Tomato 4/4 |
Babel (2006) |
"Babel is arresting thanks to the complexities of the storytelling and Inarritu's deft ability to massage the audience." |
Forrest Hartman |
Tomato 4/5 |
Back to the Future (1985) |
"One of the best of the 1980s comedies. A career highlight for Michael J. Fox." |
Forrest Hartman |
Tomato 3.5/4 |
Bad Education (2004) |
"As complex a thriller as one will experience." |
Forrest Hartman |
Splat C+ |
Bambi (1942) |
"There are two ways to look at Bambi/i>: as a museum piece or as entertainment. Focus on the latter and the film unravels." |
Forrest Hartman |
Splat C- |
The Banger Sisters (2002) |
"It might have been fun, but [director Bob] Dolman focuses on all the wrong things." |
Forrest Hartman |
Tomato 4/5 |
Barfly (1987) |
"Captures Bukowski well." |
Mark Robison |
Tomato 4/4 |
Batman Begins (2005) |
"A movie that comic book fans can point to as the perfect adaptation of their beloved medium." |
Forrest Hartman |
Tomato B+ |
Batman: The Animated Series - Tales of the Dark Knight (2002) |
"For too many years, superhero cartoon series were campy shadows of the books that spawned them, but Batman: The Animated Series helped change that." |
Forrest Hartman |
Tomato B |
Batman: The Animated Series - Vol. 1 (1992) |
"As with most superhero cartoons, there are ridiculous moments, but these are balanced with animation and character development that is far better than average." |
Forrest Hartman |
Tomato A+ |
Battle of Algiers (1966) |
"A thrilling movie with the unusual message that sometimes terrorism works." |
Mark Robison |
Tomato 3/4 |
Be Cool (2005) |
"Funny and smart, nicely crafted without being overly artsy, and quirky but approachable. If only every sequel were this much fun." |
Forrest Hartman |
Tomato B- |
Beauty and the Beast (1946) |
"The film is invaluable as a piece of history, but it hasn't stood the test of time." |
Forrest Hartman |
Tomato A |
Beauty and the Beast (1991) |
"There’s a reason Beauty and the Beast is the only animated picture to receive an Academy Award nomination for best picture – it’s exceptional." |
Forrest Hartman |
Splat 2.5/4 |
Before Night Falls (2000) |
"The cinematography is beautiful and clearly shows the director’s artistic bent, but the storytelling is often disjointed. . . . Ultimately, Before Night Falls is more successful as a Javier Bardem showcase than a movie." |
Forrest Hartman |
Splat 2/4 |
Being Julia (2004) |
"Being Julia is strangely devoid of the one thing every great film needs: a hook." |
Forrest Hartman |
Tomato 5/5 |
Belle de Jour (1967) |
"Absolutely superb." |
Mark Robison |
Tomato A |
Ben-Hur (1959) |
"A movie that has come to define Biblical epic." |
Forrest Hartman |
Tomato 3/4 |
Bend It Like Beckham (2003) |
"Take the plot of Billy Elliot, toss in the ethnic spice of Monsoon Wedding and you have a pretty good idea where Bend It Like Beckham is headed." |
Forrest Hartman |
Tomato A |
Best Boy (1979) |
"Even with its low-budget late-’70s style, “Best Boy” is a film you’ll never forget." |
Mark Robison |
Tomato 3/4 |
The Best Two Years (2004) |
"The value of The Best Two Years is its wholesome, sometimes humorous view, of missionary life." |
Forrest Hartman |
Tomato A |
Better Luck Tomorrow (2003) |
"Doesn’t settle for easy thriller plot twists." |
Mark Robison |
Splat D |
Beware of a Holy Whore (1971) |
"Whorendous." |
Mark Robison |
Tomato 4/5 |
Big (1988) |
"Cute Tom Hanks comedy that reminds us that it sometimes takes a kid to see the world clearly." |
Forrest Hartman |
Tomato 3/4 |
Big Fat Liar (2002) |
"Even adults will appreciate the comedy, and making a film that gets the whole family chuckling is tougher than it sounds." |
Forrest Hartman |
Tomato 3.5/4 |
Big Fish (2003) |
"Burton is masterful at transporting us to the edges of our imaginations, and the world he’s created here is so appealing one wishes it existed." |
Forrest Hartman |
Tomato 3/5 |
Bill & Ted's Excellent Adventure (1989) |
"Good goofy fun. This film was made for Keanu Reeves." |
Forrest Hartman |
Tomato B+ |
Bill Hicks Live: Satirist, Social Critic, Stand Up Comedian (2004) |
"His passion on stage can be overwhelming." |
Mark Robison |
Splat 2.5/4 |
The Black Dahlia (2006) |
"The story is all over the place, leaving viewers with a complicated and disjointed picture that touches on interesting points without fleshing any of them out." |
Forrest Hartman |
Tomato B |
Black Hawk Down (2001) |
"The film is a worthy addition to any video library, but one can’t help but wonder how good the disc would have been if Columbia had expended more effort." |
Forrest Hartman |
Tomato |
Blade 2 (2002) |
"A good movie with good extras. Go for it." |
Forrest Hartman |
Tomato 3.5/4 |
Blade: Trinity (2004) |
"This is a popcorn movie and as such it succeeds famously." |
Forrest Hartman |
Splat B- |
Blind Chance (1981) |
"Interesting if you're a fan who wants to study the film, but it's disappointing for general viewers." |
Mark Robison |
Splat B- |
Blind Spot: Hitler's Secretary (2003) |
"The documentary feels like raw footage for a better film." |
Mark Robison |
Tomato 4/4 |
Blood Diamond (2006) |
"Whether or not viewers heed the moral of Zwick's film, they should be wowed by his adventure story." |
Forrest Hartman |
Tomato B |
Blood Work (2002) |
"The murder mystery develops in engaging fashion, but disappointment comes when Blood Work intermittently leaves its clever roots to honor dull Hollywood conventions." |
Forrest Hartman |
Tomato A |
Bloody Sunday (2002) |
"An amazing feat of movie making, “Bloody Sunday” leaves you stunned." |
Mark Robison |
Tomato B+ |
Blue Collar Comedy Tour: The Movie (2003) |
"It’s a hoot." |
Mark Robison |
Tomato 3/4 |
Blue Crush (2002) |
"Move over Gidget. Universal has rolled out a new breed of surf picture that just may reinvent the genre." |
Forrest Hartman |
Tomato 3/4 |
Blue Thunder (1983) |
"I've always had a weakness for Blue Thunder, which seemed terribly exciting during my teen years. More than two decades later, I can admit that it's not a great picture. But I still like it." |
Forrest Hartman |
Splat 1/5 |
Bonfire of the Vanities (1990) |
"Dreadful screen adaptation of the terrific Tom Wolfe novel. Stands as one of Tom Hanks' worst screen performances." |
Forrest Hartman |
Tomato 3/4 |
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006) |
"While Borat is not the revolution some entertainment writers would have you believe it does offer a pleasant night in the theater." |
Forrest Hartman |
Tomato B |
Born Free (1966) |
"Although the movie is a family favorite, the DVD treatment is rather shoddy." |
Forrest Hartman |
Tomato 3/4 |
Born Into Brothels (2004) |
"[The filmmakers'] approach to the material makes it palatable, but a grittier style would have added depth and power." |
Forrest Hartman |
Tomato A- |
The Bourne Identity (2002) |
"I suspect I’ll watch this movie over and over. It’s simply a blast." |
Mark Robison |
Tomato 3.5/4 |
The Bourne Supremacy (2004) |
"A first-rate thriller that plays out with the pluck and style of the best James Bond films." |
Forrest Hartman |
Tomato 3.5/4 |
Bowling for Columbine (2002) |
"Columbine is a remarkable piece of work. It’s a meditation on a serious subject presented in a manner so lighthearted that it might actually convince people to listen." |
Forrest Hartman |
Tomato A |
Bowling for Columbine (2002) |
"A classic of political debate." |
Mark Robison |
Splat B- |
Boy Meets Boy - Complete Season 1 (2003) |
"The show is fun, if you can get over the underlying betrayal. But it's a rental, not one for buying because you only need to see it once." |
Mark Robison |
Tomato A |
Boyz N the Hood (1991) |
"Along with providing a fascinating story about sympathetic characters, Boyz N the Hood offers commentary about the troubles many inner-city youth and adults face to this day." |
Forrest Hartman |
Splat 2.5/4 |
Breakfast on Pluto (2005) |
"It's awfully hard to take the material seriously, even though the plotting seems to demand it." |
Forrest Hartman |