Daddy Day Camp (2007)

"Doesn't attain the acute awfulness of last week's Bratz -- but also lacks the grim 'end of civilization as we know it' fascination of that discharge of dumbness."

Damien: Omen II (1978)

"Lots of laughs...all unintended"

The Damned (1969)

"Imperfect and excessive -- and also essential."

Dance With a Stranger (1984)

"Compelling fact-based drama"

The Dancer Upstairs (2003)

"I'm not sure that I have ever seen a more compelling picture of sudden violence as is depicted here – Malkovich's approach is apt, since the film takes place in a world where terrorist acts are the order of the day."

Daniel (1983)

"A rich, complex and not wholly satisfying film."

Darby O'Gill and the Little People (1959)

"I have to admit that by the second or third time I saw leprechauns depicted as magical by speeding up the film, I was hoping for someone to show up with a gun."

Dario Argento's Tenebre (1982)

"Not the director's best"

The Dark Backward (1991)

"Really strange. Really bad"

The Dark Crystal (1982)

"This ersatz Tolkien with puppets looks and plays like ersatz Tolkien with puppets."

The Dark Knight (2008)

"A must-see for Ledger alone, but there's more to it than that. If anything, the film is a grim portrait of our own paranoia, sense of hopelessness and selfishness."

Dark Victory (1939)

"Classic glossy soaper that still works."

Darkman (1990)

"Nice to look at, but it doesn't really work."

Darkness Falls (2003)

"The first new horror film of the new year is the sort of unmitigated donkey crap that makes even a hardcore horror fan like myself understand why the genre is held in such disdain by non-fans."

The Daughter of Dr. Jekyll (1958)

"Indefensibly bad, undeniably fascinating."

Dave (1993)

"Arrant nonsense mixed with goo."

Dawn of the Dead (2004)

"For those who were never that sold on Romero's film, the new version emerges as a contender for the year's best horror picture."

A Day at the Races (1937)

"The Marxes' last truly great film."

The Day of the Locust (1975)

"Blistering film version of the novel. One of Schlesinger's best works."

The Day the Earth Caught Fire (1961)

"Slow, depressing, but convincing sci-fi film"

Day the World Ended (1956)

"Entertaining cheesy nonsense from the early days of Roger Corman."

Days of Wine and Roses (1962)

No article available.

Dead Again (1991)

"Nice thriller that benefits from Branagh's direction and suffers from his performance"

Dead End (1937)

"Intelligent, generally effective film version of the Kingsley play."

Dead of Night (1945)

"One of the great ghost story films"