- |
Babe: Pig in the City (1998) |
Click here to see the review. |
Margaret A. McGurk |
- |
Baby Boy (2001) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Bachelor (1999) |
Click here to see the review. |
Margaret A. McGurk |
- |
Bait (2000) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
Bandits (2001) |
"It is an unexpected blend of caper, buddy flick and romantic comedy, brought to life by a skilled cast who look for all the world like they are having themselves one heckuva a blast." |
Margaret A. McGurk |
Tomato 3/4 |
The Banger Sisters (2002) |
"Shot through with belly laughs and bawdy energy, it boasts Goldie Hawn's best performance in years." |
Margaret A. McGurk |
Tomato 3/4 |
Baseketball (1998) |
"I have a terrible confession to make: I laughed myself silly at BASEketball." |
Margaret A. McGurk |
- |
Basquiat (1996) |
Click here to see the review. |
Margaret A. McGurk |
Splat 2/4 |
Batman & Robin (1997) |
"For all its star power and stylish toys, it never really rises above the level of a Saturday morning cartoon." |
Margaret A. McGurk |
Splat 2.5/4 |
The Beach (2000) |
"Boyle takes a seriously wrong turn in the closing third of the film." |
Margaret A. McGurk |
- |
Bean (1997) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 4/4 |
A Beautiful Mind (2001) |
"Howard smashes through the conventions of the damaged-hero tale to recount the struggle of one man to stand upright on quaking ground." |
Margaret A. McGurk |
Tomato 4/4 |
Beauty and the Beast (1991) |
"The artistry of the animators, who combined traditional painting with computer-generated images, stands up to the best that the Disney empire ever produced." |
Margaret A. McGurk |
- |
Before Night Falls (2000) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 2.5/4 |
Behind Enemy Lines (2001) |
"Works pretty well as long as you don't pay too much attention to what anyone says and just let the action sweep you along." |
Margaret A. McGurk |
Tomato 4/4 |
Being John Malkovich (1999) |
"What it leaves behind is a dizzying sense of exhilaration, like being bathed in champagne." |
Margaret A. McGurk |
Tomato 4/4 |
Beloved (1998) |
"It is sure to be studied, debated and cherished decades from now when Americans look to film for insights on who we are and where we have been." |
Margaret A. McGurk |
Tomato 3.5/4 |
Besieged (1998) |
"A film full of hope, full of heart and full of simple rewards for the audience lucky enough to find it." |
Margaret A. McGurk |
- |
Best in Show (2000) |
Click here to see the review. |
Margaret A. McGurk |
Splat 2/4 |
Bicentennial Man (1999) |
"Virtually every emotion, motivation, idea, character and plot point in the movie is flat and perfunctory -- except for those that carry the invisible subtitle, 'Cry, dammit!'" |
Margaret A. McGurk |
Tomato 2.5/4 |
Big Daddy (1999) |
"Not so bad." |
Margaret A. McGurk |
Tomato 3/4 |
Big Fat Liar (2002) |
"The makers of Big Fat Liar understand kids. That alone earns it a place in the list of genuinely funny comedies for kids." |
Margaret A. McGurk |
Tomato 3/4 |
The Big Hit (1998) |
"Aside from everything else it does, The Big Hit proves that any subject matter can be funny, in the right hands." |
Margaret A. McGurk |
- |
The Big Kahuna (1999) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3.5/4 |
The Big Lebowski (1998) |
"Loopy, unfathomable, profane and very funny." |
Margaret A. McGurk |
- |
Big Momma's House (2000) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Big One (1997) |
Click here to see the review. |
Margaret A. McGurk |
Splat 2/4 |
Big Trouble (2002) |
"Huffs like a bus headed uphill while Mr. Sonnenfeld and company shovel on weirdness and hope for the best." |
Margaret A. McGurk |
- |
Birthday Girl (2002) |
Click here to see the review. |
Margaret A. McGurk |
- |
Black Hawk Down (2001) |
Click here to see the review. |
Margaret A. McGurk |
- |
Black Knight (2001) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
Blade (1998) |
"Within the confines of its genre, it’s a cut above the usual." |
Margaret A. McGurk |
Tomato 3/4 |
Blade 2 (2002) |
"No one can call it great art, but as bloody-vampire-shoot-'em-ups go, it is great fun." |
Margaret A. McGurk |
Tomato 4/4 |
The Blair Witch Project (1999) |
"The movie blows the doors off typical Hollywood fare because it is powered by genuine imagination." |
Margaret A. McGurk |
- |
Blast From the Past (1999) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
Blood Simple (1984) |
"The story is haunting and violent, yet shot through with the Coens’ signature brand of weird, deadpan wit and their peculiar melancholy about place and time." |
Margaret A. McGurk |
- |
Blood Simple: Director's Cut (2000) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
Blood Work (2002) |
"One of the most appealing aspects of Blood Work is that, both as director and star, [Eastwood] uses his age to impressive, even poignant, effect in a straightforward thriller with more-than-average depth." |
Margaret A. McGurk |
- |
Blow (2001) |
Click here to see the review. |
Margaret A. McGurk |
- |
Blow Dry (2001) |
Click here to see the review. |
Margaret A. McGurk |
Splat 2/4 |
Blue Crush (2002) |
"The feature film hidden within does not begin to match the fabulous scenery." |
Margaret A. McGurk |
Tomato 2.5/4 |
Blues Brothers 2000 (1998) |
"Like the original, it's a rambling wreck of a movie that's more fun than it deserves to be." |
Margaret A. McGurk |
- |
Body Shots (1999) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/5 |
Boiler Room (2000) |
"Although Boiler Room occasionally feels more like a 60 Minutes expose than a movie, it adds up to a highly watchable, entertaining (though extremely profane) cautionary tale." |
Margaret A. McGurk |
- |
The Bone Collector (1999) |
Click here to see the review. |
Margaret A. McGurk |
- |
Boogie Nights (1997) |
Click here to see the review. |
Margaret A. McGurk |
- |
Booty Call (1997) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Borrowers (1997) |
Click here to see the review. |
Margaret A. McGurk |
- |
Bossa Nova (1999) |
Click here to see the review. |
Margaret A. McGurk |
- |
Bound (1996) |
Click here to see the review. |
Margaret A. McGurk |
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