Tomato |
The Eclipse (1962) |
"Because Antonioni shoots characters and places in ways that make them look unfamiliar, the impact makes the slow pacing and lack of clarity not just endurable, but ecstatic." |
Mark Palermo |
Tomato |
Ed Wood (1994) |
"[It] remains the greatest movie about the pleasures and hardships of independent filmmaking." |
Mark Palermo |
Tomato 4/5 |
Edward Scissorhands (1990) |
No article available. |
Mark Palermo |
Splat |
Eight Legged Freaks (2002) |
"It knows the cliches of B movies, but not the intentions." |
Mark Palermo |
Splat |
Elektra (2005) |
"One’s likely to spend the first half of Elektra waiting for it to wakeup and the last half trying not to fall asleep." |
Mark Palermo |
Tomato 4/5 |
The Element of Crime (1985) |
No article available. |
Mark Palermo |
Splat 2/5 |
Elena and Her Men (1956) |
No article available. |
Mark Palermo |
Tomato |
Elephant (2003) |
"One could fault the poetic distance of Elephant’s approach as inhumane, cruel, but it’s this reserve that cuts through the disaffectedness of high school experience." |
Mark Palermo |
Tomato |
Elf (2003) |
"Supremely likeable, but it’s content to be a prestigious variation of an Adam Sandler comedy rather than an inspired fantasy." |
Mark Palermo |
Splat |
Elizabethtown (2005) |
"Elizabethtown is aggressive in its need to be loved. The effect of watching it is to witness over two hours of a movie hugging itself." |
Mark Palermo |
Splat |
Ella Enchanted (2004) |
"It looks tiring for a movie to flaunt its sense of irony as eagerly as Ella Enchanted while remaining so naive." |
Mark Palermo |
Tomato 4/5 |
Emma (1996) |
No article available. |
Mark Palermo |
Tomato |
The Emperor's Club (2002) |
"The eleventh hour plot twists are both fitting and unexpected." |
Mark Palermo |
Splat 2/5 |
Empire Records (1995) |
No article available. |
Mark Palermo |
Tomato 5/5 |
The Empire Strikes Back (1980) |
No article available. |
Mark Palermo |
Splat |
Employee of the Month (2005) |
"Anyone repelled by the dating quota enforcement of movies like Failure to Launch should at least recognize virtue in Employee of the Month's dismissal of ranked social leagues." |
Mark Palermo |
Splat |
Enough (2002) |
"[Enough] treats spousal abuse as a rollercoaster ride." |
Mark Palermo |
Tomato |
Enron: The Smartest Guys in the Room (2005) |
"Without presenting the human effects on a personal level, it’s too much of an instructional tool -- more a comprehensive overview than a felt exploration." |
Mark Palermo |
Splat |
Envy (2004) |
"The risky decision of making every lead character dislikable is squandered through minimal energy." |
Mark Palermo |
Splat |
Epic Movie (2007) |
"Next to Epic Movie and Date Movie, the Scary Movies are French cuisine." |
Mark Palermo |
Tomato 5/5 |
Eraserhead (1976) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Ernest Goes to Camp (1987) |
No article available. |
Mark Palermo |
Splat 2/5 |
Ernest Saves Christmas (1989) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Escape from New York (1981) |
No article available. |
Mark Palermo |
Tomato |
Eternal Sunshine of the Spotless Mind (2004) |
"[While] not as good as the Kaufman films directed by Spike Jonze... it's touched by aspects of greatness." |
Mark Palermo |
Tomato 3/5 |
Europa Europa (1991) |
No article available. |
Mark Palermo |
Tomato |
Eurotrip (2004) |
"It’s nothing spectacular, but Eurotrip plays its formula with enough humour and enthusiasm to at least make it acceptable." |
Mark Palermo |
Splat |
Evening (2007) |
"Evening's take on defining life choices reveals its manic depressive nature." |
Mark Palermo |
Tomato 4/5 |
Everyone Says I Love You (1997) |
No article available. |
Mark Palermo |
Tomato 5/5 |
Evil Dead 2: Dead by Dawn (1987) |
No article available. |
Mark Palermo |
Splat 2/5 |
The Ewok Adventure (1984) |
No article available. |
Mark Palermo |
Tomato 3/5 |
The Exorcist (1973) |
No article available. |
Mark Palermo |
Tomato 3/5 |
The Exorcist 3 (1990) |
No article available. |
Mark Palermo |
Splat |
Exorcist: The Beginning (2004) |
"The prequel to William Friedkin popular shock opera emphasizes unpleasantness over scares and coherence." |
Mark Palermo |
Tomato 5/5 |
Exotica (1994) |
No article available. |
Mark Palermo |
IGN RSS Feeds
