Tomato |
Gabrielle (2005) |
"Though Gabrielle could be described as a very talky film..., probing talk is a French specialty, especially when it explores the dangerous, ever-changing chambers of the heart." |
Michael McDonagh |
Tomato |
Galaxy Quest (1999) |
"An agreeable time-killer of a movie." |
Scott Von Doviak |
Tomato |
Gangs of New York (2002) |
"Scorsese's best fiction film since Goodfellas." |
Gary Mairs |
Tomato |
The Garden of the Finzi-Continis (1971) |
"a highly effective piece of work by an always interesting and thoughtful filmmaker" |
Arthur Lazere |
Tomato |
Garden State (2004) |
"An often riotous journey of self-discovery." |
Jesse Paddock |
Tomato |
The Gathering Storm (2002) |
"intelligence, literacy, and high production values" |
Arthur Lazere |
Tomato |
The General (1998) |
"an impeccably made film, stunningly photographed in black and white, and featuring powerful performances by the entire cast" |
Arthur Lazere |
Splat |
The General's Daughter (1999) |
"Good, quippy dialogue can't make up for a fundamentally flawed script, even with Simon West's well paced direction to keep things moving along." |
Arthur Lazere |
- |
Genghis Blues (1999) |
Click here to see the review. |
|
Splat |
George A. Romero's Diary of the Dead (2008) |
"What undermines the movie is a streak of moralizing undercutting the humor that's a vital ingredient to any good zombie flick." |
Pamela Troy |
Tomato |
George A. Romero's Land of the Dead (2005) |
"Possesses the same heady mix of satire and searing horror that characterized the director’s first two entries in the series.
" |
Chris Pepus |
Tomato |
George Washington (2000) |
"a work of imagination demonstrating an original voice and cinematic vision that mark Green as a filmmaker to watch" |
Arthur Lazere |
Tomato |
Get Bruce! (1999) |
Click here to see the review. |
Tom Block |
Tomato |
Get Real (1999) |
"Funny, well made, and thought provoking on many levels." |
Douglas Konecky |
- |
Getting to Know You (1999) |
Click here to see the review. |
|
Tomato 8/10 |
Ghost Dog: The Way of the Samurai (1999) |
"Both a return to form and a heartening attempt to move beyond Jarmusch's increasingly restrictive formal style." |
Gary Mairs |
- |
Ghost Rock (2003) |
Click here to see the review. |
|
Tomato |
Ghost World (2001) |
"There's never been a better look at high school malcontents" |
Gary Mairs |
Splat |
The Gift (2001) |
"By-the-numbers direction of The Gift reduces a potentially involving
story of the paranormal to utter predictability." |
Bob Aulert |
- |
A Girl Cut in Two (2008) |
"The Brilliant Career of Ludivine Sagnier" |
Beverly Berning |
Tomato |
A Girl Cut in Two (2008) |
" ... a deeply cynical film that makes no pretense about the status of women in society." |
Beverly Berning |
Tomato |
The Girl From Monaco (2009) |
" ... an engaging and stylish film." |
Emily S. Mendel |
Tomato |
The Girl from Paris (2002) |
"Thoughtful screenplay...interpreted in subtle and expert performances" |
Arthur Lazere |
- |
The Girl Next Door (1999) |
Click here to see the review. |
|
Tomato |
The Girl on the Bridge (1999) |
"a uniquely original and superbly accomplished work" |
Arthur Lazere |
Tomato |
Girl with a Pearl Earring (2003) |
"Elegant in concept, in restraint, and in the sheer beauty of its representation of Vermeer's world
" |
Arthur Lazere |
Tomato |
Girl, Interrupted (1999) |
"Excellent performances" |
Arthur Lazere |
Tomato |
Girlfight (2000) |
"It still qualifies as a 'feel-good' film, but it refuses to cop out with easy answers or false epiphanies; even the requisite happy ending is laced with a bittersweet melancholy." |
David Fear |
Splat |
Gladiator (2000) |
"...a two-ring circus that fails as entertainment and stinks as a sermon.
" |
Tom Block |
Tomato |
Glass: A Portrait of Philip in Twelve Parts (2008) |
"Scott Hicks' fascinating new film on Philip Glass ... gives an up-close and very personal view of a man who lives completely inside music." |
Michael McDonagh |
Tomato |
Go (1999) |
"The freshest, wittiest, most exuberant ensemble youth comedy since Dazed and Confused." |
Scott Von Doviak |
Tomato |
Go For Zucker (2004) |
"The humor, in both subtle and slapstick varieties, is fast-paced." |
Les Wright |
Splat |
God Grew Tired of Us (2007) |
"It deflates upon arriving in the vast, familiar blandness we know as America." |
Michael Wade Simpson |
Splat |
God Is Great, I'm Not (2002) |
"displays the potential for a better movie than what Bailly manages to deliver" |
Arthur Lazere |
Tomato |
God Said Ha! (1999) |
"a wise, funny, immensely entertaining hour and a half spent with a woman of spirit and verve" |
Arthur Lazere |
Tomato |
The Godfather (1972) |
"All of the filmic arts - design, cinematography, editing, music - come together to forge what is, by any measure, one of the great movies of all time." |
Arthur Lazere |
Splat |
Gods and Generals (2003) |
"A torpid pageant, rather than the powerful human drama that is inherent in the material" |
Arthur Lazere |
Tomato |
Gods and Monsters (1998) |
"a deceptively simple story with a multiplicity of subtle insights" |
Arthur Lazere |
Splat |
Godsend (2004) |
"By the climax the last vestiges of mystery and believability have been so effectively destroyed that there's no real tension." |
Pamela Troy |
Tomato |
The Goebbels Experiment (2005) |
"A fascinating film that provides new insights into Goebbels’ personality
" |
Phil Freeman |
Splat 3/10 |
Gone in 60 Seconds (2000) |
"Gone in 60 Seconds goes so stale in its last 10 minutes that it makes The Rock look like some experimental flick." |
Tom Block |
Tomato |
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) |
"Watching Gonzo, it's hard to like Thompson much, but even harder not to be dazzled by his talent." |
Harry Chotiner |
Tomato |
Good Bye, Lenin! (2004) |
"The overall tone of gentle satire is engaging and Becker's affection for the Kerners is contagious." |
Arthur Lazere |
Tomato |
The Good Girl (2002) |
"Wins the independent movie derby this year." |
Nigam Nuggehalli |
Tomato |
Good Night. And, Good Luck (2005) |
"A smart, pointed, timely and superbly realized biopic" |
Arthur Lazere |
Tomato |
The Good Shepherd (2006) |
"The Good Shepherd tells a compelling, complex, personal and political story and tells it extremely well. It's an engrossing film." |
Emily S. Mendel |
Tomato |
The Good Thief (2003) |
"Chock full of wit and snappy lines...it has a romantic tilt all its own." |
Arthur Lazere |
Splat |
A Good Woman (2005) |
"Without an incisive satirical tone and with the shift of both period and location, 'A Good Woman' loses its bite." |
Arthur Lazere |
Tomato |
The Good, the Bad and the Ugly (1966) |
"An extravagantly plotted epic propelled by waves of free-flowing emotion and a palpable love for the American past" |
Tom Block |
Tomato |
Goodbye Dragon Inn (2004) |
"Each frame is a photograph used to memorialize the texture of every ancient, crumbling crevice." |
George Wu |
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