ROTTEN TOMATOES: Rotten Tomatoes: Celebrities - Celebrity Movie Stars from your Favorite Movies

Vue Weekly (Edmonton, Canada)

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Source Table
Rating	Title Year	Quote	Author

-	G.I. Joe: The Rise of Cobra (2009)	"Considers the trend in remaking '80s movies, in light of GI Joe: The Rise of Cobra and the Transformers franchise."	Brian Gibson
Tomato	Gambling, Gods and LSD (2002)	"A fascinating travelogue that links ephemeral images, people�s notions of consciousness and eerie landscapes to suggest that all life on this planet is somehow connected."	Brian Gibson
Tomato	Gangs of New York (2002)	"It brings a brute freshness to the Hollywood epic and confirms Scorsese's abilities as a master storyteller, a director capable of managing both scale and precision, spectacle and depth."	Josef Braun
Tomato	Garbage Warrior (2008)	"A brilliantly constructed film about a larger-than-life, passionate visionary who shows that simple change isn't just urgent, but blindly obvious and well within reach. All we have to do is take a second-hand look at what we're dumping out our back doors."	Brian Gibson
Splat	Girl with a Pearl Earring (2003)	"The picture itself is gorgeously realized and richly atmospheric, but the subjects within the frame remain still lives."	Brian Gibson
Splat	Gloomy Sunday (2003)	"A smoothly crafted, intermittently charming film . . . the dips and turns are predictable and the tense scenes surrounding unhinged or scheming Nazis have been done before."	Brian Gibson
Tomato	Glue (2006)	"The teens grope and fumble through their desire, sex and gender heat-miraging away. . . . The performances are remarkably assured."	Brian Gibson
Tomato	God Grew Tired of Us (2007)	"Leaves much unrecorded and unexplained, though. . . . What about the other boys they live with? And does the film focus on John because he's a spokesman for a cause? . . ."	Brian Gibson
Tomato 5/5	The Godfather (1972)	No article available.	Brian Gibson
Splat	Gods and Generals (2003)	"You will watch a series of battle re-enactments and wait for a film to break out."	Brian Gibson
-	Gomorrah (2009)	"SideVue: Mob Mentalities. Considers, in light of Gomorrah, the difference between New World and Old World film portrayals of the mafia, from Coppola and Chase to Garrone."	Brian Gibson
Tomato	The Good Girl (2002)	"Something in this film sticks to you more than you think it will while you�re watching it. And I think that something is the superb, jarringly resonant central performance by Jennifer Aniston."	Josef Braun
Splat	The Goods: Live Hard, Sell Hard (2009)	"An SUV of a comedy: enjoy hate crimes, homophobia and terrorizing women? Then this hulking, gas-guzzling beast--completely out-of-touch with the economic climate and progressive politics--is for you!"	Brian Gibson
Tomato	Gozu (2004)	"Anyone in the mood for a gender-bending yakuza comedy/horror film and who doesn�t mind seeing a lot of bodily fluids spewing onto the screen ought to give Gozu a whirl."	Paul Matwychuk
-	Gran Torino (2008)	"SideVue: Beyond HollyEastwood. Offers a wish list for 2009 movies in light of Eastwood's latest."	Brian Gibson
Tomato	Grbavica: The Land of My Dreams (2007)	"So intensely immediate, so caught up in the rush and roil of everyday survival, that it never becomes hopelessly sad."	Brian Gibson
Tomato 4/5	The Great Dictator (1940)	No article available.	Brian Gibson
Tomato 5/5	Greed (1924)	No article available.	Paul Matwychuk
Tomato	The Grey Zone (2002)	"It's hard to imagine anybody ever being "in the mood" to view a movie as harrowing and painful as The Grey Zone, but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started."	Paul Matwychuk
-	Gunner Palace (2005)	"'The war has mutated to the point where it�s just not simple anymore,' Tucker says. 'No amount of politics is going to solve it.'"	Brian Gibson
Tomato	Gypsy Caravan (2006)	"The energy is electric, the camerawork crisp and colourful, the editing note-perfect. . . . for the Roma, music sounds the notes of a harsh, maligned cultural history, making them all the more unforgettable while demanding remembrance, even awe."	Brian Gibson

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Vue Weekly (Edmonton, Canada)