Tomato |
A Tout de Suite (2005) |
"Evokes the feel and the sensibility of the New Wave while retaining a decidedly contemporary tone." |
Arthur Lazere |
Tomato |
Adoration (2009) |
"Adoration's ending may feel a little too artificial, a little too idealistic, but there is still something lovely about where these people end up." |
Beverly Berning |
Tomato |
Adventureland (2009) |
"The plot mechanics are a drag because Adventureland is at its best when it's in laid-back, hanging out mode." |
Scott Von Doviak |
Tomato |
Affliction (1997) |
"...gripping, the downward spiral taking on genuinely tragic inevitability.
" |
Arthur Lazere |
Tomato |
After Stonewall (1999) |
"a handsomely produced film that doesn't explore new territory or forge ahead with new insight, but is useful, nonetheless, as a primer on the history of the period" |
Arthur Lazere |
Tomato |
Aimee & Jaguar (2000) |
"Watching Aimee and Jaguar is like having your eyes anxiously affixed on a cracked mirror on the wall, delicately held together, yet on the brink of violently shattering to the ground." |
Rachel DeThample |
Tomato |
Al Franken: God Spoke (2006) |
"Always engaging, often insightful, [and] at times deeply moving." |
Les Wright |
Tomato |
Alexandra (2008) |
" ... at times humorous, at times touching, and unfortunately, at times tedious and distancing." |
Beverly Berning |
Tomato |
Alias Betty (2002) |
"An absorbing trip into the minds and motivations of people under stress as well as a keen, unsentimental look at variations on the theme of motherhood." |
Arthur Lazere |
Tomato |
Alice et Martin (1998) |
"Its mystery resonates long after the film ends." |
Gary Mairs |
Tomato 10/10 |
All About My Mother (1999) |
"All About My Mother marks an enormous leap forward for Almodovar." |
Gary Mairs |
Tomato |
All In This Tea (2008) |
"It's another beautiful, sensual film, and another homage to what makes life enjoyable." |
Beverly Berning |
Tomato |
All or Nothing (2002) |
"Leigh and his actors succeed in making these characters human and sympathetic and, thus, all the more profoundly sad." |
Arthur Lazere |
Tomato 8/10 |
Almost Famous (2000) |
"Such a dazzlingly entertaining mess that it's tempting to ignore the
confusion that eventually overwhelms it." |
Gary Mairs |
Tomato |
Along Came Polly (2004) |
"Doesn’t represent cinema at its height, but it will evoke more than a chuckle or two." |
Leslie Katz |
Tomato |
Amadeus (1984) |
"Forman's direction is impeccable, sustaining the unique tone on which the production hinges." |
Arthur Lazere |
Tomato |
The Amazing Mrs. Pritchard |
"the entirely entertaining tale of Ros Pritchard's rocket ride from West Yorkshire to 10 Downing Street ..." |
Emily S. Mendel |
Tomato |
Amelie (2001) |
"An effervescent world of unrequited love, suicidal goldfish, photo booth intrigue and elaborate courtship schemes." |
Bob Aulert |
Tomato |
American Beauty (1999) |
"Bitterly funny and beautifully crafted." |
Tom Block |
Tomato |
American Experience - Daughter from Danang (2002) |
"The filmmakers craftily intuit the emotional high points of the mother-daughter reunion." |
Nigam Nuggehalli |
Tomato |
American Experience - Return With Honor (1999) |
"Mock and Sanders have skillfully crafted a film that grows in intensity as the story unfolds" |
Arthur Lazere |
Tomato |
An American in Paris (1951) |
"Every five or ten minutes the audience is treated to a riveting dance number set to some of the greatest tunes of George and Ira Gershwin." |
Ben Stephens |
Tomato 10/10 |
American Movie (1999) |
Click here to see the review. |
Scott Von Doviak |
Tomato 8/10 |
American Pimp (1999) |
Click here to see the review. |
Scott Von Doviak |
Tomato |
American Splendor (2003) |
"Follows [Pekar's] journey with originality, humor and humanity" |
Leslie Katz |
Tomato |
Amores Perros (2001) |
"Cannily balances the melodrama with starkly naturalistic detail." |
Gary Mairs |
Tomato |
Analyze This (1998) |
"sizzling comic chemistry from the DeNiro-Crystal combination" |
Arthur Lazere |
Tomato |
Anatomy of a Murder (1959) |
"The film breezily wears its two-hour-and-forty-minute running-time." |
Bob Wake |
Tomato |
Angel-A (2007) |
"It's too bad it took so long for the film to get here, because it's not only the best part, it's also the very end." |
Beverly Berning |
Tomato |
Angels in America (2003) |
"What comes through glowingly...is Kushner’s poetic dialogue and Nichols evokes strong performances all the way around." |
Lewis Whittington |
Tomato 8/10 |
Anna and the King (1999) |
Click here to see the review. |
Gary Mairs |
Tomato |
Annie Hall (1977) |
"a tour de force that only the most skilled writer/filmmaker/comedian could pull off" |
Arthur Lazere |
Tomato |
Antichrist (2009) |
"Antichrist is a kind of exorcism for von Trier, an exorcism that involves no less than the destruction of the genitals of both sexes." |
Beverly Berning |
Tomato |
Anything Else (2003) |
"At least for his fans, there's plenty of Allen-schtick to enjoy." |
Arthur Lazere |
Tomato |
Apocalypse Now Redux (2001) |
"Those who loved the original Apocalypse Now will find more to admire. Those who found the original self-indulgent and pompous may now find it even more so." |
Bob Aulert |
Tomato |
Apocalypto (2006) |
"To cut to the chase, there should be an NC-17 rating to describe the over-the- top violence in Apocalypto. But the strong of stomach will find an edge-of-your-seat, heart-pounding, technically amazing movie." |
Emily S. Mendel |
Tomato |
Apollo 13: The IMAX Experience (2002) |
"An irresistible combination of a rousing good story set on a truly grand scale." |
Nigam Nuggehalli |
Tomato |
Army of Shadows (1969) |
"Taut, superb acting, narrative told by mood rather than action, the understated visuals, the elements of 'Army of Shadows' merge to seep in under the skin and create an unforgettable and disturbing experience." |
Les Wright |
Tomato |
Artaud (1993) |
"A rare film that actually has something interesting to say about the creative process" |
Lewis Whittington |
Tomato |
Arthur Dong: Family Fundamentals |
"Has moments of great poignancy and insight." |
Nigam Nuggehalli |
Tomato |
Austin Powers in Goldmember (2002) |
"Continues the Austin Powers tradition of innovating while sticking to the mandatory bathroom humor machine." |
Nigam Nuggehalli |
Tomato |
Autumn Spring (2003) |
"A fun movie about and for old people...also happens to be a movie that young people won’t be able to resist" |
Leslie Katz |
Tomato |
Autumn Tale (1998) |
"very engaging, very smart, very talky, very French, and most of all, very wise" |
Arthur Lazere |
Tomato |
The Aviator (2004) |
"Does not entirely avoid the pitfalls of the biopic genre, but it’s rarely less than entertaining, and sometimes downright exhilarating." |
Scott Von Doviak |
Tomato |
Azumi (2006) |
"It's a B-movie through and through and its indulgences come from loving the genre too much, not bracketing it with postmodern quotation marks." |
George Wu |
Splat |
A.I. Artificial Intelligence (2001) |
"Bursts under the weight of a tidal wave of ponderous schmaltz." |
Scott Von Doviak |
Splat |
Aberdeen (2001) |
"The acting alone can't fill the motivational gaps." |
Arthur Lazere |
Splat |
About Schmidt (2002) |
"[Nicholson] makes Payne's film look better than it is, but he can't save it from being overlong, repetitious, and flat." |
Arthur Lazere |
Splat |
Absolute Wilson (2006) |
"Yet Otto-Bernstein's clips, though well-chosen, never convey what seeing Wilson live is like...Her book is much more stimulating." |
Michael McDonagh |
Splat 2/5 |
The Accidental Tourist (1988) |
No article available. |
Scott Von Doviak |
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