- |
And the Fifth Horseman is Fear (1964) |
Click here to see the review. |
|
Splat |
Angel Eyes (2001) |
"Angel Eyes is a romance without love, a suspense drama without tension, a thriller without excitement." |
Bob Aulert |
Splat 1/5 |
Angel Heart (1987) |
No article available. |
Arthur Lazere |
- |
Angel's Ladies (2000) |
Click here to see the review. |
|
Tomato |
Angel-A (2007) |
"It's too bad it took so long for the film to get here, because it's not only the best part, it's also the very end." |
Beverly Berning |
Splat |
Angela's Ashes (1999) |
"The movie makes the odd and ultimately fatal mistake of leaving McCourt out of his own story." |
Scott Von Doviak |
Splat |
Angels & Demons (2009) |
"Langdon ... comes off as a stuffy, self-important egghead with no sense of humor. He's no Indiana Jones." |
Emily S. Mendel |
Tomato |
Angels in America (2003) |
"What comes through glowingly...is Kushner’s poetic dialogue and Nichols evokes strong performances all the way around." |
Lewis Whittington |
Splat |
Anger Management (2003) |
"With this lineup of actors ... they should have conjured up fiery explosions of sidesplitting comic anger management rather than this tepid taste of implausible assertiveness training." |
Leslie Katz |
Splat |
The Animal (2001) |
"Schneider and his collaborators throw one lemon after another at the screen without ever bothering to
squeeze any comic juice from them." |
Scott Von Doviak |
Tomato 8/10 |
Anna and the King (1999) |
Click here to see the review. |
Gary Mairs |
Splat |
Annapolis (2006) |
"Reworks the basic rags-to-riches fantasy in a muddle of clichés...as predicable as they come" |
Les Wright |
Tomato |
Annie Hall (1977) |
"a tour de force that only the most skilled writer/filmmaker/comedian could pull off" |
Arthur Lazere |
Splat |
The Anniversary Party (2001) |
"convenient confessions, extraneous crises, and unearned emotionalism" |
Arthur Lazere |
Tomato |
Antichrist (2009) |
"Antichrist is a kind of exorcism for von Trier, an exorcism that involves no less than the destruction of the genitals of both sexes." |
Beverly Berning |
Splat 5/10 |
Antitrust (2001) |
"Director Peter Howitt ... seems to realize that he's working with creaky material, so he tries to pump it up with flashy visual effects." |
Gary Mairs |
Splat |
Antwone Fisher (2002) |
"What could have been heartfelt feels contrived and manipulative." |
Jerry Weinstein |
Splat |
Any Given Sunday (1999) |
"As it lumbers past the two-and-a-half hour mark, you may well find yourself praying for sudden death." |
Scott Von Doviak |
Tomato |
Anything Else (2003) |
"At least for his fans, there's plenty of Allen-schtick to enjoy." |
Arthur Lazere |
Splat |
Anywhere But Here (1999) |
"A lot of talented people get torpedoed by a dreary, sudsy script." |
Arthur Lazere |
Tomato |
Apocalypse Now Redux (2001) |
"Those who loved the original Apocalypse Now will find more to admire. Those who found the original self-indulgent and pompous may now find it even more so." |
Bob Aulert |
Tomato |
Apocalypto (2006) |
"To cut to the chase, there should be an NC-17 rating to describe the over-the- top violence in Apocalypto. But the strong of stomach will find an edge-of-your-seat, heart-pounding, technically amazing movie." |
Emily S. Mendel |
- |
Apollo 13 (1995) |
Click here to see the review. |
|
Tomato |
Apollo 13: The IMAX Experience (2002) |
"An irresistible combination of a rousing good story set on a truly grand scale." |
Nigam Nuggehalli |
Splat |
The Apple (1998) |
"While the film is remarkable for what it does manage to show us...it didn't sufficiently get under the surface." |
Arthur Lazere |
Splat |
The Aristocrats (2005) |
"Unspeakably filthy and offensive" |
Janos Gereben |
Splat |
Arlington Road (1999) |
"...could have been a superb dark fantasy, but takes its own malarkey seriously." |
Tom Block |
Tomato |
Army of Shadows (1969) |
"Taut, superb acting, narrative told by mood rather than action, the understated visuals, the elements of 'Army of Shadows' merge to seep in under the skin and create an unforgettable and disturbing experience." |
Les Wright |
Tomato |
Artaud (1993) |
"A rare film that actually has something interesting to say about the creative process" |
Lewis Whittington |
Tomato |
Arthur Dong: Family Fundamentals |
"Has moments of great poignancy and insight." |
Nigam Nuggehalli |
Splat C- |
The Astronaut Farmer (2007) |
"It could be portending the decline and fall of Hollywood, except that it is so unexceptionally bad, and unexceptionally typical of the studio fare right now." |
Les Wright |
Splat |
Asylum (2005) |
"It is not sufficient as pure storytelling to sustain interest...feels hollow at the center--lacking in any payoff, from an entertainment or from a thematic point of view." |
Arthur Lazere |
Tomato |
Austin Powers in Goldmember (2002) |
"Continues the Austin Powers tradition of innovating while sticking to the mandatory bathroom humor machine." |
Nigam Nuggehalli |
Splat |
Auto Focus (2002) |
"Has no real plot, composed of a mishmash of scenes thematically concerned with Crane's moral downfall. There is no build up or suspense." |
George Wu |
Tomato |
Autumn Spring (2003) |
"A fun movie about and for old people...also happens to be a movie that young people won’t be able to resist" |
Leslie Katz |
Tomato |
Autumn Tale (1998) |
"very engaging, very smart, very talky, very French, and most of all, very wise" |
Arthur Lazere |
Splat |
Avatar (2009) |
"Like staring at the world's most expensive screensaver. - NERVE.COM" |
Scott Von Doviak |
Tomato |
The Aviator (2004) |
"Does not entirely avoid the pitfalls of the biopic genre, but it’s rarely less than entertaining, and sometimes downright exhilarating." |
Scott Von Doviak |
Splat |
Away We Go (2009) |
"With Away We Go, Mendes has fallen through the rabbit hole and discovered connubial bliss." |
Beverly Berning |
Tomato |
Azumi (2006) |
"It's a B-movie through and through and its indulgences come from loving the genre too much, not bracketing it with postmodern quotation marks." |
George Wu |
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