Tomato 4/5 |
V For Vendetta (2005) |
"The settings are moody and evocative, the script is well crafted and thought-provoking and there are really cool action sequences with guns, knives and roses... U for unexpectedly good." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Valentin (2004) |
"Valentín makes you feel like you do when you get a note from an old friend just to say hey." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1/5 |
Valentine (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
The Valet (2007) |
"There are a few extra plot threads that feel like parking spaces that don't quite fit, but the story is squeezed in anyway. I'd still check out the valet." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Valiant (2005) |
"An animated war epic - it doesn't sound like it would fly but it does." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3/5 |
Vampire Hunter D: Bloodlust (2000) |
Click here to see the review. |
|
Splat 2/5 |
Van Helsing (2004) |
"It may be non-stop action, but it's boring action - where was the "Left Hand of God" when they really needed evil to be wiped out (obviously not in the editing room)." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Vanilla Sky (2001) |
Click here to see the review. |
|
Splat 3/5 |
Vanity Fair (2004) |
"Trying to adapt a lengthy period novel is always a bit ambitious and you end up skimming the surface of the story - visually, it's stunning but a bit heavy on the melodrama." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3/5 |
Vengo (2001) |
Click here to see the review. |
|
Splat 1/5 |
Venom (2005) |
Click here to see the review. |
|
Splat 1/5 |
Venom (2005) |
"The tagline is ‘Some people are better left dead’ – it’s also true that some movies are better left unseen." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Venus (2006) |
"It's not a masterpiece but it is worth the viewing." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2.5/5 |
Venus Boyz (2003) |
"Fascinating discussions... but there is so much repetition that it starts to get boring and people sharing their innermost secrets shouldn't be boring." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Vera Drake (2004) |
"The subject matter may be controversial but there's no doubt that Vera's heart's in the right place. There's also no doubt about Imelda Staunton's performance - it's riveting." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Veronica Guerin (2003) |
"This powerful docudrama is a little like Norma Rae with a dark Irish ending...Cate Blanchett gives a riveting performance." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Vertical Limit (2000) |
Click here to see the review. |
|
Tomato 3/5 |
The Vertical Ray of the Sun (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
Very Annie Mary (2001) |
Click here to see the review. |
|
Tomato 3.5/5 |
A Very Long Engagement (2004) |
"There are some movie couples that just look like they belong together - Mathilde and Manech are one such couple. They are both extraordinarily beautiful." |
Cherryl Dawson and Leigh Ann Palone |
Splat 1.5/5 |
View from the Top (2003) |
"View From The Top isn't fit for takeoff." |
Cherryl Dawson and Leigh Ann Palone |
Splat 3/5 |
The Village (2004) |
"I can read the Signs. I have a Sixth Sense that M. Night's winning streak is not Unbreakable - The Village is the proof." |
Cherryl Dawson and Leigh Ann Palone |
Splat 2/5 |
Virgin (2003) |
"Falls short of being satisfying, hurts a little to experience, and the next morning you're thinking it wasn't worth the trouble - sound familiar?" |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Voices Of Iraq (2006) |
"The goal of this documentary is to show what life is like for the everyday people of Iraq... and the result may surprise you." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 3.5/5 |
Volcanoes of the Deep Sea |
"Once again, the IMAX camera takes you on a journey to a place that most of us will never get to experience." |
Cherryl Dawson and Leigh Ann Palone |
Tomato 4/5 |
Volver (2006) |
"Penelope Cruz lights up the screen in a role that she seems born to play; she's vibrant, funny, strong, and vulnerable." |
Cherryl Dawson and Leigh Ann Palone |
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