Tomato 4/5 |
P.S. (2004) |
"Laura Linney delivers a rich, rare performance as a woman haunted by death and faced with all kinds of resurrection." |
James Rocchi |
Tomato 4/5 |
Panic (2000) |
"William H. Macy shines in unsettling, unusual thriller." |
James Rocchi |
Tomato 4/5 |
Panic Room (2002) |
"David Fincher's directorial skill makes a tense tale snap with smart terror." |
James Rocchi |
Tomato 5/5 |
The Parallax View (1974) |
"A masterpiece of suspense, tension and cinematic storytelling the likes of which, sadly, Hollywood doesn't make anymore." |
James Rocchi |
Splat 1/5 |
Party Monster (2003) |
"Fact-based story of drugs and death in "clubland" is boring and banal, failing in its attempt to shock and scandalize." |
James Rocchi |
Splat 1/5 |
Party Monster: The Shockumentary (1997) |
"Fact-based story of drugs and death in "clubland" is boring and banal, failing in its attempt to shock and scandalize." |
James Rocchi |
Tomato 4.5/5 |
Passion Fish (1992) |
Click here to see the review. |
James Rocchi |
Splat 2/5 |
The Passion of the Christ (2004) |
"Mel Gibson's labor of love about the death of Jesus is incredibly labored, recasting his Crucifixion in crimson, slo-mo cliches." |
James Rocchi |
Tomato 3/5 |
Paycheck (2003) |
"Ben Affleck stars in a mix of Hitchcock style and 21st century mind games that can't quite cash itself." |
James Rocchi |
Tomato 3.5/5 |
Pearl Jam - Single Video Theory (1997) |
Click here to see the review. |
James Rocchi |
Tomato 4/5 |
The Pelican Brief (1993) |
Click here to see the review. |
James Rocchi |
Splat 1/5 |
People I Know (2003) |
"Al Pacino as a Manhattan publicist with moral paralysis is talky and tedious." |
James Rocchi |
Tomato 4/5 |
Perfect Blue (1997) |
"Animated Japanese thriller about the price of fame is rich, deep and dark." |
James Rocchi |
Tomato 3/5 |
Permanent Midnight (1998) |
Click here to see the review. |
James Rocchi |
Splat 2.5/5 |
Peter Pan (1953) |
"A cavalcade of classic songs, unforgettable moments, gorgeous handcrafted animation and, unfortunately, some racial stereotypes." |
James Rocchi |
Tomato 4/5 |
Peter Pan (2003) |
"P.J. Hogan's adaptation of the children's classic is full of dread, desire and delight -- and is one of the best family films in a long while." |
James Rocchi |
Tomato 3.5/5 |
The Phantom (1996) |
"Anyone looking for comic-strip excitement could do a lot worse." |
James Rocchi |
Tomato 4/5 |
Philadelphia (1993) |
Click here to see the review. |
James Rocchi |
Tomato 5/5 |
The Philadelphia Story (1940) |
"You could...fill a book with all the magical things that make this witty, swift, and wistful romantic comedy so impossibly good. Hollywood doesn't make romantic comedies like this anymore." |
James Rocchi |
Tomato 3.5/5 |
Phoenix (1998) |
Click here to see the review. |
James Rocchi |
Splat 1/5 |
Phone Booth (2003) |
"Joel Schumacher, master of the overblown, tries to craft a stripped-down, simple thriller and fails as desperately as only he can." |
James Rocchi |
Tomato 5/5 |
Pi (1997) |
"Pi is like a Cronenberg film of the mind, where the unsettling images and lusts are driven by a desire for knowledge, not flesh." |
James Rocchi |
Tomato 5/5 |
The Pianist (2002) |
"One man's true story set against the Holocaust is a haunting, beautiful tale of humanity, horror and hope." |
James Rocchi |
Tomato 3.5/5 |
Piranha (1978) |
Click here to see the review. |
James Rocchi |
Tomato 4/5 |
Pirates of the Caribbean: The Curse of the Black Pearl (2003) |
"Pirate adventure is a ridiculously entertaining romp thanks to Johnny Depp's scene-stealing scallywag and Gore Verbinski's directorial hand." |
James Rocchi |
Tomato 3/5 |
Planet of the Apes (1968) |
"Sci-fi classic is better -- and worse -- than you remember." |
James Rocchi |
Tomato 3/5 |
Planet of the Apes (2001) |
"Tim Burton's "reinvention" of '68 sci-fi classic boasts awesome makeup and design -- and awful writing." |
James Rocchi |
Tomato 4.5/5 |
Pleasantville (1998) |
Click here to see the review. |
James Rocchi |
Tomato 4/5 |
Poltergeist (1982) |
"Poltergeist works -- and works extraordinarily well -- because it shows us the horrors of beyond coming to haunt us not in a moldering house on a hill or a grimy dungeon but rather in a gleaming, modern, comfortable suburban housing development." |
James Rocchi |
Splat 1/5 |
Portraits Chinois (1997) |
"Talky French comedy is like Woody Allen with an accent -- but minus the laughs." |
James Rocchi |
Tomato 3/5 |
The Poseidon Adventure (1972) |
Click here to see the review. |
James Rocchi |
Tomato 4/5 |
Presumed Innocent (1990) |
Click here to see the review. |
James Rocchi |
Tomato 4.5/5 |
Primary Colors (1998) |
No article available. |
James Rocchi |
Tomato 4/5 |
Primer (2004) |
"This sci-fi brain-bender isn't for most, but it's the most rewardingly rewatchable movie since Memento." |
James Rocchi |
Tomato 3.5/5 |
The Prince of Egypt (1998) |
"The Prince of Egypt is a beautifully animated story with a superb cast; it just isn't the Exodus story." |
James Rocchi |
Tomato 3/5 |
Proof of Life (2000) |
"Kidnapping romance showcases Crowe's gifts -- and Ryan's limitations." |
James Rocchi |
Tomato 3/5 |
The Prophecy (1995) |
Click here to see the review. |
James Rocchi |
Splat 1/5 |
Pumpkin (2002) |
"Christina Ricci comedy about sympathy, hypocrisy and love is a misfire." |
James Rocchi |
Tomato 5/5 |
Punch-Drunk Love (2002) |
"Seemingly bizarre teaming of Paul Thomas Anderson and Adam Sandler is a weird, slight and sideways -- yet delightful -- romantic comedy." |
James Rocchi |
Splat 2/5 |
The Punisher (2004) |
"Comic book revenge fantasy would have to struggle to hit two dimensions -- and why is Thomas Jane on board?" |
James Rocchi |
Tomato 3/5 |
Pushing Tin (1999) |
Click here to see the review. |
James Rocchi |
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