Tomato |
K-19: The Widowmaker (2002) |
"Bigelow creates a sombre, claustrophobic atmosphere that doesn't let the suspense play as gleeful escapism...[it] actually confronts death seriously." |
Mark Palermo |
Tomato |
Kandahar (2001) |
"Although a surreal darkness pervades several passages of Kandahar, through the misfortune of its timing, it's curiously tame." |
Mark Palermo |
Splat 2/5 |
The Karate Kid Part 2 (1986) |
No article available. |
Mark Palermo |
Splat |
Karla (2006) |
"Movies about real life serial killers are released frequently. It's when they're missing grief that they become an insult to the memory of the dead." |
Mark Palermo |
Splat |
Kicking and Screaming (2005) |
"There’s too little connection to care if these caricatures transcend underdog status." |
Mark Palermo |
Tomato 4/5 |
The Kid (1921) |
No article available. |
Mark Palermo |
Tomato |
Kill Bill Vol. 1 (2003) |
"Cinematically exhilerating... This is the most elated action filmmaking I’ve seen in ages." |
Mark Palermo |
Splat |
Kill Bill Vol. 2 (2004) |
"No fan of the first volume can justify missing this one, but only several moments are worth getting excited over." |
Mark Palermo |
Splat |
King Arthur (2004) |
"Seeking realism, director Antoine Fuqua conforms the Arthur legend. He makes it boring." |
Mark Palermo |
Tomato |
King Kong (2005) |
"Fancy outweighs the ferocious, but the film's also brazen enough to be unmissable." |
Mark Palermo |
Tomato 4/5 |
The King of Comedy (1982) |
No article available. |
Mark Palermo |
Splat |
Kingdom of Heaven (2005) |
"Ridley Scott shies from addressing faith." |
Mark Palermo |
Tomato |
Kinsey (2004) |
"Bound by a conventional framework, the result is admirable if unexciting." |
Mark Palermo |
Tomato 3/5 |
Kissed (1996) |
No article available. |
Mark Palermo |
Tomato |
Knocked Up (2007) |
"Its best and worst attribute is how nice it is." |
Mark Palermo |
Splat 2/5 |
Krull (1983) |
No article available. |
Mark Palermo |
Splat 2/5 |
Kuffs (1992) |
No article available. |
Mark Palermo |
Tomato |
Kung Fu Hustle (2005) |
"Chow’s aesthetic demands an appreciation of the absurd: The events are often silly even as the ideas and feeling behind them are not." |
Mark Palermo |
Tomato 4/5 |
Kurt and Courtney (1997) |
No article available. |
Mark Palermo |
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