Splat C+ |
S1m0ne (2002) |
"[Writer-director Andrew Niccol] refuses to say anything interesting about computer-generated movie stars, apparently because he has no real opinion." |
Forrest Hartman |
Splat 1.5/4 |
The Saddest Music in the World (2004) |
"One of those metaphoric weird-out flicks that takes mors pride in shocking than telling an interesting tale." |
Forrest Hartman |
Splat B- |
Sahara (2005) |
"The plotting is too complex for a generally stupid picture, but that didn’t stop me from getting sucked in by director Breck Eisner’s nicely paced action sequences." |
Forrest Hartman |
Tomato B- |
The Santa Clause (1994) |
"The new DVD doesn’t have enough extras to merit its special-edition packaging, but the kids will probably have fun anyway." |
Forrest Hartman |
Tomato 3/4 |
The Santa Clause 2 (2002) |
"Sweet like a well-made glass of apple cider, The Santa Clause 2 offers a nice, early dose of Christmas cheer." |
Forrest Hartman |
Tomato 3/4 |
Saving Face (2005) |
"First-time writer-director Alice Wu has taken the usual romance formula and given it cultural pizzazz." |
Forrest Hartman |
Splat 1.5/4 |
Scary Movie 4 (2006) |
"The biggest joke in Scary Movie 4 is that somebody made it." |
Forrest Hartman |
Tomato A |
Scenes from a Marriage (1973) |
"It peels the skin off marriage to see how it really ticks." |
Mark Robison |
Tomato A+ |
Schindler's List (1993) |
"The film is as historically important as it is dramatic, and every high school student should see it." |
Forrest Hartman |
Tomato 4/4 |
School of Rock (2003) |
"The movie rolls along with the attitude of children’s classics like , never talking down to the youngsters in the cast or the audience." |
Forrest Hartman |
Splat 0/4 |
Schultze Gets the Blues (2005) |
"Writer-director Michael Schorr’s story moves with remarkable sloth." |
Forrest Hartman |
Tomato B |
The Scorpion King (2002) |
"Considering the movie’s lightweight nature, the DVD treatment is especially fine." |
Forrest Hartman |
Splat 2.5/4 |
The Scorpion King (2002) |
"Action fans should delight in the well-choreographed fight scenes, but since they rarely pause to breathe, they become tiresome quickly." |
Forrest Hartman |
Tomato 3.5/4 |
Secondhand Lions (2003) |
"Packed with adventure, humor and straight-forward drama, Lions is the type of movie I loved as a kid and clearly I haven’t outgrown the formula." |
Forrest Hartman |
Tomato B |
Secret Window (2004) |
"A solid-but-imperfect thriller." |
Forrest Hartman |
Tomato 3/4 |
Secretary (2002) |
"It is . . . undeniably absorbing, playing like a great book. As the film splays across the screen, you may find yourself anticipating each new page, err frame." |
Forrest Hartman |
Splat 2/5 |
Seven Years in Tibet (1997) |
"A movie that makes molasses look fast." |
Forrest Hartman |
Tomato B |
Sex in Chains (1928) |
"Sensational, wacky and fun." |
Mark Robison |
Splat |
Sexy Beast (2001) |
"The ending almost salvages the entire project, and had it not been faced with making up for 45 minutes of blown opportunities it would have succeeded." |
Forrest Hartman |
Tomato 3.5/4 |
Shall We Dance? (2004) |
"Possesses a sunny optimism that filmgoers don't regularly see." |
Forrest Hartman |
Splat C |
Shampoo (1975) |
"Doesn't stand the test of time." |
Mark Robison |
Splat 2/4 |
Shanghai Knights (2003) |
"If you’re looking for uninspired, redundant comedy, cable TV offers plenty of inexpensive alternatives." |
Forrest Hartman |
Tomato 3/4 |
Shark Tale (2004) |
"A solid film with a fair share of chuckles." |
Forrest Hartman |
Tomato B |
Shaun of the Dead (2004) |
"For a comedy, the material is awfully bloody. But it's good, silly fun nonetheless." |
Forrest Hartman |
Splat C+ |
Showgirls (1995) |
"So bad, it's fun." |
Mark Robison |
Tomato 4/4 |
Shrek 2 (2004) |
"One viewing isn’t enough. There’s layer upon layer of visual gags, and in many cases, they’re funnier than those in the dialogue." |
Forrest Hartman |
Tomato A |
Sick: The Life and Death of Bob Flanagan, Supermasochist (1997) |
"The film is sad and funny and flat-out fascinating." |
Mark Robison |
- |
Signs (2002) |
"Is Signs deep with meaning or just a cheesy alien flick?" |
Forrest Hartman |
Tomato 4/4 |
Signs (2002) |
"Leave it to M. Night Shyamalan to take our expectations for a movie, turn them upside down, and still deliver a work surpassing anything we’d dared hope for." |
Forrest Hartman |
Tomato B+ |
The Simpsons - The Complete Fourth Season (1992) |
"This is the first season where the show stumbles. The makers eschew strong overall stories in favor of strong scenes and gags." |
Mark Robison |
Tomato A |
The Simpsons - The Complete Third Season (1991) |
"A benchmark for how TV shows should be treated on DVD." |
Mark Robison |
Splat C- |
Sin (2003) |
"Lacks the tension and cohesion that might have made it good." |
Forrest Hartman |
Tomato 3.5/4 |
Sin City (2005) |
" Even people who don’t like Sin City should find its images unforgettable. And — in this time of disposable blockbusters — that is a rare compliment." |
Forrest Hartman |
Splat D |
The Singing Detective (2003) |
"The concept is clever, but the film's parts don't fit well and the main character is one of the least likable you'll find." |
Forrest Hartman |
Tomato B |
The Sisterhood of the Traveling Pants (2005) |
"The cinema has seen plenty of coming-of-age tales over the decades, but few are as sweet and well-constructed as this take on the popular Ann Brashares novel." |
Forrest Hartman |
Tomato 3/4 |
Sketches of Frank Gehry (2006) |
"Sketches isn't for everyone, as enjoyment requires at least an elementary interest in architecture or art. Anyone who meets that requirement will receive not only a nice portrait of Gehry the person, but a great survey of his work." |
Forrest Hartman |
Tomato 3/4 |
Sky High (1922) |
"Cleverly blends superhero mythology with common coming-of-age crises to create a family film that is funny, charming and action-packed." |
Forrest Hartman |
Tomato 5/5 |
Sleepless in Seattle (1993) |
"One of the finest of all Hollywood romantic comedies." |
Forrest Hartman |
Tomato A+ |
Sling Blade (1996) |
"These days Thornton is seen primarily as an actor, but with “Sling Blade” he proved a true auteur." |
Forrest Hartman |
Splat B- |
Smallville - Season 2 (2002) |
"Filled with screenwriting problems, but the characters rescue the season -- almost." |
Mark Robison |
Tomato B |
Smiles of a Summer Night (1955) |
"It's good enough, I suppose, but I wouldn't recommend it." |
Mark Robison |
Splat 2.5/4 |
Snow Dogs (2002) |
"While kids will probably eat the whole thing up, most adults will be way ahead of the plot." |
Forrest Hartman |
Splat |
Soap - The Complete First Season (1977) |
"The show is pretty good but the DVD has no extras." |
Mark Robison |
Tomato A |
Solaris (1972) |
"This movie is divine like an Italian cathedral: It’s solemn, huge in scope and deeply meditative." |
Mark Robison |
Splat B- |
Solaris (2002) |
"It’s an interesting movie and a good rental, but it never quite engages like it should." |
Mark Robison |
Tomato B+ |
Something's Gotta Give (2003) |
""Something's Gotta Give" makes for good repeat viewing on DVD.
" |
Mark Robison |
Tomato A |
The Son (2003) |
"Simple yet deep. Not for blockbuster fans but amazing in its own way." |
Mark Robison |
Splat 0/4 |
Son of the Mask (2005) |
"It took little effort to push Son of the Mask from memory. Sadly, my duties as a critic have forced me to recall it, and the flashbacks aren’t pretty." |
Forrest Hartman |
Splat B- |
Songs from the Second Floor (2002) |
"The heavy symbolism overwhelms the storytelling." |
Mark Robison |
Tomato 3/4 |
A Sound of Thunder (2005) |
"There's plenty of room to poke holes in the premise, but folks willing to suspend disbelief can still have a good time." |
Forrest Hartman |