Tomato 2.5/4 |
Can't Hardly Wait (1998) |
"Their characters are heavy-handed stereotypes, but the young actors have the the talent to give them real personality." |
Margaret A. McGurk |
Splat 1/4 |
Captain Corelli's Mandolin (2001) |
"A lot of talent was squandered on this incoherent grab bag of war-movie moments." |
Margaret A. McGurk |
- |
Career Girls (1997) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 4/4 |
Cast Away (2000) |
"The challenge to the character is matched by the challenge to the actor; for most of the movie Mr. Hanks is the only human being we see or hear. He tackles the job with stunning confidence in a performance stripped of gimmicks and driven by need." |
Margaret A. McGurk |
- |
The Castle (1997) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3.5/4 |
Catch Me If You Can (2002) |
"Production designer Jeannine Oppewall and Mr. Spielberg's favorite cinematographer Janusz Kaminski capture a near-flawless palette of period looks from the '50s and '60s." |
Margaret A. McGurk |
- |
Cats Don't Dance (1997) |
Click here to see the review. |
Margaret A. McGurk |
- |
Cecil B. Demented (2000) |
Click here to see the review. |
Margaret A. McGurk |
- |
Celebrity (1998) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
The Cell (2000) |
"The movie looks so good that its dazzling appearance hides some shortcomings." |
Margaret A. McGurk |
- |
The Center of the World (2001) |
Click here to see the review. |
Margaret A. McGurk |
- |
Central Station (1998) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Chamber (1996) |
Click here to see the review. |
Margaret A. McGurk |
- |
Changing Lanes (2002) |
Click here to see the review. |
Margaret A. McGurk |
- |
Charlotte Gray (2001) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
Chasing Amy (1997) |
"It's a tribute to a smartly written script that the triangular relationships are played out in hip, flip language, but are not trivialized. These characters may be wry, rude and foul-mouthed, but they are grappling with honest human emotion." |
Margaret A. McGurk |
Tomato 4/4 |
Chicken Run (2000) |
"The animation is executed with astonishing skill, considering every frame records minute changes made by hand in models of rubber and plasticene modeling clay. They even managed a spit-take!" |
Margaret A. McGurk |
- |
Children of the Revolution (1996) |
Click here to see the review. |
Margaret A. McGurk |
Tomato |
Chocolat (2000) |
"Any movie built on the premise that chocolate can cure mental illness, restore marital passion, unite feuding relatives, assuage anger, defeat oppression, inspire art and get you a date with Johnny Depp is all right in my book." |
Margaret A. McGurk |
- |
The Cider House Rules (1999) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Circle (2001) |
Click here to see the review. |
Margaret A. McGurk |
- |
Citizen Ruth (1996) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
City of Angels (1998) |
"Marries romance and faith in a love story as charming as a handmade valentine. It is so lovely to look at and so sincere in intent that its flaws don't matter much." |
Margaret A. McGurk |
- |
City of Industry (1997) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3.5/4 |
A Civil Action (1998) |
"More complex, subtle, perplexing and memorable than the usual courtroom theatrics." |
Margaret A. McGurk |
Tomato 2.5/4 |
Clay Pigeons (1998) |
"Mr. Vaughn is possessed not only of long limbs and an attractive face, but also of a distinctive voice that he uses to command attention, even when his material is routine." |
Margaret A. McGurk |
Splat 1/4 |
Collateral Damage (2002) |
"In a world where the cost of real violence and the sacrifices of real heroes are inescapable reality, there is no connection to be made with the empty, ersatz heroics of a movie like this." |
Margaret A. McGurk |
Tomato 3/4 |
Comedian (2002) |
"An ironic and highly watchable look at the birth of a stand-up routine." |
Margaret A. McGurk |
Tomato 3/4 |
Committed (2000) |
"Krueger deserves credit for pulling off what amounts to a madcap date movie." |
Margaret A. McGurk |
Splat |
Con Air (1997) |
"The stunts and explosions are amazing, of course, but escalate to overwrought chaos by the end." |
Margaret A. McGurk |
Tomato 3.5/4 |
Confessions of a Dangerous Mind (2002) |
"If nothing else, Confessions of a Dangerous Mind ought to make Sam Rockwell a star." |
Margaret A. McGurk |
- |
Conspiracy Theory (1997) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3/4 |
Contact (1997) |
"A rare find -- a science-fiction film more interested in ideas than scary critters." |
Margaret A. McGurk |
- |
The Contender (2000) |
Click here to see the review. |
Margaret A. McGurk |
- |
Cookie's Fortune (1999) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 3.5/4 |
Cop Land (1997) |
"It's a pleasure -- a relief, even -- to see that Sylvester Stallone can still act." |
Margaret A. McGurk |
- |
The Count of Monte Cristo (2002) |
Click here to see the review. |
Margaret A. McGurk |
- |
Coyote Ugly (2000) |
Click here to see the review. |
Margaret A. McGurk |
- |
Crash (1996) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 2.5/4 |
Crazy/Beautiful (2001) |
"The effect is a much more engrossing experience than we have come to expect from teen movies." |
Margaret A. McGurk |
- |
The Crew (2000) |
Click here to see the review. |
Margaret A. McGurk |
- |
Crime and Punishment in Suburbia (2000) |
Click here to see the review. |
Margaret A. McGurk |
- |
Crocodile Dundee (1986) |
Click here to see the review. |
Margaret A. McGurk |
Tomato 4/4 |
Crouching Tiger, Hidden Dragon (1999) |
"A haunting, tragic fairy tale for the ages." |
Margaret A. McGurk |
- |
Croupier (1998) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Crucible (1996) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Cruise (1998) |
Click here to see the review. |
Margaret A. McGurk |
- |
The Cup (1999) |
Click here to see the review. |
Margaret A. McGurk |
- |
Curdled (1996) |
Click here to see the review. |
Margaret A. McGurk |
Splat 2/4 |
The Curse of the Jade Scorpion (2001) |
"Mr. Allen asks the audience to believe that an irresistible sexual tension arises out of the oil-and-vinegar combination of Betty Ann and C.W.; instead, they look and sound utterly uncomfortable together." |
Margaret A. McGurk |
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