, except to say, 'Those days were fun while they lasted and sorry you weren't around to experience it.'" |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
George A. Romero's Land of the Dead (2005) |
"After a while, I was hoping for something besides more of the same old gore. The zombie genre isn't dead yet, but it's starting to look a little stiff." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
George Washington (2000) |
Click here to see the review. |
|
Tomato 4/5 |
Gerry (2003) |
"If a picture was ever worth 1000 words, this is it (but I doubt there are 1000 words of dialog here) - minimalist filmmaking at its best." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3/5 |
Get Carter (2000) |
Click here to see the review. |
|
Splat 2.5/5 |
Get Rich or Die Tryin' (2005) |
"50 Cent may strive to be fresh with his music, but this is just another doin’ the crime while workin’ the rhyme movie that only his fans will love." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
Ghost in the Shell 2: Innocence (2004) |
"I never enjoyed a movie more that I understood less." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
Ghost Ship (2002) |
"Parts of it are worth salvaging. The rest is campy scary, but with a tagline like, 'Sea Evil', what did you expect?" |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3/5 |
Ghost World (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
Ghosts of the Abyss (2003) |
"Not only does the documentary go 2 1/2 miles down to the wreckage of the Titanic, they also take us back in time - by superimposing images over the wreckage we get a glimpse of what the Titanic and the people on board might have been like." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3/5 |
The Gift (2001) |
Click here to see the review. |
|
Splat 1.5/5 |
Gigli (2003) |
"It's a sorry statement, when the actor that has the most subtle performance is the kid with Tourette's." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Gilles' Wife (2006) |
"It's a French love story that's tragic (is there any other kind), but it does make you glad you're not in the middle of this menage a misery. It's definitely worth a look." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
Gimme Shelter (1970) |
Click here to see the review. |
|
Splat 2/5 |
The Girl (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
The Girl from Paris (2002) |
"A French film with a more down-home flavor." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
Girl with a Pearl Earring (2003) |
"A lesson in interesting cinematography, but not in great movie-making - the characters are like still-life figures with no soul." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3/5 |
Girlfight (2000) |
Click here to see the review. |
|
Splat 2.5/5 |
Girls Can't Swim (2002) |
Click here to see the review. |
|
Splat 1/5 |
Girls Will Be Girls (2003) |
"Vile characters plus a bad script doesn't add up to girls just having fun - it's more like you've been drugged and raped without the fun part." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Gladiator (2000) |
Click here to see the review. |
|
Splat 1.5/5 |
The Glass House (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
The Gleaners and I (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
Gloomy Sunday (2003) |
"This sounds like a gloomy subject with gloomy music, but it's not a gloomy movie. It's engaging and has a very satisfying ending." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Glory Road (2006) |
Click here to see the review. |
|
Tomato 4/5 |
Glory Road (2006) |
"It's a terrific story with great performances and players you care about. They shoot, they score, nothing but net in my book." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Goal! (2006) |
"It's more exciting on the field of play than off, but when he shoots, he scores... and we're the winners." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
God Grew Tired of Us (2007) |
"If you've seen Lost Boys Of Sudan, much of this will seem familiar. It's basically different boys and a little star-power backing. If you haven't seen their story, it's worth a look." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
God Is Great, I'm Not (2002) |
"God is great, the movie's not." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
Gods and Generals (2003) |
"Nobody talks - they are either emoting lofty speeches, quoting Caesar, pouring forth heartfelt sentiments, preaching Bible verses or praying." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
The Gods Must Be Crazy (1984) |
"You'd have to be crazy not to be charmed by this movie - grab a coke and a smile." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1.5/5 |
Godsend (2004) |
"The only thing that's a godsend about this movie is when the closing credits finally start rolling." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1.5/5 |
The Golden Bowl (2001) |
Click here to see the review. |
|
Splat 2.5/5 |
The Golden Compass (2007) |
"The Golden Compass can answer any question with the truth. (It's too bad they didn't ask it if this story would make a compelling movie.)" |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Gone Baby Gone (2007) |
"It may piss you off a little but it will engage you." |
Cherryl Dawson and Leigh Ann Palone |
Splat 3/5 |
Good Boy! (2003) |
"Sweet sentiments about friendship, loyalty, and the magical power of pets. There are some flawed plotlines that go nowhere, but you can forgive a movie that makes you want to go out and hug a dog." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Good Bye, Lenin! (2004) |
"First you're laughing, then you're crying, and you leave with a smile and a strong desire to do something nice for your mother." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
The Good German (2006) |
"The Naztso Good German." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
The Good Girl (2002) |
"The movie loses some momentum at the end, but overall it's worth a trip to the Retail Rodeo to check it out." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1/5 |
Good Luck Chuck (2007) |
"The lucky people are the ones who decide not to suffer through this drek." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Good Night. And, Good Luck (2005) |
"It’s a compelling dramatization that works as a fresh look at television news and a different take on the McCarthy hearings." |
Cherryl Dawson and Leigh Ann Palone |
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