Tomato 3/5 |
Rabid (1977) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Radiohead: Meeting People Is Easy (1998) |
No article available. |
Mark Palermo |
Tomato 5/5 |
Raging Bull (1980) |
No article available. |
Mark Palermo |
Splat |
Raising Helen (2004) |
"A gift-wrapped view of pathos -- so sanitized it’s almost creepy." |
Mark Palermo |
Splat 2/5 |
Ransom (1996) |
No article available. |
Mark Palermo |
Tomato 5/5 |
Rashomon (1950) |
No article available. |
Mark Palermo |
Tomato |
Ratatouille (2007) |
"It's a variation of Cyrano De Bergerac with its own comic sensibility." |
Mark Palermo |
Tomato 4/5 |
The Raven (1935) |
No article available. |
Mark Palermo |
Splat |
Ray (2004) |
"The film doesn’t make Ray Charles’ lifetime events into necessary, cumulative movie events." |
Mark Palermo |
Tomato 3/5 |
Ready to Wear (1994) |
No article available. |
Mark Palermo |
Splat |
The Real Cancun (2003) |
"Unfolds with the same simplicity as any multitude of teen films that are honest about being fiction." |
Mark Palermo |
Splat 2/5 |
The Real McCoy (1993) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Reality Bites (1993) |
No article available. |
Mark Palermo |
Splat |
The Reaping (2007) |
"Between effects-shots is a whole movie of people discussing how fascinating things are." |
Mark Palermo |
Tomato 5/5 |
Rear Window (1954) |
No article available. |
Mark Palermo |
Tomato 4/5 |
Rebecca (1940) |
No article available. |
Mark Palermo |
Splat |
Red Dragon (2002) |
"Using much of [Manhunter]'s sequencing and dialogue, the inclusion of Anthony Hopkins as Dr. Lecter isn't enough to caste Red Dragon as an entity independent from its retail potential." |
Mark Palermo |
Splat |
Red Green - Duct Tape Forever (2003) |
"The movie offers more corniness than laughs, delivered with a visual-drabness that fails to justify its packaging as a theatrical film." |
Mark Palermo |
Tomato 4/5 |
Red Rock West (1993) |
No article available. |
Mark Palermo |
Tomato |
Redacted (2007) |
"Calling the movie anti-soldier misses the despair with which DePalma views the troops' situation." |
Mark Palermo |
Splat 1/5 |
Reefer Madness (1937) |
No article available. |
Mark Palermo |
Tomato 3/5 |
The Ref (1994) |
No article available. |
Mark Palermo |
Splat 2/5 |
Regarding Henry (1991) |
No article available. |
Mark Palermo |
Splat |
Reign of Fire (2002) |
"The entire film plays as a single drawn-out scene...it's essentially a lot of humourless grunts shouting survival tactics to one another." |
Mark Palermo |
Tomato |
Reign Over Me (2007) |
"Binder's strength is in connecting characters to the world and then connecting them to each other." |
Mark Palermo |
Tomato |
Reno 911!: Miami (2007) |
"The performers bring enough spirit that the idiocy oversteps malice and manages to be funny about half the time." |
Mark Palermo |
Tomato 5/5 |
Repulsion (1965) |
No article available. |
Mark Palermo |
Splat |
The Return (2006) |
"An entirely internalized portrait of a character without a clear interior." |
Mark Palermo |
Tomato 3/5 |
Return of the Living Dead (1985) |
No article available. |
Mark Palermo |
Tomato 4/5 |
Return to Oz (1985) |
No article available. |
Mark Palermo |
Splat 2/5 |
Revenge of the Nerds II: Nerds in Paradise (1987) |
No article available. |
Mark Palermo |
Splat |
The Ring (2002) |
"With its draggy middle section, The Ring quickly deteriorates into just another collect-the-clues puzzle movie." |
Mark Palermo |
Splat |
The Ring Two (2005) |
"Ring Two goes far enough into dementia that (if you can stick with it that long), you may wish it would suck it up and go the full mile." |
Mark Palermo |
Splat |
The Ringer (2005) |
"Too bad its good intentions only go so far. The compositions are visually flat, and the movie simply isn't very funny" |
Mark Palermo |
Splat |
Rise (2006) |
"Rise is middling, but not by doing things the wrong way. It's not wild enough." |
Mark Palermo |
Tomato 3/5 |
River's Edge (1987) |
No article available. |
Mark Palermo |
Tomato |
Road to Perdition (2002) |
"Mendes allows his moral subtexts to be communicated directly through imagery and emotion." |
Mark Palermo |
Tomato 4/5 |
Rob Roy (1995) |
No article available. |
Mark Palermo |
Tomato 3/5 |
Robin Hood (1973) |
No article available. |
Mark Palermo |
Splat 2/5 |
Robin Hood: Men in Tights (1993) |
No article available. |
Mark Palermo |
Tomato 4/5 |
Robocop (1987) |
No article available. |
Mark Palermo |
Splat 0/5 |
Robocop 2 (1990) |
No article available. |
Mark Palermo |
Splat |
Robots (2005) |
"The subject of robots is reduced to a cute story rather than being motivated by a substantial theme." |
Mark Palermo |
Tomato 3/5 |
The Rocketeer (1991) |
No article available. |
Mark Palermo |
Tomato 4/5 |
Rocky (1976) |
No article available. |
Mark Palermo |
Tomato |
Rocky Balboa (2006) |
"Stallone is so well-meaning with this project, he keeps an average movie extremely likable." |
Mark Palermo |
Tomato |
Roll Bounce (2005) |
"Roll Bounce is the season’s brightest, happiest surprise." |
Mark Palermo |
Splat |
Rollerball (2002) |
"I'm a little unclear as to how [the players] score points, but it has something to do with slamming a golf ball into a waffle-iron." |
Mark Palermo |
Tomato 5/5 |
Romeo and Juliet (1968) |
No article available. |
Mark Palermo |
Splat 2/5 |
Romeo Is Bleeding (1993) |
No article available. |
Mark Palermo |
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