Splat |
Ma Mere (2005) |
"Ma Mere will have limited appeal, but I suspect it is a fair visual representation of Bataille's libertine philosophical notions." |
Jean Lowerison |
Tomato |
The Machinist (2004) |
"It is not for everyone -- it is difficult to watch, sad to contemplate and not altogether successful. Nonetheless, it is worth seeing for Bale's performance." |
Jean Lowerison |
Tomato |
Mad Hot Ballroom (2005) |
"It's a joy to watch the exuberance these kids display as they cut a rug to greatness." |
Jean Lowerison |
- |
Mad Love (1995) |
Click here to see the review. |
Jean Lowerison |
Splat |
Mad Love (2001) |
"Lush and beautifully photographed (somebody suggested the stills might make a nice coffee table book), but ultimately you'll leave the theater wondering why these people mattered." |
Jean Lowerison |
Tomato |
Madadayo (1993) |
"The giant who walked among us is no more. We are fortunate to have the cinematic legacy he left." |
Jean Lowerison |
Tomato |
Madagascar (2005) |
"Silly and funny and just right for the doldrums I've been in with the film offerings so far this year." |
Jean Lowerison |
Splat |
Made-Up (2004) |
"It's a family affair that unfortunately looks too much like a feature-length home movie." |
Jean Lowerison |
Tomato |
Mafioso (1962) |
"Mafioso is one of those quirky little films that grow on you as time goes by. Wonderfully shot in black and white by Armando Nannuzzi, whimsically played by Sordi and Bengell, Mafioso will remind you again why you like movies." |
Jean Lowerison |
Tomato |
The Magdalene Sisters (2003) |
"The Magdalene Sisters is not light summer fare, but miss it at your peril: it is one of the year's best films." |
Jean Lowerison |
Splat |
Magnolia (1999) |
"What, ultimately, *is* this jumbled mess about, anyway?" |
Jean Lowerison |
- |
Maléna (2000) |
Click here to see the review. |
Jean Lowerison |
Tomato |
Mambo Italiano (2003) |
"Tired jokes, but done with such good humor that I must admit I laughed throughout." |
Jean Lowerison |
Tomato |
Mamma Mia! (2008) |
"Brosnan, Firth and Skarsgard have a great time playing the bimbos who may be Sophie's dad." |
Jean Lowerison |
Tomato |
Man on the Train (2003) |
"Charming, wistful, poignant, funny -- most of the things I prize in a film." |
Jean Lowerison |
- |
The Man Who Cried (2001) |
Click here to see the review. |
Jean Lowerison |
Tomato |
The Man Who Wasn't There (2001) |
"I'm adding a fourth to my list of favorite Coen brothers films." |
Jean Lowerison |
Tomato |
The Man Without a Past (2003) |
"If you can get used to the low-affect approach, you'll likely be charmed by writer/director Aki Kaurismäki's gentle, affectionate portrayal." |
Jean Lowerison |
Tomato |
Manda Bala (2007) |
"Kohn has produced an astonishingly honest and frankly shocking documentary." |
Jean Lowerison |
Tomato |
Manna From Heaven (2002) |
"Manna from Heaven is labor of love that may not be the best film of the year, but at least you'll come away smiling." |
Jean Lowerison |
- |
A Map of the World (1999) |
Click here to see the review. |
Jean Lowerison |
Tomato |
March of the Penguins (2005) |
"Boasts awesome photography -- this is a National Geographic production, which in part explains it." |
Jean Lowerison |
- |
Margot at the Wedding (2007) |
Click here to see the review. |
Jean Lowerison |
Tomato |
Marie Antoinette (2006) |
"The first film to be shot inside the palace of Versailles, it succeeds in portraying the excess of royalty which, in part, led to the Revolution." |
Jean Lowerison |
Splat |
Marilyn Hotchkiss' Ballroom Dancing and Charm School (2006) |
"Though it's fun to see Carlyle play something other than a bad guy, and all the actors here are working hard, it's a lost cause. Miss this one." |
Jean Lowerison |
- |
Maryam (2002) |
Click here to see the review. |
Jean Lowerison |
Tomato |
Master and Commander: The Far Side of the World (2003) |
"Forget the plot; see this film because of the way it looks, and expect a few Oscar nominations." |
Jean Lowerison |
Tomato |
The Matador (2005) |
"It’s the collision of worlds and ethical standards, along with a clever script and great cast that allow writer/director Richard Shepard’s dark comedy to work." |
Jean Lowerison |
Tomato |
Match Point (2005) |
"Welcome back, Woody. We've missed you." |
Jean Lowerison |
Tomato |
The Matrix Reloaded (2003) |
"The actors are beautiful; the fight scenes flawlessly choreographed; there are philosophical one-liners aplenty. But it lacks purpose." |
Jean Lowerison |
Tomato |
Max (2002) |
"A fascinating what-if portrayal of a time that was and events that might have been." |
Jean Lowerison |
- |
Me Myself I (1999) |
Click here to see the review. |
Jean Lowerison |
- |
Me, Myself & Irene (2000) |
Click here to see the review. |
Jean Lowerison |
- |
Me, You, Them (2001) |
Click here to see the review. |
Jean Lowerison |
Tomato |
Mean Creek (2004) |
"It is in the examination of kid psychology that this film shines, and in the convincing portrayals by these young actors." |
Jean Lowerison |
Tomato |
Meet the Parents (2000) |
"Great filmmaking this is not, but if you're looking for an amusing, undemanding couple of hours, give this a try." |
Jean Lowerison |
- |
Memento (2001) |
Click here to see the review. |
Jean Lowerison |
Tomato |
Memoirs of a Geisha (2005) |
"Memoirs of a Geisha, a dramatic miss, is nonetheless worth seeing for the visual feast it provides." |
Jean Lowerison |
Splat |
The Memory of a Killer (2005) |
"For me, the film bogs down with predictability and too many flash cuts, and seems to repeat itself rather than build in suspense." |
Jean Lowerison |
Tomato |
Men in Black II (2002) |
"Grab some popcorn, put your brain in neutral and enjoy." |
Jean Lowerison |
- |
Men of Honor (2000) |
Click here to see the review. |
Jean Lowerison |
Tomato |
Merci Pour le Chocolat (2002) |
"This is not Chabrol's best, but even his lesser works outshine the best some directors can offer." |
Jean Lowerison |
Tomato |
Metropolis (1927) |
"Don't miss the chance to see this restored masterpiece." |
Jean Lowerison |
- |
Mifune (1999) |
Click here to see the review. |
Jean Lowerison |
Splat |
A Mighty Heart (2007) |
"For those who know the story, all the rushing about soon seems redundant and unnecessary, but perhaps those who don't will bring more patience to the story." |
Jean Lowerison |
Splat |
A Mighty Wind (2003) |
"After the hysteria died down, I realized I was stuck watching a movie about fake folk bands." |
Jean Lowerison |
Tomato |
Milarepa (2007) |
"First-time filmmaker Neten Chokling, himself a great Tibetan meditation master, has made a remarkable film using nonprofessional actors and a mostly nonprofessional crew." |
Jean Lowerison |
Tomato |
Military Intelligence and You! (2008) |
"A hilarious takeoff on World War II training films." |
Jean Lowerison |
Tomato |
Million Dollar Baby (2004) |
"If you're looking for glitz, this is not for you. But it's hard to beat Eastwood for good, solid filmmaking." |
Jean Lowerison |
Splat |
Millions (2005) |
"The plot meanders around rather longer than necessary, and there's a limit to the number of smart-alecky saints one should have to encounter in a 97-minute period." |
Jean Lowerison |
IGN RSS Feeds
