I Am Sam (2002)

"A supremely well-acted TV movie. But, like a lot of microwaveable insta-films, it has a capacity to taste shamefully better than it looks."

I Now Pronounce You Chuck And Larry (2007)

"Taking offense to a film about tolerance just because it's aimed squarely at Middle America is itself intolerant. Chuck and Larry's crime is it doesn't maintain its most audacious bits and it's never funny enough."

I Spy (2002)

"The cast seems so intent on delivering the goods that you can't help wondering what this might have amounted to if it didn't have such an aversion to actual substance."

I'm Not There (2007)

"I'm Not There becomes another boomer ode to the cultural supremacy of the sixties."

Ice Age (2002)

"Far from the over-polished sheen of recent CGI features... the [animation's] basic line-structures are stylistically reminiscent of cave drawings."

The Idiots (1998)

No article available.

The Illusionist (2006)

"An early flashback scene indicates how The Illusionist might have played like The Princess Bride for the tea and scone set. Instead it's just a nobly acted stage mystery."

In Good Company (2004)

"Nothing is ostensibly bad about it, except that it’s mostly surface-level respectability without risk; well-made but inauthentic."

In the Bedroom (2001)

"Wields a hypnotic sadness, handled so powerfully that it's only in hindsight when you start to question whether there's significance beyond the surface-level fury."

In the Land of Women (2007)

"The "young man's post-traumatic discovery of life's value through quirky people tale" is an obscure genre that's somehow attracted Zach Braff, Cameron Crowe and Jon Kasdan."

In the Name of the Father (1993)

No article available.

The Incredibles (2004)

"Bird continually overlays both visual and verbal gags, trusting that his audience can think fast."

Indiana Jones and the Last Crusade (1989)

No article available.

The Informant! (2009)

"Soderbergh pokes fun at the self-importance of corporate thrillers."

Inland Empire (2006)

"Inland Empire is about the effects of movies themselves - the way they change us, inform our goals, and impact our self-image."

Inside Man (2006)

"The dog-eat-dog hustle is an interesting backbone for Lee, but the movie is too understated for its own complexity."

Interiors (1978)

No article available.

Into the Blue (2005)

"The movie is only sometimes honest about being an exploitation film. The rest of it strives for toothless, middle-of-the-road esteem."

Invasion of the Body Snatchers (1978)

No article available.

The Invisible Man Returns (1940)

No article available.

Iron Monkey (1977)

No article available.

It Runs in the Family (2003)

"There are enough genuine moments amidst its TV movie trappings."

It's the Great Pumpkin, Charlie Brown (1966)

No article available.