Cabin Boy (1993)

No article available.

Caché (2005)

"SideVue: Hanekering For A New Horror. Considers Michael Haneke's films and their relationship to Austria as a "look-away society," along with their connection to the sub-genre of "New French Extremity" films."

Catch Me If You Can (2002)

"The film glides through its well-structured script, letting the audience coast along with it and allowing the performers to stay loose and limber. And that's what's wonderful about Catch Me If You Can—it's a chase picture that's all about the perfo"

The Celebration (1998)

No article available.

Chaos and Desire (2003)

"A little too slick and self-aware, [the movie] never sinks under the weight of its themes, but this artsy craft of a film does creak and list en route to a safe, soppy ending."

Cheech (2006)

"With its garish and seamy scenes, its flabby shots and not-snappy-enough dialogue, Cheech is often like a nasty old pair of leopard-print underwear, its elastic frayed and loose."

Cherish (2002)

"The mystery here is not the identity of the shadowy man who got Zoe into this mess, but which movie Taylor intended to emerge from Cherish's cinematic muddle."

Children of Heaven (1997)

"Iranian social realism with runaway charm"

Christmas in August (1998)

"Unfortunately, the film's cloying score trickles through scenes like sap . . . works best when circling quietly around its characters and attuned to the dying strains of faded romance."

City by the Sea (2002)

"For me, acting rarely makes or breaks a movie, but there’s so much heart invested in the characters at the centre of this film that I found myself captivated, for just a while, by the troubles of those people up on the screen."

CJ7 (2008)

"Always intriguing but not always fully involving, CJ7 still features, as with its resurrecting dog, Chow's enlivening touch. Even when his film isn't completely absorbing, it seems he never met a dying genre cliché he can't reanimate."

Clerks (1994)

No article available.

Closer (2004)

"To quote the haunting Damien Rice song that bookends the film, you can’t take your eyes off of it."

Confessions of a Dangerous Mind (2002)

"The evil twin of A Beautiful Mind: take out the false life-affirming tone and moral clarity from Howard's movie, add some nasty humour and you get box-office poison."

Coraline (2009)

"SideVue: Gaiman, Set, Match. Considers the adaptation of graphic novels and limited comic-book series in light of the film adaptation of Gaiman's Coraline."

Crazy Love (2007)

"The film never shows anyone being deeper, as if the surface patter of their '50s world is really all they are. . . . it's best to just leave this odd couple to the distant past of Geraldo and other talk show appearances."

CSA: The Confederate States of America (2006)

"Its attack on American racist capitalism is provocative, disturbing and powerful satire . . . shows us through fiction what Katrina has already revealed in fact."

Curse of the Golden Flower (2006)

"This is epic, super-duper-sized . . . a hollow but lovely looking spectacle."