- |
P2 (2007) |
Click here to see the review. |
|
Splat |
Pandorum (2009) |
"Over-acting is endemic. Quaid can’t do much with his very limited role, and Foster seems miscast." |
John Hazelton |
Tomato |
Paper Heart (2009) |
"A beguiling mixture of documentary and fiction, Paper Heart is one of the most refreshing and funny love stories in recent memory." |
Tim Grierson |
Tomato |
Paranoid Park (2008) |
"An original and even memorable addition to Van Sant's filmography." |
Lee Marshall |
Tomato |
Paranormal Activity (2009) |
"hat’s interesting here is the way in which Peli consistently wrings deep-focused dread from a narrow hallway outside the couple’s bedroom." |
Brent Simon |
Tomato |
Paris 36 (2008) |
"Chock full of engaging narrative developments, with splendid sets, an appealing original score and gung-ho performances, there's still something perplexingly peculiar about the whole shiny package." |
Lisa Nesselson |
- |
The Passage (2007) |
Click here to see the review. |
|
- |
Passchendaele (2008) |
Click here to see the review. |
|
Splat |
Paul Blart: Mall Cop (2009) |
"Just as James struggles to make unfunny material tolerable, so too does the supporting cast fall flat." |
Tim Grierson |
- |
Le père de mes enfants (2009) |
Click here to see the review. |
Jonathan Romney |
Tomato |
Persepolis (2007) |
"Smoky grey backgrounds add layering and depth, while silhouette-work and jerky cardboard-puppet sequences nod humorously at the Arabian Nights tradition." |
Lee Marshall |
- |
Petition (2009) |
Click here to see the review. |
Jonathan Romney |
Splat |
The Pink Panther 2 (2009) |
"A hit-and-miss family entertainment which relies heavily on the audience's affection for the bumbling policeman to make up for a paper-thin storyline and a drab visual palette." |
Mike Goodridge |
- |
Pirates of the Caribbean: At World's End (2007) |
Click here to see the review. |
|
Splat |
Planet 51 (2009) |
"Independently and internationally produced CG animated comedy Planet 51 has the visuals to compare with bigger budgeted Hollywood studio offerings but not the storytelling spark." |
John Hazelton |
Tomato |
The Pleasure of Being Robbed (2008) |
"A charming indie title, suffused with the spirit of the French New Wave of the early sixties and possessed of a quirky likeability." |
Lee Marshall |
- |
Ploy (2008) |
Click here to see the review. |
|
Tomato |
Polytechnique (2009) |
"Polytechnique is a sharply-observed piece of cinema if a simplistic exploration of the gender divide." |
Denis Seguin |
- |
Poor Boy's Game (2007) |
Click here to see the review. |
|
Tomato |
The Pope's Toilet (2007) |
"A pseudo-documentary that focuses on the hardships and penuries of their characters with such visual and dramatic intensity that its irony is often pushed aside." |
Dan Fainaru |
Tomato |
Precious: Based on the Novel PUSH by Sapphire (2009) |
"Second-time director Lee Daniels creates a must-see portrait of life’s underprivileged which is utterly compelling." |
Mike Goodridge |
- |
The Price of Sugar (2007) |
Click here to see the review. |
|
Tomato |
Pride and Glory (2008) |
"A familiar but taut thriller sparked by a quartet of committed lead performances and the visual acrobatics of stealth camera ace Declan Quinn." |
Jan Stuart |
Splat |
Prom Night (2008) |
"One of the most memorable nights in a teenager's young life is grist for a pretty unmemorable movie in this tame horror entry that follows conventions to the letter." |
Tim Grierson |
- |
Promise Me This (2007) |
Click here to see the review. |
|
Splat |
The Proposal (2009) |
"A likeable romantic comedy featuring two charismatic leads who can’t quite escape the shackles of a predictable storyline." |
Tim Grierson |
Tomato |
Public Enemies (2009) |
"As expected, Mann's period piece is technically flawless and visually accomplished, but the more heartening news is that this perfectionist filmmaker doesn't let the stylish action completely overwhelm his characters." |
Tim Grierson |
Splat |
Punisher: War Zone (2008) |
"Steeped in as much over-the-top brutality and gore as comedy, this artless revenge tale would seem to have a limited fan base and shelf life." |
Brent Simon |
Splat |
Push (2009) |
"Engagingly photographed but dramatically inert." |
Brent Simon |
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