Splat C |
The Painted Veil (2006) |
"It's lacking all subtlety." |
Bryant Frazer |
Tomato B+ |
Panic Room (2002) |
"Fincher builds a self-contained, claustrophobia-inducing thrill machine." |
Bryant Frazer |
Tomato A- |
Paris, Texas (1984) |
Click here to see the review. |
Bryant Frazer |
Tomato A- |
The Passenger (1975) |
"Sure, it's obstinately slow, but what an eye this man has. Every frame is fascinating." |
Bryant Frazer |
Tomato B- |
Payback (1999) |
Click here to see the review. |
Bryant Frazer |
Splat C+ |
The Peacemaker (1997) |
Click here to see the review. |
Bryant Frazer |
Tomato A |
Peeping Tom (1960) |
"Measured, methodical, and conceptually perverse." |
Bryant Frazer |
Tomato B+ |
Pennies From Heaven (1981) |
"How cynical can a musical be?" |
Bryant Frazer |
Tomato B+ |
The People Vs. Larry Flynt (1996) |
"It's a whitewash. But what a charming whitewash, and for what a good cause." |
Bryant Frazer |
Tomato B+ |
Perfume (1991) |
"At times it feels almost like a highbrow exploitation movie, and the best scenes are the ones that go furthest over the top." |
Bryant Frazer |
Tomato B- |
Permanent Midnight (1998) |
Click here to see the review. |
Bryant Frazer |
Tomato A+ |
Persona (1966) |
"This is a picture which demands, and rewards, repeated viewing." |
Bryant Frazer |
Tomato B- |
The Pillow Book (1997) |
Click here to see the review. |
Bryant Frazer |
Splat C+ |
Pitch Black (2000) |
"There's lots of promise for this Twohy guy, assuming he gets hold of a more audacious story (maybe not his) next time around." |
Bryant Frazer |
Tomato B- |
Plagues and Pleasures on the Salton Sea (2007) |
"Plagues and Pleasures on the Salton Sea is an engaging, entertaining snapshot of a long, tragicomic moment in American history." |
Bryant Frazer |
Tomato A- |
The Player (1992) |
"Not since Sunset Boulevard ... has such a scathing film about Hollywood actually come from inside Hollywood." |
Bryant Frazer |
Tomato A |
Playtime (1967) |
"Tati is constantly fiddling with his images, constructing sets and placing his camera in exactly the right place to execute a visual transformation of space." |
Bryant Frazer |
Tomato A |
Point Blank (1967) |
"Scary and exciting at the same time, establishing Lee Marvin as the original Terminator." |
Bryant Frazer |
Tomato B |
The Portrait of a Lady (1996) |
Click here to see the review. |
Bryant Frazer |
Splat C |
Possession (1981) |
Click here to see the review. |
Bryant Frazer |
Tomato B+ |
Praise (1998) |
Click here to see the review. |
Bryant Frazer |
Tomato A |
Primer (2004) |
"A terrific little film about afterhours industry, tenderfoot genius and, of course, the evil in men's souls." |
Bryant Frazer |
Splat C+ |
The Princess and The Warrior (2001) |
"Run Lola Run had a good beat, and you could dance to it. The Princess and the Warrior, on the other hand, is a little turgid." |
Bryant Frazer |
Tomato A- |
Private Parts (1997) |
"Plays like a levelheaded riff on the jazzier Annie Hall." |
Bryant Frazer |
Tomato B |
The Proposition (2006) |
"An ambitious work, thick with history and atmosphere and clearly haunted by the ghosts of an Australian past that remains, at least where cinema is concerned, fairly obscure." |
Bryant Frazer |
Tomato A- |
Prospero's Books (1991) |
"Because Greenaway is working familiar Shakespearean territory, he and cohort Sacha Vierny run wild with the visuals, embedding frames within frames, composing each shot like an independent work of art." |
Bryant Frazer |
Tomato A+ |
Psycho (1960) |
"This is the Hitchcock that sticks it to its audience in the most gleefully malicious ways." |
Bryant Frazer |
Tomato A- |
Public Enemies (2009) |
"This romance is a real romance; these clichés are good clichés. The result is a conflicting and haunting experience." |
Bryant Frazer |
Tomato A |
Pulp Fiction (1994) |
"Jackson is the beating heart of Pulp Fiction, and his performance alone would make this well worth your while." |
Bryant Frazer |
Tomato A |
Pulp Fiction (1994) |
"Samuel L. Jackson is the beating heart of Pulp Fiction, and his performance alone would make this well worth your while." |
Bryant Frazer |
Tomato B |
Pulse (2005) |
"Brings some of the creepiest imagery yet seen to bear on the question of how ghosts might manifest themselves before the living." |
Bryant Frazer |
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