Tomato |
Gangs of New York (2002) |
"It's only because Scorsese serves a lavishly enthralling revenge thriller to cover his thematic hollowness that the film works." |
Mark Palermo |
Tomato |
Garden State (2004) |
"Braff views these people sincerely. More importantly, he locates their humanity." |
Mark Palermo |
Tomato |
George A. Romero's Land of the Dead (2005) |
"If Land of the Dead is too familiar to be unnerving, there’s at least satisfaction in Romero making it such nasty fun." |
Mark Palermo |
Tomato 3/5 |
George of the Jungle (1997) |
No article available. |
Mark Palermo |
Tomato 4/5 |
Georgia (1995) |
No article available. |
Mark Palermo |
Splat 2/5 |
The Getaway (1994) |
No article available. |
Mark Palermo |
Tomato |
Ghost in the Shell 2: Innocence (2004) |
"It's a feast of animation technology and styles, but weighed down by textbook dialogue and storytelling monotony that work against its expressive imagery." |
Mark Palermo |
Splat |
Ghost Rider (2007) |
"When Blaze explains that he may not have a soul but he still has spirit, it's a little like saying, "I may have no heart, but I do have an organ in my chest that pumps blood through my body."" |
Mark Palermo |
Splat |
Ghost Ship (2002) |
"A whole movie's worth of characters shouting, "Is that you!?," becomes more grating than scary." |
Mark Palermo |
Splat 2/5 |
Ghostbusters 2 (1989) |
No article available. |
Mark Palermo |
Tomato |
Ghosts of the Abyss (2003) |
"For all its shortcomings, Ghosts of the Abyss is an often powerful trek, that showcases the experiential qualities of the IMAX format." |
Mark Palermo |
Tomato |
Ginger Snaps 2 : Unleashed (2004) |
"[It's] unlikely to be the flavour-of-the-week critic’s pet that the original was, but it’s a rare sequel that improves upon its predecessor in every respect." |
Mark Palermo |
Tomato |
The Girl Next Door (2004) |
"[It] captures contemporary teenage life with an observance rarely seen in movies, but its director Luke Greenfield doesn’t know where to take that sincerity." |
Mark Palermo |
Splat |
Girl with a Pearl Earring (2003) |
"The aesthetic audacity only exposes the banality of what’s going on underneath." |
Mark Palermo |
Tomato 4/5 |
Glen or Glenda? (1953) |
No article available. |
Mark Palermo |
Tomato 4/5 |
The Godfather Part III (1990) |
No article available. |
Mark Palermo |
Tomato 4/5 |
The Gods Must Be Crazy (1984) |
No article available. |
Mark Palermo |
Tomato 3/5 |
The Gods Must Be Crazy 2 (1990) |
No article available. |
Mark Palermo |
Splat |
Godsend (2004) |
"Rather than engage the real dilemmas surrounding this issue, Godsend is content to explain that cloning is dangerous by making the cloned Adam a murderous psychopath." |
Mark Palermo |
Splat |
Going the Distance (2004) |
"There are few genuine jokes here, just familiar comic happenings." |
Mark Palermo |
Tomato 3/5 |
Goldeneye (1995) |
No article available. |
Mark Palermo |
Splat |
The Good German (2006) |
"It's an achievement so hermetic it hardly bothers to be a movie." |
Mark Palermo |
Splat |
The Good German (2006) |
"It's an achievement so hermetic it hardly bothers to be a movie." |
Mark Palermo |
Tomato |
The Good Girl (2002) |
"An intimate, funny portrait of post-teenage apathy, handled with a sensitivity that rarely veers toward exploitation." |
Mark Palermo |
Splat |
The Good Shepherd (2006) |
"At nearly three hours, the reach is so vast the movie never finds its shape." |
Mark Palermo |
Tomato |
The Good Thief (2003) |
"[Has] a heavier and more distinct feel that most caper films, but like a lot of recent movies, it tries to disguise its thin story with uselessly convoluted plotting." |
Mark Palermo |
Splat |
A Good Year (2006) |
"Every Scott movie has worthwhile visual dazzle, but this is what happens when Hollywood giants lecture against the evils of wealth." |
Mark Palermo |
Tomato 5/5 |
The Good, the Bad and the Ugly (1966) |
No article available. |
Mark Palermo |
Tomato 4/5 |
Goodfellas (1990) |
No article available. |
Mark Palermo |
Tomato |
Gosford Park (2001) |
"Robert Altman expertly depicts pre-WWII British class struggle...There's no better portrait of hierarchical doom." |
Mark Palermo |
Splat |
Gracie (2007) |
"The movie treats Gracie as a cause rather than an impassioned athlete." |
Mark Palermo |
Tomato 3/5 |
The Graduate (1967) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Grand Canyon (1991) |
No article available. |
Mark Palermo |
Tomato 5/5 |
Grave of the Fireflies (1988) |
No article available. |
Mark Palermo |
Tomato |
The Great Debaters (2007) |
"The Great Debaters handles conventions well, making an important piece of history affecting and resonant." |
Mark Palermo |
Tomato 3/5 |
The Great Muppet Caper (1981) |
No article available. |
Mark Palermo |
Splat |
The Great Raid (2005) |
"By the end, the threads have come loose." |
Mark Palermo |
Tomato 4/5 |
Greetings (1968) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Gremlins 2 - The New Batch (1990) |
No article available. |
Mark Palermo |
Tomato |
Grindhouse (2007) |
"What we're mainly getting is two big directors with expensive movies pretending they're niche directors with low funding. It's an act, but an enthralling one." |
Mark Palermo |
Tomato 4/5 |
Groundhog Day (1993) |
No article available. |
Mark Palermo |
Splat |
The Grudge (2004) |
"Without payoff, alluring buildup isn’t worth much." |
Mark Palermo |
Splat |
The Grudge 2 (2006) |
"Pale-faced, staring, mute Japanese kids strike back." |
Mark Palermo |
Splat |
The Guardian (2006) |
"The Guardian isn't as boring as Annapolis and SWAT, but it's still a feature-length training montage about kids learning the importance of taking it to the limit." |
Mark Palermo |
Splat |
Guess Who (2005) |
"None of this addresses true familial concerns about interracial relationships." |
Mark Palermo |
Splat 2/5 |
Gummo (1997) |
No article available. |
Mark Palermo |
Splat |
A Guy Thing (2003) |
"With an ultimately too relaxed comic tone, the movie doesn’t go far enough in emphasizing the mental terrors that result from Paul’s infidelity." |
Mark Palermo |
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